Grace after Henry

Eithne Shortall

Book - 2019

A quirky love story set in Dublin that's perfect for fans of PS, I Love You and Jojo Moyes, Grace After Henry is a funny, heartfelt debut novel about one woman learning what it means to move on and to let go When her fiancé, Henry Walsh, is killed in a freak biking accident, Grace feels like she's lost her own shadow. For five years, they'd been inseparable: five years of the most rollicking, soul-finding love Grace thought any two people could share. In his absence, Grace picks up the pieces of her life: She moves into the dream house they bought together, she returns to work as a chef, she watches TV with her nosy elderly neighbor, but through it all she's ever aware of the Henry-shaped hole in her life. Until his lon...g-lost twin brother knocks on her door. Andy is Henry, and yet he's not quite. Newly arrived in Dublin on his own search for answers, he makes Grace's loss feel both greater and smaller. Soon Grace isn't sure if she's learning to let go or becoming desperate to hold on. Filled with a warm and zany cast of characters all searching for a sense of home, Grace After Henry is a funny, tender, and bittersweet story about love, loss, and second chances.

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Subjects
Genres
Romance fiction
Published
New York : G.P. Putnam's Sons [2019]
Language
English
Main Author
Eithne Shortall (author)
Physical Description
370 pages ; 21 cm
ISBN
9780525537861
Contents unavailable.
Review by Booklist Review

*Starred Review* Grace and Henry are blissfully happy and about to buy their first home together. On his way to meet Grace, Henry is killed in a tragic accident. Grace, shocked and bereft, spends her time either sleeping or hanging out in the cemetery with a group of elderly widowers. She eventually moves into the home she and Henry bought and hires a plumber to fix the broken boiler. Grace gets the second-greatest shock of her life when the plumber, Andy, looks exactly like Henry. It turns out Henry was adopted, and Andy is his twin; it's just a coincidence that, while searching for his birth family, he ended up at Grace's. While Andy gets to know more about Henry through Grace, she uses Andy to assuage her grief. This book is a poignant and touching account of one woman moving on after great tragedy. Shortall's American debut does not go for easy solutions but shows how grief manifests differently for those who experience it. Secondary characters in the novel provide necessary comic relief and hope to Grace that life will go on.--Lynnanne Pearson Copyright 2019 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In Shortall's insightful contemporary novel of loss and grief, a freak bicycle accident pulls the rug out from under Dublin chef Grace McDonnell's love life. Grace and fiancAc Henry are ready to buy a home of their own, but when he fails to show up for a house tour, Grace's first reaction is anger. Upon learning that he's been killed in his rush to meet her, the depth of her love is poignantly mirrored in the scale of her grief. She spends weeks in a mourner's stupor that lingers even after she moves into their dream home. She's only fully roused to consciousness by a tradesman, Andy, who's come to fix her boiler. In what might be a dream come true, Andy is a perfect replica of Henry-except for the Australian accent. A friendship that could become love ensues as Grace grapples with a flood of conflicting emotions. Shortall's thought-provoking potentialities combined with her perceptive characterizations are certain to keep Grace and Andy in the reader's mind for a long time. Agent: Liz Parker, Verve Talent & Literary. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Irish author Shortall's American debut introduces Grace McDonnell, a smart, funny, young chef on the verge of buying a house with the love of her life, Henry Walsh. Everything changes when Henry is killed in a freak accident while hurrying to meet Grace. This is not a spoiler as the story focuses entirely on Grace after Henry. She struggles with her deep grief as she slowly reenters life by going back to work, following through on the purchase of the house, making friends with the "three wise men" at the graveyard, and watching television with her curmudgeonly neighbor. Then the unthinkable happens as Henry's heretofore unknown twin brother, Andy, knocks at the door. Andy is looking for information about the brother he never knew, and Grace is thrown as she comes to terms with the existence of someone who looks exactly like Henry yet is so clearly not the man she loved. Complications ensue as, despite Grace's best efforts, those who knew Henry come to meet Andy. VERDICT Both funny and touching, this charming story with wonderful characters examines the nature of grief, love, friendship, and family. For fans of Jojo Moyes and Marisa de los Santos. [See Editors' Spring Picks, p. 22.]-Terry Lucas, Shelter Island P.L., NY © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A young woman in Dublin handles a confusing and surprising gain after a deep and personal loss.After her partner, Henry, dies in a bike accident, Grace spends nearly three months emotionally and physically shut down. Then, with lots of prodding from her parents and best friend, she attempts the barest requirements of living again: going to her job as chef at a local cafe, visiting Henry's grave, and furnishing the house the two were buying when he died. She thinks she sees Henry everywhere and has to convince herself it's just her grieving brain playing tricks on her, until he shows up, on her doorstep, in the flesh. But this isn't Henry, either. It's Andy, the twin brother from Down Under no one knew existed. Once the initial shock has dropped to a simmer, Grace allows herself to find comfort in Andy's similarities to Henry while Andy finds comfort seeing the type of life he might have had if his restless, adoptive single mom hadn't moved him to Australia. They both dabble in magical thinking, teasing at this soap-opera setup to see if it might go in the most soap-opera direction. But Grace (who narrates the bulk of the book) has a straightforward, often droll tone, and Shortall in general focuses on small, daily details over sweeping, dramatic ones. This is a blessing and a curse; it tempers the high drama of the plot into something sweet and (almost) believable. But in the dance between the two she loses sight of the story of grief, which deserves more attention.Strongest in its depiction of modern Dublin characters and their entertaining interactions, muddled when it comes to the meat of the story. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Several Weeks Later   1.   There were moments of lucidity-the sound of Dad abruptly starting up the vacuum cleaner and Mam screaming that hoovering disturbed the moths-but most of the early weeks passed in a fugue. I didn't leave the bed, never mind my parents' house, if I could help it. My social circle consisted of Mam, Dad, occasional visits from Aoife, and the three other mourners I met every time I went to visit Henry's grave.   The day I came to and regained some sort of awareness, my parents were jumping around their living room like Native Americans celebrating the arrival of rain. Everyone else's life had continued, all but mine and Henry's. Time kept passing, the sun kept rising and, as sure as spring follows winter, the moths had returned.   "I got him! I got the little bugger."   Dad froze where he stood, right in the middle of the living room-knee bent, hands raised; an impressive yoga pose for a man with a bad lower back-and Mam, from her position on the sofa, squinted at the space above the television, the same bit of middle distance that was entrancing Dad. Neither spoke. It was, I knew because the Late Late Show had just come on the telly, 9:35 on a Friday night.   "You did not get him, Arthur, look. Look! There he is now. Looklooklooklook! Quickquickquickquick!" Mam leaped to her feet, adopting the McDonnell family's preferred stance when it came to the extermination of moths. "There he is!"   "Where?"   "There."   "Where?"   "Theretheretherethere!"   "I see him I see him. The fecker! I've got you now, my little friend."   "It's the feckin' heat." Mam grabbed the two magazines from Dad's armchair and held a rolled up Heat in her left hand and House and Home in her right. "The mild winter and all the feckin' central heating. I told you we didn't need the radiators on in March, Arthur. I don't see why you couldn't just use the tumble dryer to dry the clothes. You may as well roll out the welcome mat. They thrive in temperatures above twenty-two degrees."   This was the fourth consecutive year our house had been overrun by moths, and my mother, who had reactivated her library membership to read up on them, had found her Mastermind subject.   "Well excuse me, Sarah," said Dad, momentarily distracted from the assassination by this slight on his housekeeping skills. Since retiring, Dad had developed two passions: domesticity and celebrity gossip. The week he stopped being a driving instructor, he watched the entirety of Lindsay Lohan's trial live on TMZ. And then he was so worried about her that he took to cleaning to distract himself. "If you want to live in a home where you have to wear your winter coat just to go to the bathroom . . ."   "There's nowhere else I can wear it, now they've eaten two big feckin' holes in the arse of it!"   "And whose fault is that? If you'd just hang it back like I showed you, under the plastic cover, which I got special from the dry cleaners, but no, you just throw it wherever you feel-"   "I see him! Arthur! There!"   "Shush!" admonished Dad, his head cocked like Patch used to before he went deaf and forgot he had ears.   "They can't hear us, Arthur." Mam rolled her eyes, trying to coax me into the conversation. But I was still trying to get my bearings.   I had relinquished autonomy the moment I arrived back at our flat, drenched with rain and dread, to find two police officers at the front door. "Grace McDonnell?" And I'd known then, not from what they said but how they stood, with their uniform caps in hand, as if they were already at the funeral.   It was amazing how long you could get away with ignoring everything when you didn't care about the outcome of anything. Emerging from that apathy in my parents' house was like coming to in a madhouse.   "Shush!" Dad adjusted his glasses, his eyes flickering from the middle distance above the telly to the middle distance above my head. "I need to concentrate."   Mam sent her eyes skyward again. She held her own spectacles up to her face.   "There! Arthur, behind you!"   "He's not, he is! He's- Sorry, love." Dad clambered into my chair, crushing the unopened book that lay on the armrest.   "Get him, Arthur. Go on, get him! Get the bastard."   "Mam!"   She shrugged off the uncharacteristic profanity. "Just checking you were still with us, pet."   "And . . . smack!" Dad peeled his hand from the mint green wallpaper and presented his palm victoriously. "Mess with the McDonnells and you! Get! Squashed!"   And they both started shrieking, dancing their tribal dance around the rug once again. It was always the strangest things that reminded me how besotted my parents were with each other. They worked so hard to build this life, and they deserved these years to enjoy it together.   That was the point when I stood-something they weren't used to seeing me do without coaxing-and declared that it was time I moved on. Aberdeen Street was ready; I'd signed the last papers, and the keys were mine to collect when I wanted. Henry's parents had insisted I follow through on the purchase. They didn't want the deposit money, and his life insurance would help me through the first year of mortgage payments.   Mam said it was too soon; Dad said I'd be missed and that my twenty-twenty vision was a vital asset in the war against larvae. But I had to go. Every time I looked at them I wanted to apologize for the new lines on their faces.   Within a week, we had moved my stuff into the end-of-terrace on Aberdeen Street that I kept referring to as "our house." The only unpacked bag was the plastic one stuffed with coats and scarves that had gotten caught on the spikes of the gate as Dad carried it in. It burst all over the hallway and, ten days on, I still hadn't found the energy to pick them up.   I thought I heard Henry the first night I was in this house. Thinking I saw him was nothing new; every time I went outside I was convinced I clocked him somewhere, but that was the first time I'd heard his voice. I was in the back garden, checking the door that led from the shed to the laneway was locked. I pulled at the iron bolt to ensure it was solid, and this shot of laughter rang out.   I recoiled from the lock as if it had burned my hand. I didn't move another inch. I swore to god it was Henry's laugh.   My heart pounded in my chest and I felt a wave of nausea but I ignored it. I stood, still as a statue, waiting for the sound that would not be repeated. I remained like that until I started to shiver, then reluctantly I went back inside.   There were days when my only interaction was with the man in the corner shop with the Chinese-Dublin accent who called himself Pat but whose real name was Xin. I bought bread and cheese from him, and he sometimes made observations but never asked questions.   "You're like a vampire," he said, handing over the Brie and baguette.   "Because I'm pale?"   "Because you only come out at night."   But mostly I just sat on the floor in the hallway beside the mound of coats and watched as my phone flashed beside me. I'd been ignoring my mother's calls for three days now. All she wanted was for me to say, "Yes, doing much better this evening." And I couldn't. I considered lying back down on the pile of duffel and denim and wool. There was no end to how much I could sleep.   The phone stopped ringing, and I waited for the single ping. The screen flashed again: "You Have Nine New Voice Mails." She only wanted to help, like Dad when he'd offered to buy me a coat rail. Putting into action something he couldn't put into words. Just like Henry. The white glow faded, and the hallway returned to dark. There was no bulb in the light fixture above me, and I liked it like that. It reminded me of Ebenezer Scrooge roaming around his home in the dark, too stingy to pay for lamps.   Almost all of what Henry was carrying had been obliterated when the wheel of the articulated lorry returning to Dublin Port after a beet sugar delivery had rolled over him. All that had come back to me was his oil-stained backpack and a bizarrely pristine copy of A Christmas Carol. We read to each other most nights, and we'd been reading that when he died. Henry was atrocious at voices, but I made him do them anyway. His Bob Cratchit had me rolling around the bed laughing. We read A Christmas Carol every year, but never at Christmas. Too predictable.   Sitting with my back to the wall and my knees pulled into me, I opened the book to the relevant passage. I angled the page toward the living room so I might have enough light to make out the words.   "Darkness is cheap, and Scrooge liked it," I read aloud to no one, the sound of my own voice making me jump. It had been a while since I'd spoken. "But before he shut his heavy door, he walked through his rooms to see that all was right. He had just enough recollection of the face to desire to do that."   Beyond the front door, people were moving: coming home from work, going to the shop, heading out for a run in the park. But I stayed in the hallway. Every other room was filled with bags and boxes: throws and cushions in the sitting room, clothes in our bedroom, books in the study, and mountains of crockery and saucepans in the kitchen. I couldn't bring myself to unpack any of them. I couldn't be in the same room as them. So I stayed where I was, in the darkness, right where Henry had left me.   I would have given anything to have him back: this house, everything in it, a limb, two limbs, my sense of taste. I would have cut off the last two decades of my life. I would have watched a stranger die.   I would have watched my parents die.   I dug my nails into my arm until the dents didn't immediately disappear. The longing and aching were joined by a fresh wave of guilt. I closed my eyes until the nausea passed. But I had started down this path and I couldn't stop. Even when I opened them I saw it.   I saw him hurrying along on his bike, worrying that I would be cross with him for being late, and that stupid scarf that I had knitted that he never wanted coming undone. I saw the red wool looping into the spokes of his wheel, going round and round until it pulled him under the truck. I heard a decisive crunch as his bones were turned to dust and the squelch like a welly coming away from marsh as his insides flattened. But mainly I saw the red, spinning round, over and over, an indistinguishable mix of scarf and blood and eviscerated organs.   "Why didn't you look where you were going?"   The responding silence echoed around the hallway and throbbed in my ears.   "Why didn't you slow down? Hmm? Why couldn't you just do that?"   I remembered the last time I saw him: he was heading out the door of our flat, his big smiling head asking what the weather was supposed to be like and me saying it'd be windy and- No. No. No. No. I couldn't finish that thought.   "Henry! I'm talking to you. H-"   I choked on his name. I missed his arms and his smell and his existence. It filled me with rage how he never responded, and that made my throat ache more.   "I'm sorry, okay?"   Still nothing.   "Henry!"   It was not a statement but a plea. And I flinched at the desperation in my voice. Nobody had ever been coaxed back from the dead by a whinge and a nag.   "I said I'm sorry."   But there was only the confirmation of night. The buzz and click and finally light as the streetlamp at the end of Aberdeen Street illuminated. My phone flashed again, and I slid it away. I allowed my body to slump to the side, and though I was sobbing into the hood of a quilted jacket, sleep took no time. I was exhausted. I was gone before the ping of my mother's tenth voice mail.   2.   "Grace likes telling this story because she likes telling everyone what a dope I was."   "Not a dope. More . . . cringeworthy."   "Great. Much better."   "We knew each other when we were teenagers. Henry lived in the same estate as a girl I went to school with, and I'd met him at house parties. We even kissed once actually, during a game of truth or dare, although Henry complained that I was the one who'd been given the dare so why did he have to suffer."   "I did not use the word 'suffer.'"   "But then Christmas Eve, a few years ago, we were both in my local. The Back Bar. Henry goes there every Christmas Eve, but I'm usually in my granny's. Only she was in England that year, staying with my uncle. So I go to the pub with Aoife."   "You met Aoife at Grace's birthday."   "Really dark hair, yeah, dead straight. That's her. She gets it from her mother's side. So anyway, me and Aoife go into the Back Bar and the place is rammed. But I see Henry at the bar. Half a foot taller than everyone else. And he's in a big group with Claire Maguire, the girl from school. She was the one who had all the house parties when we were teenagers. So anyway I go over, and me and Aoife are going on about how we haven't seen Claire in so long and what's she up to now, but really I've got one eye on Henry the whole time. And I can tell he's looking at me."   "I was just keeping an eye out for my pint."   "And this goes on for a while. Claire's not introducing us, and I can't see how I'm going to get talking to him, and the barman is getting ready to ring the bell for last orders so I start to panic. And Aoife can see I'm panicking even though I haven't had a chance to say anything to her, but she knows I liked Henry all those years ago."   "Best kiss of her adolescence." Excerpted from Grace after Henry by Eithne Shortall All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.