The rumor A novel

Lesley Kara

Book - 2019

"When a single mother hears a rumor outside her son's school, she never intends to pass it on. But one casual comment leads to another . . . and now there's no going back. Rumor has it that a notorious killer, a woman who has been released from prison years after her brutal crime, is living under a new identity in Joanna's seaside town. So who is the supposedly reformed murderer now living in their neighborhood? Suspicion falls on everyone. As Joanna becomes obsessed with the case, her curiosity will expose her son and his father to a heartless psychopath who has killed--and may kill again. And she will learn how dangerous one rumor can become . . . and just how far she must go to protect those she loves from harm. She i...s going to regret the day she ever said a word . . . "--

Saved in:

1st Floor Show me where

FICTION/Kara Lesley
1 / 1 copies available
Location Call Number   Status
1st Floor FICTION/Kara Lesley Checked In
Subjects
Genres
Suspense fiction
Thrillers (Fiction)
Published
New York : Ballantine Books 2019.
Language
English
Main Author
Lesley Kara (author)
Edition
Ballantine Books trade paperback edition
Physical Description
321 pages ; 21 cm
ISBN
9781984819345
Contents unavailable.
Review by Booklist Review

This mystery has an unusual and resonant theme how a single rumor can morph into a completely unmanageable, deadly force. Two voices are heard throughout the novel. The first is that of single mother new to a town who hears and then spreads a rumor about another woman, who killed a boy when she herself was a child and who has now reportedly moved into the town. The second, much shorter point of view, is that of the now-grown murderer herself. The mother, hating herself all the while, finds that spreading the rumor gives her more attention and her son more play dates. Her boyfriend, an investigative journalist, keeps pushing the research on the identity of the long-ago child killer further and further. The story is marred somewhat by the fact that, although set in the U.S., the text uses so many Briticisms ( start the kettle ) that readers may keep checking to see where the book is actually set. This doesn't take away, though, from the psychological acuity throughout and the astonishing ending.--Connie Fletcher Copyright 2019 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In 1999, single mother Joanna Critchley, the narrator of Kara's suspenseful debut, and her six-year-old son, Alfie, move from an unnamed city to her hometown of Flinstead, which appears to be on the coast of New England. Anxious to be accepted by the other parents, Joanna thoughtlessly repeats a rumor that Sally McGowan, who at age 10 stabbed a six-year-old playmate to death in Dearborn, Mich., in 1969 and was released from a juvenile detention center in 1981, lives in the town under a new name and that the convicted child killer could easily be anyone's neighbor. When the rumor mill starts to run rampant, a noose of suspicion begins to tighten around Flinstead, where the residents' idyllic lives soon begin to crumble amid a firestorm of conjecture. Joanna, despite receiving warning messages from a well-meaning friend, is determined to find out whether the rumor is true. Meanwhile, a kidnapper targets Alfie. Well-developed characters and a twisty plot will keep readers turning the pages. Those who stay to the very last sentence will be doubly surprised. Kara is off to a promising start. Agent: Amanda Preston, LBA Books (U.K.). (June) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

DEBUT Single mom Joanna and young son Alfie recently relocated to the quiet seaside town where her mother lives. When Joanna hears a doozy of a rumor--that a notorious criminal, who killed as a child but did her time, is living among them with a new identity--she blithely shares it with the schoolyard mommy brigade that she so desperately wants to fit in with. But she immediately regrets sharing the rumor as paranoia causes the women, including herself, to become consumed with identifying the killer. Joanna quickly learns how a rumor can snowball and negatively affect people's lives, including her own. Kara's debut, Americanized following its initial release in the UK, is a brisk first-person narrative with short chapters and plenty of characters that will keep readers guessing (and reguessing). VERDICT Joanna's histrionic nature and Alfie's opportunistic freelance investigative journalist father are annoying, and the pervasive stilted dialog distracting, but those issues don't stop the requisite shocking twist and reveal from making this a satisfying read worth recommending.--Samantha Gust, Niagara Univ. Lib., NY

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

1 It starts with a rumor. Whispers at the school gate. I'm not really listening at first. I promised Dave I'd pick up the keys to the Maple Drive property and meet a client there. I don't have time to stand around in a gossipy huddle with this group. But then I catch sight of Debbie Barton's face--the way her jaw's just dropped--and my curiosity gets the better of me. "Say that again," she says. "I don't believe it." I edge closer, as does little Ketifa's mother, Fatima. Jake's mother--is it Cathy?--looks from side to side before she speaks, milking her moment in the spotlight for all it's worth. "There's a strong possibility that a famous child killer is living right here in Flinstead," she says, pausing to let her words take effect. "Under a new identity, of course. She murdered a little boy when she was ten, back in the sixties. Stabbed him with a kitchen knife, right through his heart." There is a collective gasp. Fatima brings her hand to her chest. "Sally McGowan," Cathy says. "Google it when you get home." Sally McGowan. The name rings a bell. Probably from one of those Netflix documentaries I sometimes watch when I've nothing better to do. Kids Who Kill or Serial Killers I Have Known. "Who told you this?" I ask. Cathy takes a deep breath. "Let's just say it's someone who knows someone whose ex--husband used to be a cop. Well, this cop's buddy heard him talk about her one time. She was released when she was a young woman, has been moving around since then by all accounts, trying to keep a low profile. Now she's ended up here. It might not be true, but you know what they say, there's no smoke without fire. And what better place to hide out than somewhere like Flinstead?" Debbie sucks her teeth. "I think it's disgusting that people like her get to start all over again. Where's the justice in that?" "You'd rather they were kept in prison their whole life?" I ask. "For a crime they committed when they were children?" Debbie stares at me. "Adult crime, adult time, isn't that what they say? And if they are released, don't we have the right to know where they are?" "What, so they can be mobbed by vigilantes?" Now all three women are staring at me. I wish I'd kept my mouth shut, but sometimes I can't help myself. I don't even know why I'm listening to all this crap. I should know better. Cathy sniffs. "It's not fair that someone like that gets a second chance. What about the parents of the little boy who was murdered? They don't get the luxury of starting a new life, do they?" "Well, it probably isn't true anyway," Fatima says. "And if it is, there's nothing we can do about it. It was years ago. I doubt she's still dangerous." Lovely, sensible Fatima. I must suggest she drop by for coffee and a chat soon. Get to know her a little better. But not today. I'll be late if I don't get a move on. "Thanks, Jo. I really appreciate you doing this on your day off." Dave hands me the keys and the freshly printed property listing for 24 Maple Drive, the new Pegton's logo emblazoned at the top. "It's no problem," I say. And it isn't. There aren't many employers as flexible as Dave Pegton. It's been a godsend finding a job that fits in around Alfie's school times, and so close to home as well. Home. I've got Dave to thank for that, too. The tiny two--bedroom cottage he generously described as "in need of some TLC." You've got to love the jargon. What it actually needs is intensive care, but seeing as it was the only place I could afford, I ended up putting in an offer on it. New house. New job. And all because I walked into the right realtor's office at the right time. Serendipity, isn't that what it's called? Dave walks back to his desk. "Good luck with Mrs. Marchant, by the way," he says over his shoulder. "Why? What's up with her?" Dave smirks. "You'll find out soon enough," and before I can quiz him further, the phone rings and he's talking to a client. Maple Drive is a mixture of 1920s and 1930s houses. Some of them are single--family, but most are two--family townhouses. It's not the most expensive street in Flinstead--the area known as the Groves is where the seriously moneyed live--but it's popular, especially the water end of it, which is where number 24 is situated. Dave has described it on the listing as having an "ocean view," and it probably does if you open one of the bedroom windows, lean out, and crane your neck to the left. An ocean glimpse might be a better description, but it's a nice--looking house. Well maintained. Established front garden. And even a glimpse of the water adds dollars to the value. Susan Marchant opens the door before I've even rung the bell. A curt nod is all I get in response to my cheery good morning. I'm expecting her to step back and usher me in, but she just stands there as if I'm one of the "cold callers" listed on the sign above the bell. The ones who aren't welcome. "I was hoping to have a quick scoot around on my own first," I say. "Just so I'm familiar with the layout." I always find it helps if you're prepared for what you're about to show someone. Not everyone tidies and cleans their house prior to showings. I've come across all kinds of strange and unsavory things before. Dirty underwear tossed all over the floor. A large brown turd coiled in a toilet bowl like a sleeping snake. Although from what I can see beyond Susan Marchant's shoulder, that won't be the case here. It's clean to the point of being clinical, the rooms half empty. Looks like she's moved most of her stuff into storage already. "Why?" she says, her brows knitted together. "Don't you have the floor plan on your listing?" There's a coldness in her eyes and voice that throws me. "Well, yes, but . . ." "Too late anyway," she says, squinting out at the street. "That must be Anne Wilson." I turn to see a blue BMW pull up. A woman in a pale--green raincoat and with two--tone hair--dark blond with coppery ends--climbs out of the passenger seat, raises her hand at me, and smiles. Thank God for smiley people. Now the driver has joined her. He's tall and distinguished--looking. Silver--gray hair. I get the feeling he'd like to have opened the door for her if only she'd given him the chance. They're walking up the driveway toward us holding hands, so either they're one of those rare couples still very much in love after years of marriage, or this is a new relationship. I'd put money on the latter. It's one of the things I love about this job--meeting new people all the time. Trying to guess from the snippets they reveal about themselves what they're really like. And viewing clients' properties is absolutely the best part of what I do. Tash, who's one of my oldest friends, says it's because I'm a nosy parker. But that's okay, because she's exactly the same. Once, when she and her boyfriend were on vacation, they pretended to be interested in buying an expensive penthouse apartment, just so they could have a look inside. I suppress a smile. They had to park their dilapidated old Volvo a couple of streets away so the realtor didn't see them get out of it. I often think of that story when I'm meeting prospective buyers. You never really know if people are genuine. Excerpted from The Rumor: A Novel by Lesley Kara All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.