The white man's guide to white male writers of the Western canon

Dana Schwartz

Book - 2019

How can you tell your Faulkner from your Franzen if you haven't actually read either? Schwartz expounds on the most important (aka white male) writers of western literature. From Shakespeare's greatest mystery to the true meaning of Kafkaesque, she tests your knowledge of which Jonathan-- Franzen, Lethem, or Safran Foer-- hates Twitter and lives in Brooklyn. So instead of politely nodding along next time you make an acquaintance at a housewarming party in Brooklyn, you can roll up your sleeves and get to work schooling them in character arcs and the experimental form of your next great American novel. -- adapted from back cover.

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Subjects
Published
New York : Harper Perennial [2019]
Language
English
Main Author
Dana Schwartz (author)
Other Authors
Jason Adam Katzenstein (illustrator)
Physical Description
xvii, 241 pages : illustrations ; 21 cm
ISBN
9780062867872
  • Introduction
  • White male writers
  • Afterword
  • The white man's guide to white male writers of the Western canon reading list.
Review by Booklist Review

From the creator of the viral Twitter account @GuyInYourMFA comes this tongue-in-cheek handbook for mocking the literary elite. Schwartz (also author of Choose Your Own Disaster, 2018, and a YA novel) herself matriculated through the privileged institutions that produce such arrogant bards, making her the perfect candidate to mock the tradition of white guys praising older white guys and excluding women from the literary canon. Not only does she poke fun at the authors themselves, but also the young white male students who admire them. The book is divided into mini-biographies of the heavy hitters, organized chronologically from William Shakespeare to the contemporary trio of white literary Jonathans: Franzen, Lethem, and Safran Foer. Particularly memorable bits include the yearbook-style mock elections for each writer: JD Salinger as Least Social, Henry David Thoreau as Biggest Hippie, and the playful illustrations of the men by Jason Adam Katzenstein. Though there is no acknowledgement of where people of color or the LGBTQIA+ community fall into the scope of this satire, Schwartz is witty and well-read. Fans will find this as fun as the Twitter account that inspired it.--Courtney Eathorne Copyright 2019 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Kirkus Book Review

A subversive lampoon of the Western literary canon.Culture writer and creator of the parody Twitter account @guyinyourmfa, Schwartz (Choose Your Own Disaster, 2018, etc.) distills 500 years of literary history through the eyes of a fictional know-it-all. This entertaining guide starts with Shakespeare and winds through Goethe, Tolstoy, Faulkner, and fiction's heavy hitters, culminating with the Jonathans (Franzen, Safran Foer, and Lethem). Each profile summarizes a particular author's biographical highlights and major works. Amid factual details, the MFA student inserts revealing asides and footnotes. Off-track forays, from how to roll cigarettes to how to pen dirtier love notes la Joyce, build a road map for emulating the ultimate writer. Pointed descriptions home in on the features that have stained some of the authors' reputations. Failed marriages, self-absorption, Updike's infamous Rabbit character, and uglier historiessuch as Mailer's violenceportray a flawed bunch. Comedy writer and cartoonist Katzenstein creates expressive, grayscale headshots with sartorial flair. Ranging from brow-heavy seriousness to closed-mouth smiles, the authors' faces are humorously annotated. (Of Kafka: "Auteur hair." Henry James: "Eye bagsgenius never sleeps." Kerouac: "Perfect swoop.") Each is given a yearbook hall-of-fame title, such as Milton, a "Goody Two-Shoes," Fitzgerald, who's crowned "Prom King," and Vonnegut, "Most Dependable." Such offhand remarks are clever rather than blistering. Fittingly, the MFA student is blind to his fawning taste. The role demands a misogynist who pretends to be "woke" and who considers New York as the only literary hub worth mentioning. Schwartz's knowingness and thorough commitment are consistently humorous. She writes the MFA guy with sincere, cringing acuity, and the act stays fresh. An affectionate naivet offsets his ambition, and the literary overview is useful. A reading list rounds out the compendium, a fun read for the aspiring literati.For all the skewering, this is a well-researched, passionate tribute to books and authors that have left their marks. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.