Review by Booklist Review
In this graphic adaptation of Bardugo's Wonder Woman: Warbringer (2017), a pre-superhero Diana is waylaid during a race with her fellow Amazons, thanks to a ship exploding near her island and her compulsion to rescue Alia. Unbeknownst to her, Alia is a Warbringer, a descendant of Helen who brings about conflict wherever she goes. Relying on advice from an oracle, Diana leaves Themyscira to bring Alia to a spring, which might purge her of her curse and end the threat forever. Unlike many typical superhero comics, Simonson's adaptation is text-heavy but remains entirely faithful to the original story. As a lifelong inhabitant of Themyscira, Diana gains insight into the racial and gender issues prevalent in human society, particularly among Alia's diverse group of friends and family in New York. The illustrations are detailed, and colored mostly in shades of blue with the occasional pop of red. Teens will likely appreciate seeing such an iconic character struggle with insecurity. With lots of Greek mythology peppered throughout the book, this should have wide appeal among a broad range of readers.--Suzanne Temple Copyright 2020 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Kirkus Book Review
A graphic adaptation of Bardugo's (Ninth House, 2019, etc.) 2017 novel of the same name. Diana was molded from clay by her mother, Hippolyta, and given life by the goddesses. Because she was made and did not earn her place in Themyscira, Diana is determined to prove herself to her mother and her fellow Amazons by winning the race to Bana-Mighdall. Midway through the race, Diana witnesses a ship exploding and sets aside her desire for victory to save a girl, Alia. When Alia's presence on the island wreaks havoc, Diana learns she is a Warbringer, cursed to bring death and destruction everywhere she goes. Diana and Alia flee Themyscira, return Alia to New York City and, with the help of Alia's brother and two of their friends, work to break the curse. The introduction of necessary background information doesn't always flow well with the conversation bubbles, and red-outlined text boxes showing Alia's thoughts feel insufficient for the introduction of a second narrator. Well-paced and funny, where this adaptation stands out is in the illustrations that show people of color in a nuanced way. The cast is diverseDiana appears white, Alia and her brother are biracial (black and Greek), their two friends are cued as South Asian, fat, and queer and Afro-Latinx respectively. Readers need not have read any other Wonder Woman stories to enjoy this one.Diana's lasso of truth shows this one is a winner. (Graphic novel. 13-17) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.