Review by New York Times Review
FREDERICK DOUGLASS: Prophet of Freedom, by David W. Blight. (Simon & Schuster, $37.50.) Blight's monumental biography describes the context that enabled an escaped slave to become an adviser to President Lincoln and one of the 19th century's greatest figures. Unlike Douglass's own autobiographies, it also recounts his complex relationships with the women in his life. THE SOULS OF YELLOW FOLK: Essays, by Wesley Yang. (Norton, $24.95.) Three essays in this collection mine the question of Asian-American identity. Yang emphasizes the invisibility he often feels, and tries to enter the minds of people like Seung-Hui Cho, who killed more than 30 people at Virginia Tech in 2007. THE LETTERS OF SYLVIA PLATH: Volume 2, 1956-1963, edited by Peter K. Steinberg and Karen V. Kukil. (HarperCollins, $45.) This volume, which spans the period of Plath's marriage until her death, includes more than a dozen letters to her therapist, revealing the hurt and humiliation that fed her final, furious poems. THE NOVEL OF FERRARA, by Giorgio Bassani. Translated by Jamie McKendrick. (Norton, $39.95.) Best known for "The Garden of the Finzi Continis," Bassani retrofits his novellas and stories into a sprawling portrait of an Italian Jewish community destroyed by the historical hatreds unleashed by World War II. INKLING, by Kenneth Oppel. Illustrated by Sydney Smith. (Knopf, $17.99; ages 8 to 12.) The son of a creatively blocked artist tries to work with a magical ink blot to help his dad, but the blot has a mind of its own in this astonishing novel about how we make art and connect with family. THE WALL IN THE MIDDLE OF THE BOOK, written and illustrated by Jon Agee. (Dial, $17.99; ages 4 to 8.) A brick wall lies in the middle of each spread in this deceptively simple picture book. A young knight is glad to be protected from the scary stuff on the other side, until a flood carries him over and he sees that there's nothing to fear, and plenty of fun. NOWHERE BOY, by Katherine Marsh. (Roaring Brook, $16.99; ages 10 to 14.) In this hopeful, elegant novel, a Syrian teenager escaping the civil war that killed his family makes it to Brussels, where he befriends a lonely American boy who finds a way to hide and support him for nine months. DOOR, by JiHyeon Lee. (Chronicle, $17.99; ages 4 to 8.) This remarkable wordless picture book bursts with buoyant energy as a boy finds the key to a long-unopened door and makes his way from drabness to a joyful, magical land. DRY, by Neal Shusterman and Jarrod Shusterman. (Simon & Schuster, $18.99; ages 12 and up.) This propulsive action thriller, set at a time when Southern California has run out of water, explores the price of our collective blindness to impending climate disasters. The full reviews of these and other recent books are on the web: nytimes.com/books
Copyright (c) The New York Times Company [August 14, 2019]
Review by Booklist Review
Two boys' lives intertwine in Belgium during the 2016 Paris and Brussels terror attacks. Ahmed, a Syrian refugee who lost his family, finds an unlocked house and hides for a few nights in the wine cellar. Max, an American boy living abroad in Brussels, discovers Ahmed and pledges to keep him safe. But the boys' plans are thrown into chaos when the terror attacks in Paris and Brussels occur, and the police and even Max's family become dangerously suspicious of Muslims and refugees. Marsh paints prejudice and paranoia well and gives credit to young people who work to overcome their biases and listen to others, even when it is difficult. The Belgian, American, and Syrian kids in the story might struggle to communicate with one another because of language barriers, but they nevertheless recognize one another as human beings who deserve not just safety but full, happy lives. A hopeful story about recovery, empathy, and the bravery of young people.--Turk, Mariko Copyright 2010 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Uprooted from their homelands through vastly different circumstances, two teenage boys form an unusual friendship in present-day Brussels. After a bomb kills Ahmed's mother and sisters, he and his father undertake a treacherous journey from Syria to Greece, but Ahmed arrives alone, his father lost at sea and presumed dead. Once in Belgium, desperate to avoid yet another "reception center... human pens where refugees were crowded together, given expired food, and hollered at by impatient guards," he flees, sneaking into the basement of a house on Avenue Albert Jonnart, named after a man who hid a Jewish teenager during WWII. Max, a misfit American teen who has just arrived at this house with his family, is grudgingly repeating sixth grade at the nearby "School of Misery." Alternate chapters share each boy's perspective with humor and pathos, capturing their sense of profound isolation and fear until they meet each other. Soon Max feels inspired to follow Jonnart's example. Through the boys' deepening friendship, Marsh (The Night Tourist) offers a timely and entertaining tale of suspense and intrigue while eloquently conveying the courage necessary to trust another person in a climate rife with fear, suspicion, and ethical dilemmas. Ages 10-14. (Aug.) © Copyright PWxyz, LLC. All rights reserved.
Review by School Library Journal Review
Gr 5-8-Fourteen-year-old Ahmed flees war-torn Syria with his father after a bomb kills the rest of their family. His father jumps from the leaky raft he and other escaping refugees are on to prevent it from sinking in the middle of the Mediterranean. A rogue wave sweeps him away and Ahmed's loss mounts. A fellow refugee takes him in and they eventually join a refugee tent camp in Brussels. But anti-Muslim sentiment is running high in Belgium. When the tent city is shut down, Ahmed, terrified of being returned, runs away and takes shelter in the sub-basement of a home. The home is newly occupied by an American family. Max, the 13-year-old son, is furious with his parents for uprooting him from his friends and forcing him to learn a new language. He becomes intrigued with the history of the house when he learns that a Jewish child was hidden in the basement during World War II. When Max discovers Ahmed and learns his story, the two form a fledgling friendship. Max is not only determined to keep Ahmed hidden, but determined to get him into school. Marsh skillfully weaves the historical parallels with a touching story of friendship. She ratchets up the tension and suspense, until it becomes unbearable; readers will fly through the last hundred pages. VERDICT Thoughtfully touching on immigration, Islamophobia, and terrorism, this novel is a first-purchase. Hands to fans of Alan Gratz's Refugee.-Brenda Kahn, Tenakill Middle School, Closter, NJ © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
In 2015 Belgium, Syrian refugee Ahmed hides in the wine cellar of the house where American Max and his family are staying for a year; eventually, Max and new Belgian friends hatch a scheme on Ahmed's behalf. In third-person narration that alternates between the two boys, Marsh delivers a suspenseful but hopeful story of young people helping each other in a very difficult situation. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
