Review by Booklist Review
Jackson repeatedly proves that she is a titan among her peers, and her latest novel is no exception. It whisks readers away to a 1990s Brooklyn, where hip-hop pulses through life. Quadir, Jarrell, and Stephon are the tightest of friends, and when Stephon is murdered, Quadir and Jarrell refuse to let his stunning talent for words die with him. With the help of Stephon's younger sister, Jasmine, they embark on a mission to elevate their fallen comrade to stardom and gift the world his rhymes. Their plan involves circulating Stephon's music under a new persona they call the Architect, not revealing that the songs are, in fact, posthumous releases. However, the trio doesn't share the same ultimate goal. Quadir and Jarrell want to boost their dead friend to fame and, perhaps, find a way out of the projects, while Jasmine wants to discover who killed her brother. When their scheme takes off, the pressure of keeping their secret mounts, as does danger the nearer they get to the truth behind Stephon's murder. Jackson weaves the three points of view together seamlessly, creating richly drawn and authentically real teens characters. Hip-hop is more than a musical genre; it's a culture and a way of life. Jackson embraces that truth and explores it with uninhibited style in her new novel.--Enishia Davenport Copyright 2019 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Jackson (Monday's Not Coming) deftly chronicles the timely story of bold young talent gone too soon and the survivors who struggle to keep it alive. The year is 1998 and aspiring teen rap artist Stephon Davis Jr. is dead in Brooklyn, the victim of an apparent street shooting perpetrated by persons unknown. Determined not to let his musical genius die with him, Steph's heartbroken best friends, Quadir and Jarrell, and his grief-stricken sister, Jasmine, hatch a plan to pretend that Steph is still alive in order to turn him into a rap superstar like his recently slain idol, Biggie Smalls. As Quadir and Jarrell hawk Steph's posthumous demos (with lyrics written by Malik-16) and a record label rep shows interest in meeting the young artist, an increasingly haunted Jasmine delves into the suspicious circumstances surrounding her brother's murder. From obscure rap and hip-hop references to invocations of scalding hot combs, Jackson scores a bull's-eye with her passionate homage to black city life in the late '90s, yet it's her earnest takes on creativity, love, and loss that are timeless. Ages 13-up. Agent: Natalie Lakosil, Bradford Literary Agency. (May) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 8 Up-After Steph is fatally shot, his sister, Jasmine, and friends Quadir and Jarrell refuse to let his dreams of becoming a rapper die with him. Posing as Steph's management, they sell his CDs on the streets of Bedford-Stuyvesant and try to score him a record deal-all without letting anyone know that their client is dead. Like fellow Brooklyn native Biggie Smalls, whose recent death has also cast a pall over the neighborhood, Steph hypnotizes listeners with his smooth flow and potent rhymes. But the truth threatens to catch up with the teens, especially as they get closer to discovering who killed their friend. Jackson vividly brings to life pre-gentrified 1990s Bed-Stuy. Grim realities such as the threat of violence and racial profiling by police pervade the novel, but so does Jackson's abiding love for Brooklyn (or, in Biggie's words, "Spread love, it's the Brooklyn way"). The book alternates among the first-person perspectives of the three protagonists and includes flashbacks to life before Steph's death-an ambitious move that at times slows the pace and keeps the characters slightly underdeveloped. Still, readers will be invested in seeing the trio succeed both in making Steph a star and in realizing their own goals. VERDICT For fans of Jackson and realistic fiction, and a must for hip-hop heads, especially those who devoured Angie Thomas's On the Come Up.-Mahnaz Dar, School Library Journal © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
Its 1998, and hip-hop reigns supreme on the music charts and in the streets of Brooklyn. Unfortunately, the violence plaguing the community claims the life of Steph Davis, brother to Jazmine and best friend to Quadir and Jarrell. After discovering a treasure-trove of Stephs recordings and notebooks full of his rhymes, the trio sets out to make Steph famous, posthumously. They catch the attention of a high-powered music executive who is all business and plays no games. Jackson (this years Steptoe winner for Mondays Not Coming, rev. 7/18) presents a fast-moving, heart-pounding homage to nineties hip-hop, Brooklyn, and the power of music, love, and friendship. Readers are transported to a time when DJs and MCs rocked the parties and when word-of-mouth could make you a starjuxtaposed with the ever-present threats of violence and hardship. The mysterious circumstances surrounding Stephs death have a lingering impact on the lives of the three young people, the choices they face, and their struggles to cope with loss. Jazmine, Quadir, and Jarrell courageously confront the seeming apathy of the community, systems of inequity, and the invisible boundaries of the inner-cityand discover the healing power of art as they fight to seek justice for Steph. monique harris July/Aug p.130(c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
After a Brooklyn teen is murdered, his sister and best friends set out to launch his rap career.Stephon "Steph" Davis could've been one of the hottest emcees to come out of Brooklyn, just like his inspiration and fellow Bed-Stuy rapper, the Notorious B.I.G. Unfortunately, like Biggie, Steph was murdered. His grieving best friends, Quadir and Jarrell, discover a treasure trove of tapes and CDs of Steph's music in his bedroom. With the help of Jasmine, his socially conscious sister, Quadir and Jarrell hatch a plan to promote Steph's music. With lyrical finesse (penned for the novel by Sharif) and beats that can rock a party, Steph is "killing them while he's dead." Soon, Steph's demo catches the attention of a well-known rep for a major record label who wants to meet hip-hop's newest rising star. The three teens must keep up the charade while also trying to uncover the truth about his murder. Exceptional storytelling, well-crafted, true-to-life dialogue, and the richly drawn Brooklyn landscape will draw readers into this fast-paced blend of mystery, budding romance, and social commentary. Quadir, Jarrell, and Jasmine are endearing, tenacious, and memorable. Hip-hop lovers of all ages will appreciate this homage to rap legends from a bygonebut not forgottenera. Thoroughly engrossing and as infectious as Steph's lyrics: a testament to the unbreakable bonds of friendship and a love letter to Brooklyn and hip-hop in the late '90s. (Fiction. 13-18) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
