What we carry A memoir

Maya Lang

Book - 2020

"How much can you judge another woman's choices? What if that woman is your mother? Maya Lang grew up idolizing her brilliant mother, an accomplished psychologist who immigrated to the United States from India, completed her residency and earned an American medical degree--all while nurturing young children and keeping a traditional Indian home. Maya grew up with her mother's stories ringing in her ears, motivating her, encouraging her, offering solace when she needed it. But after Maya moves across the country and becomes a mother herself, everything changes. Their connection, which had once seemed so invulnerable, begins to fray. Maya's mother, once attentive and capable, becomes a grandmother who is cold and distant. ...As Maya herself confronts the challenges of motherhood, she realizes that the one person on whom she has always relied cannot be there for her. But she does not understand why. Maya begins to reexamine the stories of her childhood in search of answers to her questions about what is happening to her family. Who is her mother, really? Were the stories she told--about life in India, about what it means to be an immigrant in America, about what it means to be a mother--ever really true? Affecting, raw, and poetic, The Woman in the River is one woman's investigation into her mother's past, the myths she believed, the truths she learned, and her realization that being able to accept both myth and reality is what has finally brought her into adulthood. This is the story of a daughter and her mother, of lies and truths, of being cared by and caring for; it is the story of how we can never really grow up until we fully understand the people who raised us"--

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BIOGRAPHY/Lang, Maya
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Subjects
Genres
Autobiographies
Published
New York : The Dial Press [2020]
Language
English
Main Author
Maya Lang (author)
Edition
First Edition
Physical Description
xiii, 266 pages ; 22 cm
ISBN
9780525512394
Contents unavailable.
Review by Booklist Review

In this deeply moving memoir that manages to be both emotionally engaging and thought-provoking, novelist Lang (The Sixteenth of June, 2014) uses the story of her relationship with her mother as a strong foundation while she explores the nuances of women's choices, the complex emotional demands of caregiving for a parent, the turbulence of early parenthood, and the nature of creativity. Short chapters and a nonlinear narrative enhance the thematic preoccupations and serve well to deliver the layered story of Lang's evolution from an uncertain daughter of Indian immigrant parents to a self-assured writer and mother. Lang's success in staying authentic while acknowledging vulnerable realities as a young mother and when driven to take care of her mom, a physician, as she slides further into Alzheimer's is remarkable as it evolves into an affecting exposition of both family love and creative identity. Lang's interest in the stories we tell ourselves sparks a reexamination of our own narratives about our lives, choices, and relationships. In seeing her mother more clearly, in putting aside her habits of interpretation, Lang learns to view herself with clarity, too, and shares that gift with her readers.WOMEN IN FOCUS

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Lang (The Sixteenth of June) delivers a stirring memoir exploring the fraught relationships between mothers and daughters. Born to Indian immigrants, Lang grew up in New York City in the 1980s and '90s with a stern physician mother and a father who accused her of exaggerating injuries for attention. After her parents divorced, Lang had little contact with her father and lived with her sometimes-distant, fiercely independent mother. After the author's daughter Zoe was born, Lang suffered from a crippling postpartum depression; she asked her mother for help, but her mother refused: "My body cannot handle travel anymore.... If I tried to come to you right now I would die on the plane. And would that make you feel any better? No." Years later, when Lang's daughter was in grade school, her mother was diagnosed with Alzheimer's disease--and it was Lang who stepped in to take care of the mother who had refused to care for her. Lang details the difficulties of parental caregiving--making sure her mother eats, dealing with her intense mood swings and memory loss--and examines her own complex emotions as her mother undergoes treatment ("When she was thorny and awful, I was sympathetic. Now that she's thriving, I feel hostile"). Lang's astutely written and intense memoir will strike a chord with readers dealing with a parent's dementia. (Apr.)

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Review by Library Journal Review

Lang (The Sixteenth of June) does a great job of understanding and conveying to readers the complexity of the relationship dynamics between mothers and daughters. She begins her story from the perspective of the daughter of a successful psychiatrist mother, an immigrant who put her own needs aside for the benefit of her family. After Lang moves across the country and gives birth to her own daughter, and subsequently suffers postpartum depression, she starts to re-evaluate the terms of her existing mother-daughter relationships. Part self-discovery, part family history, the book takes readers on Lang's journey through her struggles with new motherhood and, later, her caregiving experiences after her mother develops dementia. Her analysis of the shifting roles of mothers and daughters, particularly through the lens of immigration, help to challenge her family's mythology and create a more realistic picture of these roles for the benefit of her own daughter. VERDICT Readers interested in examining their own family stories, or those who experienced the struggles of new parenthood or reversed parenting roles, will connect deeply with Lang's beautiful memoir.--Mattie Cook, Flat River Community Lib., MI

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

1 I am six months pregnant, living in a city that feels utterly alien to me, talking on the phone, as I so often do, with my mother. Talking to her makes me feel less isolated, more assured, though on this particular day our conversation takes a strange turn. "I am thinking of taking an easier job," she says, "now that I am old." "Mom," I scoff, "you're not old." "Soon I will be sixty-­five." "That's two years away!" "I must face reality. I can no longer be who I was." I go quiet, unsure if I am supposed to argue with her or not. My mom has a history of abrupt decisions. Ten years earlier, when I was in college, she divorced my dad after nearly thirty years of marriage, a shock to our Indian family. She quit her job and moved from Long Island to the unknown suburbs of New Jersey. These decisions weren't bad ones--­I'd wanted her to divorce my dad for some time--­but they were startling for the way she did them, all at once. "Why New Jersey?" I asked from my dorm room. It was all I could think to say. "It will be good for work," she replied. She was right. She landed a dream position running clinical trials for pharmaceutical companies and was happier than I had ever seen her. However perplexing, her decisions have always worked out. Who am I to doubt her? When I was a girl, there was once a car accident on our street, a motorcyclist flung onto a neighbor's lawn. My mom rushed outside and took control of the scene. This is how I picture her, a doctor radiating authority, even in a nightgown. She is the most capable person I know. I may not always understand her, but I have complete faith in her. A week after that phone call, she gives notice. Her boss is stunned. He offers to reduce her hours, eliminate travel, hire assistants, all to no avail. She has already applied for a position at a state hospital. "A state hospital!" her boss cries. "You'll be bored to tears!" My mom sounds pleased when she shares his reaction with me. She is up against a wall no one else can see, which is more or less her ideal state. "What if you don't get the job at the hospital?" I ask nervously. "I will get it." "Is this what you want?" "It is not what I want. It is what I need." Such are my mother's pronouncements. "But why?" I press. "You're giving up your dream job." "This way I will have a pension. If I am ever in a nursing home, those places are so expensive, you would not believe." Off she goes citing statistics. I picture her absorbing the numbers through her reading glasses. She is far­sighted: eyes like a hawk for distance, but unable to see anything up close. This applies not only to reading. An immigrant, she came to this country for her children. Throughout my childhood, she fixated on the costs of sending me and my brother to college. If my outgrown jeans showed ankle, she told me to wear longer socks. "Everyone at school thinks I'm poor," I mumbled. "Let them think that," she snapped. "Their parents will have credit card debt to go with their nice jeans." In the distance, she sees her goals. She funnels herself toward them. She scowls if anyone suggests alternatives. Help and convenience are to be batted away. A few days later, she gets the job at the state hospital, just as predicted. This is the thing about my mom: She may be cryptic, but she is always right. "I don't know if I should congratulate you," I confess. "This is for the best." "Maybe you'll be able to visit me more, with a less demanding job." She chuckles. "That would be nice. What matters is my pension. I do not want to burden my children!" So it goes between us. Everything she does is for my benefit. This is what a mother's love looks like to me. It looks like suffering. I accept it. I am about to become a mom three thousand miles away from her, in a gray, drizzly city that feels wholly unfamiliar. Soon, I will be the one putting my needs last. It helps to believe that somewhere in the world, I still come first. 2 Before moving to Seattle, my husband, Noah, and I lived in Manhattan. We had grown tired of the city--­exorbitant rents, minuscule apartments--­and were at a crossroads in our careers. I was about to complete my PhD in comparative literature. I was no scholar, but I was happy enough pretending to be one. I got to read books all day. It felt like a grand luxury. I wasn't sure, however, what to do with my degree. I didn't want to apply for tenure-­track positions. I'd wanted a PhD for the same reason I'd ever done anything: to be impressive. At twenty-­eight, I had a series of stints behind me. I'd been pre-­med, then a management consultant, then an academic. I had leapt from one role to the next. None fit. Noah, four years older than me and from Southern California, was working as a lawyer at a big firm, a glamorous-sounding job he loathed. He hated watching partners yell at secretaries, the lack of women and minorities in positions of power, and the fact that many of the companies he defended (tobacco and chemical conglomerates) deserved, in his mind, to be sued. Noah's conscience was one of the reasons I fell for him. He grew up poor. He didn't want his future kids to go without health insurance the way he had. His pragmatism and conscience butt heads in his work. The funny thing is that because Noah grew up poor and Jewish, we understood each other perfectly, though I had been neither of those things. He understood why I felt guilty buying a nice pair of jeans. I understood why he felt excluded at Christmas. We had both been shaped by guilt and frugality and a complicated shame. We were the kids who had shown up to school with our textbooks wrapped in brown paper bags. We knew what it was like to be on the outside, looking in. We also learned what it was like to be on the inside, looking out. We had escaped our pasts. Noah's family never expected him to put himself through law school or move to New York City. My Indian parents never imagined that it was acceptable to read books all day. We had proved them wrong. We had made it. Yet no matter how impressive our jobs (a lawyer at a big firm) or achievements (a PhD at twenty-­eight), we felt like misfits. We didn't really belong. When Noah was offered a job as in-­house counsel at Nintendo while I defended my dissertation, the timing seemed perfect. Here was a chance for him to join a feel-­good company, for us to leave Manhattan, and, best of all, for me to duck the question of what to do with my life. We were moving across the country! It was like being handed an alibi. We packed our small apartment into our car and headed west. Our dog, Lola, a black Lab mix, sniffed curiously at the fresh air from the back seat. We had just put an offer on a house, something we had no experience doing. We were filled with conjecture about what it would be like to be homeowners. Any concerns came from Noah. I was in charge of the giddiness. "Relax!" I told him. "We're going to love it." Were we? He raised some good points. We didn't know Seattle well. I had pushed us into buying a house because I wanted something to show for myself. When friends said, "You bought a house already?" I felt a little better. I didn't have a job. I didn't have a plan. Beneath my enthusiasm, I was filled with doubt. Never before had I uprooted like this. It was the sort of all-­in move my mom would make. I thought about how her gambles always worked out. I wanted to believe that if I sounded confident the way she did, if I laughed off concerns, I would land on my feet just like her. Excerpted from What We Carry: A Memoir by Maya Shanbhag Lang All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.