Review by Choice Review
In this biography of the important British poet and fiction and nonfiction writer Robert Graves (1895--1985), Wilson (Univ. of London, UK) uses newly uncovered materials to build on previous attempts at narrating Graves's eventful life, including his relationships with other significant literary figures such as the American poet Laura Riding, with whom he was involved. Wilson helps turn attention back to Graves's WW I verse, which tends to be overlooked in relation to that of his peers Siegfried Sassoon and Wilfred Owen. This is particularly noteworthy given the centennial of the armistice in 2018. The biography covers the author's life from childhood until the publication of his famous WW I memoir, Good-Bye to All That. That means it does not cover Graves's enduring study of pagan folk traditions and beliefs, The White Goddess (1949), but Wilson certainly draws attention, where relevant, to that later work. Lucid and well documented throughout, this volume is a welcome addition to the literature. Summing Up: Recommended. Lower-division undergraduates and above; general readers. --Joe Moffett, Kentucky State University
Copyright American Library Association, used with permission.
Review by Booklist Review
*Starred Review* Acclaimed Great War poet Wilfred Owen praised the war poetry of his comrade Robert Graves as glorious. But within a decade after winning Owen's praise, Graves began to doubt the value of his war verse, even as he captured the limelight with Good-bye to All That, a compelling prose account of a conflict in which commanders once reported him dead. Drawing on newly available documentary resources, Wilson here analyzes the literary manifestations of combat trauma on Graves, insightfully illuminating why Graves turns from realistic to mythical perspectives on the war. But readers also see Graves' artistic mutations within the context of broader postwar uncertainties about family, faith, love, sex, friendship, and nationality. The vortex of uncertainty begins spinning more wildly when the volatile poet Laura Riding enters Graves' life, hardening his literary judgment, shattering his marriage and family, even impelling him to follow her in a seemingly suicidal plunge through upper-floor windows. In the concluding chapter, Graves' trajectory of personal change carries him still tied to Riding out of England to Majorca. Wilson promises further insights into the imaginative journey of this improbable pair in a second volume chronicling the later decades, which incubate Graves' The White Goddess. Readers fascinated by this complex poet will eagerly await that volume.--Bryce Christensen Copyright 2018 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
In this detailed, sometimes plodding biography of English novelist Robert Graves, Wilson (Siegfried Sassoon) labors to demonstrate the significance of the author's WWI poetry, drawing on extensive new material. Graves (1895-1985), in fact, suppressed much of this work during his lifetime, although he wrote a successful memoir about his wartime service, Good-Bye to All That. Wilson first chronicles Graves's early years, from his upbringing in an "unusually talented" family to his boarding school years (including much about wavering sexuality), before finally arriving at 1914, when Graves, at age 19, enlisted in the British army. The core of the book explores Graves's wartime experiences, including the pivotal episode at the Battle of the Somme where he was given up for dead after being badly wounded. In the concluding section, Wilson emphasizes Graves's significant if complicated relationships with his wife, Nancy Nicholson, whom he married during the war; and American poet Laura Riding, with whom he lived in Spain for many years after the war. Readers will benefit from some background knowledge about WWI poetry, as Wilson tends to stay on the micro level of Graves's experience. The volume only covers one-third of Graves's life, which perhaps does not merit quite such meticulous investigation, but does allow Wilson to carry out a thorough study of a famed author's wartime record. (Oct.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Wilson (Univ. of London; Virginia Woolf, Isaac Rosenberg) has been called the "doyenne of war poet biography." The author's new book on English poet Robert Graves (1895-1985) draws on recently uncovered material and spans the first 34 years of the writer's life. Wilson pays particular attention to Graves's war poems, of which he wrote more than a hundred but omitted almost all of them from his later collections of verse. A significant portion of this volume is devoted to Graves's wartime experiences (1914-18) and to the first years of his life with American poet Laura Riding (1926-29), who does not come off well in this account. Another focus is Graves's association with writers such as Siegfried Sassoon and T.E. Lawrence (whose biography Graves wrote), Indian philosopher Basanta Mallik, and Graves's poet father, Alfred. Wilson has relatively little to say about Graves's best-known publication of the period covered, Good-bye to All That (1929), which she points out was indeed a farewell. After finishing the book, Grave left England, his first wife, and his four children to move with Riding to Majorca, where he spent almost the rest of his life. VERDICT A well-researched, readable biography for most -literature collections.--Joseph Rosenblum, Univ. of North Carolina, -Greensboro © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A sensitive rendering of the poet's formative years.As Wilson (Edward Thomas: From Adlestrop to Arras: A Biography, 2015, etc.) acknowledges, Graves (1895-1985) has been the subject of several well-regarded biographies. She justifies her new examination of his youth, war experiences, and early career on the basis of material recently available, including published letters to a fellow soldier, eight unpublished letters to one of his sisters, and his lover Laura Riding's autobiographical writings. Despite these sources, however, this biography offers a familiar, if finely nuanced, portrait of Graves, his family, and his scandalous relationship with the mercurial Riding. The author sees World War I as "the defining experience of his life," praising his war poems as "unsurpassed in their variety, ranging from the brutally realistic and harrowing to the allegorical," marked by "technical brilliance." Although Graves destroyed most of those poemsdeeming them "journalistic"Wilson claims that they are "among the best to come out of that war." But the poet's youthful "adherence to the traditional forms and metres, together with his belief in rhyme," may have contributed to his later assessment on aesthetic grounds. Graves' service was typical for upper-class young men who enlisted: They were eager for the adventure and soon shocked at the reality. Battle experiences, the deaths of many friends, and a severe wounding left him suffering fears and terrors for years afterward. Wilson examines Graves' platonic male attractions and his reliefproving to himself that he was solidly heterosexualwhen he decided to marry. Children quickly followed, and the "relatively spoilt," nave, and impractical couple found themselves repeatedly in financial straits, turning to their parents for help. Graves' life was upended by Riding, who thrived in "a world of violent emotions." The author vividly recounts the chaos, "near hysteria," and "bizarre and dramatic events" that she created and Graves' willing complicity. He eventually left his wife and children to live with Laura until, 10 years later, she left him.A sympathetic perspective on Graves' eventful life. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
