Review by Booklist Review
All appears relatively calm at the start of each story in this collection by popular South Korean Kim (I Hear Your Voice, 2017). In the titular novella, an elderly man plainly states that it has been 25 years since he last killed someone. This lucid declaration is followed by a slow deterioration of the self-declared serial killer's memory as a result of Alzheimer's and dementia. Anxiety and paranoia creep into his brief diary entries as a mysterious meeting with a man who seems to know his dark past disrupts the very core of his carefully constructed reality. So, too, in the stories that follow, expectations of an orderly life are thrown into turmoil or characters experience a fortunate near-miss. A lover's tryst gives way to a vengeful set of coincidences, a family struggles to make sense of their child's sudden disappearance, a writer pursues creation at high costs. Kim delicately weaves philosophical debates on the nature of happiness and morality into his characters' inner narrations. Both jarring and atmospheric, this is a cerebrally satisfying collection.--Michael Ruzicka Copyright 2019 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
This dark, innovative story collection from Kim (I Have the Right to Destroy Myself) is rife with grim plots and unreliable narrators. The lengthy title story, a first-person account of a former serial killer stricken with Alzheimer's, is told in a series of notes the narrator writes to himself amid his concerns that another serial killer is stalking his adoptive daughter (whose mother he murdered). As the plot progresses and the killer decides he needs to make one last kill, characters swing into new identities-readers learn about the protagonist as they learn not to trust a thing. "The Origin of Life," the weakest story in the collection, tells the story of an affair between one-time childhood sweethearts gone wrong. The somber "Missing Child" explores what might happen when an abducted child is returned to a family 10 years later. "The Writer," the book's strangest and funniest story, is a twist-filled account of a blocked novelist who is sent to New York by his new publisher and finds inspiration in an unlikely source. The collection, with its universally bleak stories, suffers from diminishing returns, but the title story is exceptional. The best stories are engrossing and disturbing, and are excellent showcases of Kim's talent. (Apr.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
While celebrated South Korea author Kim's long fiction has appeared in English, (e.g., I Hear Your Voice), this is the first of his five story collections to be translated. The opening novella features a now inactive serial killer slowly losing his memory. ("It's been twenty-five years since I last murdered someone, or has it been twenty-six?") Now he's worried that another serial killer he knows is targeting his adoptive daughter-the very daughter his final victim begged him to spare. The narrative is brisk and the voice magnetic, but can this narrator be trusted? Other stories feature a violent encounter that upends two offbeat lovers and a writer contemplating murder to get his creative juices flowing again. VERDICT Spiky, quirky reading for all short story fans, whether of literary or pop bent. © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
These tales of obsession reverberate with the hard, cool, and dryly comic voice of one of South Korea's most versatile writers (I Hear Your Voice, 2017, etc.).In the title story, which takes up practically half of this svelte collection, Kim Byeongsu is entering his eighth decade afflicted with Alzheimer's. Because his mind has shattered into fragments that wander or collide, he is compelled to write down everything and anything that comes into his head before it vanishes into the ether. Observations, random encounters, physical details, reminiscences, pieces of poetrythey all somehow find their ways into his journal. When he's able to connect some of these jottings, Byeongsu determines that there's a serial killer at loose in his neighborhood and that the next victim could be his daughter, Eunhui. Such reasoning is based on personal experience: Byeongsu himself was a career serial killer who managed to evade the law for three decades until he quit and took upbowling? Maybe it was a car accident that shook him out of "the work that [he's] best at." He's not sure, and neither are we. Creeping anxiety and Kafkaesque humor meld in this deceptively intricate novella (the foundation of a 2017 movie, Memoir of a Murderer, co-scripted by its author), goading you into believing just about anything Byeongsu says, no matter how disreputable his past or unreliable his memory. The other three stories retain the first one's chilliness (sustained nicely with help from Lee's translation), which comes across somewhat diffused in different, but no less jolting, contexts. In "The Origin of Life," a liaison between former childhood friends distorts itself into what appears at first to be a romantic triangle but coalesces into a more rhomboidlike shape. "Missing Child" ramps up the intimacy of terror (and vice versa) in chronicling a kidnap case, while "The Writer" frolics with sex, lies, and philosophy in tracking the crash and burn of its title character. Kim's gifts may need a bigger canvas than the short form allows to spread his wings. Still, this is a lively, enthralling introduction to his eclectic artistry. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
