Review by Publisher's Weekly Review
Drawing on a prolific and successful crime fiction career, Mosley (John Woman) returns to elucidating the author's craft, after 2007's This Year You Write Your Novel, in this compact but insight-rich monograph. He addresses plot structure, character development, authorial voice, and the journey from a blank page, the would-be writer's "first impediment and biggest obstacle," to the final stage of "putting it all together." Along the way, Mosley addresses other issues, such as the writer's sensation of a "loss of control in the face of his or her own story," and deciding whether or not to enter writing workshops; he warns that "what people, institutions, and economic systems expect should not define you." Mosley's fundamental offering, supplemented with some tricks of the trade, is a message of encouragement, as when he addresses the virtue of improvising ("The novel flourishes when its author begins to take risks") or the value of rewriting ("the beauty of writing that you can go back and make changes that will be everything you meant to say and not one word you didn't"). Mosley has skillfully packed a large canvas into a small frame, which should equally please readers who enjoy seeing a writer at work and writers in need of assistance. (Sept.)
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Review by Library Journal Review
Multi-award-winner Mosley (This Year You Write Your Novel), best known for his "Easy Rawlins" mystery series, explores life with genre-defying mastery. With conversational bounce, this guide provides writers with methods and tips to find clarity and emotion. The foundation of a novel is its voice, writes Mosley, and most authors struggle with this aspect, often second-guessing themselves during early drafts. Mosley advises them to knuckle down, complete a version, thereby determining the narrative voice through discovery. This discipline requires considerable effort but is certain to immerse writers in line-by-line craft--learning, so to speak, by swimming. In today's media saturation too many aspiring writers focus on marketing and promotion instead of facing the blank page, he writes. Perhaps the most valuable features are examples from Mosley's own works covering theme, character development, physical description (people and settings), and that constant creative bugaboo known as plot. Finally, Mosley is firm--rightly so--on the necessity for "taking a breather," letting the completed draft cool off before final editing. VERDICT A no-nonsense guide worthy of shelf space with Strunk and White's The Elements of Style and E.M. Forster's timeless Aspects of the Novel.--William Grabowski, McMechen, WV
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Review by Kirkus Book Review
The prolific creator of Easy Rawlins provides guidance and tough-minded encouragement to writers at any stage of development.In this follow-up to This Year You Write Your Novel (2007), Mosley (Down the River Unto the Sea, 2018, etc.) further demystifies fiction writing through language as taut and spare as the prose in his own novels. Where his first writing guide emphasized matters of diligence and discipline, here the author focuses on such storytelling basics as character, physical details, and points of view (he occasionally suggests that using a first-person narrator is harder than it seems). Mosley elaborates on the definition of plot he used in This Year, noting that "every story is a mystery of one sort or another." To illustrate this and other rules and assertions, the author unspools some narrative premises of his own invention. While some may seem too over-the-top to be anything more than parody, Mosley's purpose is to show readers the array of choices a novelist faces in setting up conflicts, not least of which is where and when a story might take place. He deploys similar story premises to show when and how to disclose the emotional lives of characters and how authorial improvisation can jar open fresh perspectives and a new set of narrative paths to follow. These random premises often feel like sneak peeks into Mosley's notebooks, but their intended effect is to make fledgling writers believe they can freely invent their own story ideas and carry them to fruition. The author is not only an inspiring instructor; he is also a bracingly open-minded one. He cites the use by some writers of outlines and biographies of major characters before getting to their novels, but he writes that he prefers meeting his characters "the way I encounter people in lifeat a place and a situation where I have less knowledge than I'd like." Ultimately, he acknowledges that there is "no preordained pathway" to a writer's "ultimate destination." As with other manuals, this one doesn't shirk from emphasizing the difficulty of writing, but Mosley's spirited generosity helps make it less daunting.A concise work that aspiring writers will find useful. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
