Lives laid away

Stephen Mack Jones

Book - 2019

"When the body of an anonymous young Hispanic woman dressed as Queen Marie Antoinette is dredged from the Detroit River, the Detroit Police Department wants the case closed out fast. Wayne County Coroner Dr. Bobby Falconi gives the woman's photo to his old pal August Snow, insisting August show it around his native Mexicantown to see if anyone recognizes her. August's good friend Elena, a prominent advocate for undocumented immigrants, recognizes the woman immediately. Her story is one the authorities don't want getting around--and she's not the only young woman to have disappeared during an Immigration and Customs Enforcement (ICE) raid, only to turn up dead a few weeks later. Preyed upon by the law itself, the peo...ple of Mexicantown have no one to turn to. August Snow, ex-police detective, will not sit by and watch his neighbors suffer in silence. In a guns-blazing wild ride across Detroit, from its neo-Nazi biker hole-ups to its hip-hop recording studios, its swanky social clubs to its seedy nightclubs, August puts his own life on the line to protect the community he loves"--

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Subjects
Genres
Detective and mystery fiction
Published
New York, NY : Soho Crime 2019.
Language
English
Main Author
Stephen Mack Jones (author)
Physical Description
296 pages ; 22 cm
ISBN
9781616959593
Contents unavailable.
Review by New York Times Review

TROUBLE COMES CALLING ?? the Louisiana bayou parish where James Lee Burke sets his idiosyncratic regional novels. In THE NEW IBERIA BLUES (Simon & Schuster, $27.99), a condemned murderer named Hugo Tillinger has pulled off a daring escape from a Texas prison and is now hiding somewhere in his old neighborhood. Another recent arrival, the Hollywood director Desmond Cormier, has returned to his humble native roots to make a movie, installing himself and his entourage in a swell house with a spectacular view of the bay. From that vantage, Dave Robicheaux, the broody sheriff's deputy who has stamped his forceful personality on this series, lays eyes on yet another visitor - a woman nailed to a large wooden cross that washes up from the bay. The dead woman, the daughter of a local minister, volunteered for the Innocence Project and was working to free Tillinger from prison. But while there seems to have been a real connection between the minister's daughter and the escaped prisoner, Burke must exert himself to fit those Hollywood types into his brutal byzantine plot. (I stopped counting after the 10 th violent death.) But does anyone really read Burke expecting a coherent narrative? We're hanging on for Robicheaux's pensées, like his meditation on the living spirits of the dead: "I don't believe that time is sequential. I believe the world belongs to the dead as well as the unborn." We're keeping an eye out for vivid characters like Bella Delahoussaye, a blues singer with intimate knowledge of Big Mama Thornton's mournful "Ball and Chain." Maybe most of all, we're waiting for those angry outbursts when Robicheaux lets it rip: "I don't think you get it," he tells one of the movie people. "Louisiana is America's answer to Guatemala. Our legal system is a joke. Our legislature is a mental asylum. How'd you like to spend a few days in our parish prison?" Only if there's a new James Lee Burke novel in the cell. "there was esoteric knowledge involved in being a burglar," Thomas Perry advises us in THE BURGLAR (Mysterious Press, $26). It takes considerable expertise to select the right house, break in without waking the dog and recognize what's worth stealing. Elle Stowell has been at this profession since she was 15, but this petite, lithe young pro isn't prepared to find three people - all naked and shot between the eyes - piled in a heap on the king-size bed in the master suite of the house in Bel-Air she's broken into. The protagonists of Perry's ingenious thrillers are usually skilled at devising schemes for getting out of awkward situations. Elle uses her wits to break into tight spots, like the headquarters of the shady security firm hunting her down for involving herself in the triple homicide. Elle performs tricky feats here, but her pieces de resistance are the elaborate strategies she engineers to break into that company's control center. If Perry is the king of obsessive strategists (and I so declare him), Elle is his pinup model. the thing is, Serge A. Storms is nuts; nonetheless, that doesn't stop Tim Dorsey's psycho hero from doing great deeds. While gripped in his never-ending quest to write an oral history of his beloved Florida, Serge manages to violently dispatch profiteers who menace the innocent and unwary. NO SUNSCREEN FOR THE DEAD (Morrow/HarperCollins, $26.99) finds Serge on a mission to rescue retirees from the hucksters who prey on them. "They have absolutely no soul," he rages, after viewing one gullible couple's junk-filled home. "They will sell and sell and sell until you either lose your house or call the cops." With Coleman, his perpetually stoned companion at his side, Serge storms into Boca Shores, a retirement community of nice people who need his help. After snuffing out an abusive caretaker, he's honored with a raucous pool party, a tribute he repays by treating everyone to a rollicking road trip we'd love to sign up for. AUGUST OCTAVIO snow is a big Detroit booster. In LIVES LAID AWAY (Soho Crime, $26.95), Stephen Mack Jones picks up his gung-ho protagonist where the author left him in his first novel, "August Snow" - cleaning up his beat-up neighborhood in Mexicantown. Using the millions awarded from his successful case against the Police Department, this ex-cop has already rescued his childhood home and is now renovating the other houses on his street. Snow thinks his old job is safely behind him - until a girl in a Marie Antoinette costume is tossed off the Ambassador Bridge. The victim is 19-year-old Isadora (Izzy) Rosalita del Torres, an undocumented worker who went missing in a government raid, and her battered body indicates she was being exploited by sex traffickers. Snow swings into action-hero mode and recruits a posse of friends and neighbors for a vigilante mission that dovetails with his crusade against ICE raids. Seeing Detroit through Snow's adoring eyes is sweet. But except for the bad guys, who go out in a blazing gun battle, the characters are too good to be true, from Snow's sainted godmother and a priest who operates an underground railroad to Snow himself, who could use a few flaws to make him human. Marilyn STASIO has covered crime fiction for the Book Review since 1988. Her column appears twice a month.

Copyright (c) The New York Times Company [January 31, 2019]
Review by Booklist Review

August Snow (introduced in August Snow, 2017) is using his hefty wrongful-termination settlement from the Detroit Police Department to revitalize his neighborhood, Mexicantown. That is, until an ICE unit prowling the neighborhood sends August's right-hand man, Carlos, into hiding. August, a former soldier and cop, thrives on eliminating threats, but halting the federal machine is beyond him. Then, an old contact brings August evidence of another predator stalking Detroit's immigrant community: photographs of an unidentified young woman's body, whose injuries indicate sex trafficking. Elena, August's well-connected activist godmother, identifies her as Izzy, a hardworking girl recently picked up by ICE in Mexicantown. August and his gunslinging godfather, Tomás, confront Detroit's former sex-trafficking kingpin, who swears he's sold his business to an anonymous buyer, leaving them to follow the trail to rogue federal agents and another shipment of girls leaving Detroit's harbor. Hard-driving noir, with a strong dose of neighborhood camaraderie; for read-alike comparisons, think Easy Rawlins and his close-knit L.A. neighborhood meet Jack Reacher.--Christine Tran Copyright 2018 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Jones effectively dramatizes the Trump administration's approach to illegal immigration in his superior second novel featuring ex-cop August Snow (after 2017's August Snow). Snow was forced out of the Detroit PD after he began digging into allegations that the former mayor was corrupt. The wrongful dismissal lawsuit he filed yielded a multimillion-dollar payday, and Snow has chosen to invest that money in his old neighborhood of Mexicantown. The community he is working to help comes under threat from an ICE crackdown, an initiative that coincides with the death of 19-year-old Isadora del Torres, an undocumented alien who leaped into the Detroit River while dressed as Marie Antoinette. Snow learns that the dead teenager was the victim of a vicious human trafficking ring that may involve corrupt immigration agents. Snow, who is of mixed African-American and Mexican heritage, is an uncompromising crusader with a sense of humor reminiscent of Robert Parker's Spenser. He merits a long literary life. Agent: Stephany Evans, FinePrint Literary Management. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Chapter 1   Her secret ingredient was nutmeg.      Not a lot--maybe half a teaspoon or less--but she got the same complex undercurrent effect that she would have with smoked East Indian paprika or authentic Mexican chili powder.      I was in my kitchen, slowly blending half a teaspoon of nutmeg into my homemade salsa--pureed tomatoes from Honeycomb Market, blanched and coarse-chopped tomatoes, chopped jalapenos, minced yellow bell pepper, fresh dill, a quarter lemon, squeezed, garlic, sea salt and coarse ground black pepper. I also added just a bit of chopped cilantro.      While I diced, pureed and blended ingredients, I listened to an old CD of my father's: John Lee Hooker and Santana's classic "The Healer," cranked to top volume on my stereo. Perfect music to accompany a rakishly handsome Blaxican as he made a poor imitation of his mother's salsa. Courtesy of the potent aroma of the salsa and the music, I could feel my hips, my feet moving in the rhythm of a slow rhumba bolero.      And yes, cabrón .      I dance a mean rhumba bolero, thanks to my mother's patient lessons and the decades of practice I've had at dozens of Mexican weddings, one Salvadoran/Colombian wedding anniversary and four quinceañeras.      I'd even given salsa and rhumba lessons at Camp Leatherneck and FOB Delhi Beirut in Afghanistan to guys who'd just gotten engaged to sweethearts anxiously waiting stateside. Go ahead. Ask former Marine Corporal Francis "Franco" Montoya (Seattle, Washington) or former Marine Sergeant Dwayne "Wee Man" Nixon (Memphis, Tennessee). Marine killing machines who will freely admit I'm the only guy they've ever loved dancing with.      It had been a week since I'd taken Tatina Stadmueller, my long-distance-kinda-maybe girlfriend, to Metro Airport for her flight home--back to Oslo, Norway. Back to begin her last year of Cultural Anthropology doctoral studies at the University of Oslo. I was still feeling buoyant from her visit. Like Paul blinded by righteousness and beauty.      The air in my house still carried her warm chocolate-and-pepper scent.      One thing I hadn't intended Tatina to see during her time in Detroit was a black Chevy Suburban, windows blackedout, crawling down Markham Street at ungodly hours of the morning. Tatina had casually noted the SUV twice during her nighttime bathroom visits.      "Who are they?" she asked over breakfast one morning.      "Probably somebody coming home from a late shift somewhere."      Of course, I knew better.      This is Mexicantown. The black Chevy Suburban with blacked out windows was ICE--US Immigration and Customs Enforcement police--trolling in the dark-heart hours, mapping potential "nests" and safe-houses of undocumented immigrants. Their official motto? "Protecting National Security and Upholding Public Safety."      In Mexicantown, we have a different motto for ICE: Si es marrón, enciérrelo .      "If it's brown, lock it down."     Chapter 2    "Please, Jesus lord," Jimmy Radmon said as he entered through my front door. "Tell me I ain't seein' this."      I was carefully ladling my now-completed salsa into six shiny, sterilized Ball fourteen-ounce storage jars. Celia Cruz had just finished her sexy take on "Oye Como Va." Now I was doing a rhumba bolero to James Brown's Hot Pants-Pt. 1 .      "You need to learn the rhumba, Jimmy," I said.      "What I need to learn that goofy stuff for?" Jimmy said, walking around me and retrieving an ice-cold bottle of water from my fridge. I kept bottled water in the fridge just for Jimmy and Carlos. They seemed never to be finished making little adjustments, improvements and additions to my house. I didn't really mind, since most of these were invisible to me. One of their last improvements made my house a virtual Wi-Fi hotspot for the other houses on Markham Street. Not a bad thing since most neighborhoods in Detroit were Internet dead zones.      I found space in the fridge for four of the six jars of salsa and handed two to Jimmy. One for him, one for his loving landlords, my older neighbors Sylvia and Carmela.      "You should sell this stuff," Jimmy said, scrutinizing the jars. "Octavio's Genu-wine D-City Salsa. It's good. Better than store-bought."      "I'll think about it," I said, knowing I wouldn't think about it.      Satisfied with the success of my culinary mission, I grabbed a beer--a Batch Brewing Vienna Lager--and retired to the living room. Jimmy followed along, insisting on boring me with renovation status reports, material and equipment requests and subcontractor bids. We'd just flipped two houses--a detached brick three-bedroom to a young couple who'd moved here from Portland with their three-year-old girl, and a two-bedroom brick duplex to some English charitable foundation guy who insisted on wearing his hair in a man-bun and doing yoga on his front porch.      Then there were the inevitable local newspaper and magazine inquiries.      "This Renna Jacobs from the Free Press , man, she keep on calling me," Jimmy said. "Wants to talk to you about bringin' the 'hood back."      "You didn't give her my number, did you?" I said.      "No, on account I know you'd kill me."      "Damn straight," I said. "Probably by making you give up Cheetos and Gatorade and force-feeding you healthy food."      "Seriously," Jimmy insisted. "A little press be nice for the 'hood. And for me and Carlos. I mean, we all got to think outside the Markham Street box, Mr. Snow. One house left to reno and flip on the street--then what?"      Jimmy had just asked a question that I'd been avoiding for the past three months. I never intended for house renovations in the southwest Detroit neighborhood of Mexicantown to become my purpose in life. I just wanted my neighborhood--my street--back. Maybe homage to my beloved parents. Maybe reverence for a long-ago way of life that in this moment seemed to hold no more weight than spirits wandering far from their graves.      After being fired from the Detroit Police Department, the trial that followed and my twelve-million-dollar wrongful dismissal award, I'd wanted nothing more than to isolate my shattered self in a safe place. That had been the whole reason I'd renovated my childhood home on Markham Street in the first place, and then, by extension, the neighboring houses toward Mexicantown's business thoroughfare, Vernor Avenue.      Markham Street--and August Octavio Snow--2.0.      Now, I had a couple good men depending on me for their livelihood.      And I had no answers for them.      "I'll think about it," I said.      Jimmy gave me a sideways look that said he'd heard this from me before. "Yeah, well, either way," Jimmy said, tearing a small portion of paper from his work notebook and handing the shred to me, "here's that reporter's number. A 'neighborhood renaissance,'" Jimmy persisted. "That's what this reporter lady calls what you done did around here. And, I mean, talkin' to her might be a nice chance for you to do some reno on your reputation in this town, you know?"      I feared Jimmy had stepped over a line and into my personal minefield.      But this was Jimmy. A kid who was, by nature, innocent--maybe even naïve--and without a malicious bone in his rail-thin body.      "What reputation might that be, Jimmy?"      "'Ex-cop who took twelve mil from raggedy-ass Detroit reinvests in raggedy-ass Detroit,'" Jimmy said. "Hometown hero stuff. You could make this work for you, Mr. Snow."      "Like I said, Jimmy--"      "Yeah, I know," Jimmy said. "'I'll think about it.'" Excerpted from Lives Laid Away by Stephen Mack Jones All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.