Pick up the pieces Excursions in Seventies music

John Corbett, 1963-

Book - 2019

Rock. Disco. Soul, Jazz. Folk. Funk. The 1970s were as varied as they were exhilarating. Corbett transports us to this thrillingly tumultuous era through a playful exploration of its music. Song by song, album by album, he shows that the music scene of the 1970s was as varied as it was exhilarating. His essays allow readers to dip in and out of the decade at random or immerse themselves completely in Corbett's chronological journey. -- adapted from jacket

Saved in:

2nd Floor Show me where

781.6409/Corbett
1 / 1 copies available
Location Call Number   Status
2nd Floor 781.6409/Corbett Checked In
Subjects
Genres
Essays
Published
Chicago ; London : The University of Chicago Press 2019.
Language
English
Main Author
John Corbett, 1963- (author)
Item Description
Includes index.
Physical Description
495 pages ; 24 cm
ISBN
9780226604732
  • 1970. The Kinks, "Lola"
  • Edwin Starr, "War"
  • James Brown, "Get up (I feel like being a) sex machine"
  • Black Sabbath, Paranoid
  • Captain Beefheart & the Magic Band, Lick my decals off, baby
  • The Stooges, Fun house
  • The Art Ensemble of Chicago, Les stances à Sophie.
  • 1971. Joni Mitchell, Blue
  • Michael Hurley & Pals, Armchair Boogie
  • Harry Nilsson, Nilsson Schmilsson
  • Webster Lewis and the Post-Pop Space-Rock Be-Bop Gospel Tabernacle Chorus and Orchestra BABY!, Live at Club 7
  • Curtis Mayfield, "Move on up"
  • Genesis, Nursery cryme
  • Derek Bailey, Solo guitar
  • The Rolling Stones, Sticky fingers.
  • 1972. Lou Reed, Transformer
  • Alice Cooper, "School's out"
  • Yes, Close to the edge
  • The Edgar Winter Group, "Frankenstein:
  • Focus, "Hocus pocus"
  • The O'Jays, Back stabbers
  • Julius Hemphill, Dogon A.D.
  • Nick Drake, Pink moon
  • Carla Bley, Paul Haines, Escalator over the hill
  • Todd Rundgren, Something/Anything.
  • 1973. Sun Ra, Space is the place
  • Al Green, Call me
  • Marvin Gaye, Let's get it on
  • Stevie Wonder, "You are the sunshine of my life"
  • Gal Costa, Índia
  • Led Zeppelin, Houses of the holy
  • Sly and the Family Stone, Fresh.
  • 1974. Gram Parsons, Grievous angels
  • Average White Band, "Pick up the pieces"
  • William DeVaughan, "Be thankful for what you've got"
  • The Residents, Meet the Residents
  • Brian Eno, Taking Tiger Mountain (by strategy)
  • Dr. Alimantado, "Best dressed chicken in town"
  • Kraftwerk, Autobahn
  • Van Morrison, Veedon fleece
  • John Cale, Paris 1919
  • Robert Wyatt, Rock bottom
  • Neil Young, On the beach
  • Queen, Sheer heart attack
  • Sparks, Kimono my house.
  • 1975. Parliament, Mothership connection
  • Van McCoy, "The hustle"
  • Elton John, "Philadelphia freedom"
  • Kiss, Alive!
  • Electric Light Orchestra, Face the music
  • Bruce Springsteen, Born to run
  • Bob Dylan, Blood on the tracks
  • Patti Smith, Horses.
  • 1976. Boston, "Long time"
  • Aerosmith, Rocks
  • Bootsy Collins, Stretchin' out in Bootsy's Rubber Band
  • Fela and Afrika 70, Zombie.
  • 1977. Richard Hell and the Voidoids, Blank generation
  • Television, Marquee moon
  • Milford Graves, Bäbi
  • Fleetwood Mac, Rumours
  • Ted Nugent, Cat scratch fever
  • The Clash, The Clash
  • David Bowie, Low
  • Suicide, Suicide
  • Joe McPhee, Tenor
  • Heart, Little queen
  • Pink Floyd, Animals.
  • 1978. Van Halen, Van Halen
  • Elvis Costello, This year's model
  • James "Blood" Ulmer, Tales of Captain Black
  • Just what I needed : a Transatlantic art-pop comedy in five acts. Act I : Cheap Trick, Heaven tonight, The Cars, The Cars ; Act II : Wire, Chairs missing ; Act III : No New York, Talking Heads, More songs about buildings and food ; Act IV : XTC, Go 2 ; Act V : Devo, Q : Are we not men? A: We are Devo!, Pere Ubu, The modern dance, MX-80 Sound, Hard attack.
  • 1979. Forty-one 45s
  • The Fall, Dragnet ; Ramones, "Rock 'n' roll high school"
  • Ian Dury & the Blockheads, Do it yourself
  • The Police, Reggatta de blanc ; The Pretenders, Pretenders
  • Sugarhill Gang, "Rapper's delight"
  • The Pop Group, Y ; The Slits, Cut
  • The Raincoast, "Lola".
  • 1980. Grace Jones, Warm leatherette.
Review by Booklist Review

A decade is just a way to hold back the rush of time, Corbett writes in his introduction to this thoroughly enjoyable and gorgeously written joy ride down his version of 1970s memory lane. He does, however, look back to the music of that time as an adult, specifically a Chicago gallerist, jazz and film expert, teacher, and writer, discovering, along the way, songs that he missed or failed to grasp the first time around. He pegs the start of the 1970s to the demise of the Beatles and its conclusion to the birth of rap. Pick Up the Pieces also a hit by the Average White Band, a Scottish white funk group is as much a self-portrait as a work of music history. As he notes, you carry songs around with you forever. While discussing Joni Mitchell's Blue, he asks, What makes a perfect record perfect? With his reflections on the Kinks' Lola and Patti Smith's Horses, Elvis Costello's This Year's Model and the Sugarhill Gang's Rapper's Delight, music lovers are sure to enjoy Corbett's delightful book about a fascinating, often-misunderstood time of musical innovation.--June Sawyers Copyright 2019 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review

This work by Corbett (Vinyl Freak) starts slowly, and, as with the music he reviews, readers initially won't be sure what exactly he's got here. Memoir, musicological history, song reviews, social analysis? Actually, it's all of these things and more, and just as a rich gumbo benefits from the perfect combination of diverse ingredients, so does Corbett's analysis and so do the 1970s songs and performances he examines. The author places all of this firmly in the context of his own experience, and there's a little more autobiography than might be strictly necessary, but he deftly balances youthful discovery and development with several decades of hindsight. Occasionally, he indulges in speculation and fan theory but effectively walks the line between fact and opinion, and it's a tribute to his ability that one is always willing to hear him out. VERDICT Corbett is in the upper echelon of music criticism, and anyone who lived through this period-or cares to discover some of the best music of the decade-will find much to enjoy here.-Bill Baars, -formerly of Lake Oswego P.L., OR © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.