The butterfly lampshade A novel

Aimee Bender

Book - 2020

"On the night her single mother is taken to a mental hospital after a psychotic episode, eight year-old Francie is staying with her babysitter, waiting to take the train to Los Angeles to go live with her aunt and uncle. There is a lovely lamp next to the couch on which she's sleeping, the shade adorned with butterflies. When she wakes, Francie spies a dead butterfly, exactly matching the ones on the lamp, floating in a glass of water. She drinks it before the babysitter can see. Twenty years later, Francie is compelled to make sense of that moment, and two other incidents - her discovery of a desiccated beetle from a school paper, and a bouquet of dried roses from some curtains. Her recall is exact - she is sure these things happ...ened. But despite her certainty, she wrestles with the hold these memories maintain over her, and what they say about her own place in the world. As Francie conjures her past, and reduces her engagement with the world to a bare minimum, she begins to question her relationship to reality. The scenes set in Francie's past glow with the intensity of childhood perception, how physical objects can take on an otherworldly power. The question for Francie is, what do these events signify? And does this power survive childhood? Told in the lush, lilting prose that led The San Francisco Chronicle to say Aimee Bender is "a writer who makes you grateful for the very existence of language," THE BUTTERFLY LAMPSHADE is a heartfelt and heartbreaking examination of the sometimes overwhelming power of the material world, and a broken love between mother and child"--

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Subjects
Genres
Psychological fiction
Published
New York : Doubleday, a division of Penguin Random House LLC [2020]
Language
English
Main Author
Aimee Bender (author)
Edition
First edition
Physical Description
283 pages ; 22 cm
ISBN
9780385534871
Contents unavailable.
Review by Booklist Review

Bender's first work of fiction since her short-story collection The Color Master (2013) follows a young woman through her careful examination of the traumatic event that upended her life. When Francie was eight years old, her unstable mother, Elaine, had a breakdown, smashing her own hand with a hammer. Elaine is sent to a mental institution and Elaine's pregnant sister, Minn, who is on the verge of giving birth, sends her husband, Stan, to collect Francie. But Francie refuses to fly from Oregon to California, so Stan entrusts Francie to the care of a babysitter, Shrina, and makes plans for Francie to take the train to California. Now in her mid-twenties, Francie painstakingly catalogs the minutiae of these events, trying to make sense of several magical occurrences along the way, as well as her own fear that she might carry her mother's instability within her. Francie's exhaustive but significant journey of self-examination will likely have a very specific literary appeal, but Bender fans will be glad to find her trademark combination of magic realism and quirky but relatable characters.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In Bender's astounding meditation on time, space, mental illness, and family--her first novel in a decade (after The Particular Sadness of Lemon Cake)--a 28-year-old woman works to solidify her memories from childhood. Francie is eight years old when her mother has a psychotic break and smashes her own hand with a hammer in an attempt to destroy the "illness that could still swerve and jag inside her." Francie's aunt and uncle arrange for Francie to stay with them, and as she lays in bed at her babysitter's house anticipating her trip, she admires a lampshade covered in butterfly prints, only to discover, upon waking, a dead butterfly floating in the glass of water beside her. Desperate to hold onto the butterfly, and to hide it from the babysitter, she swallows it. Now, 20 years later, with the help of younger cousin, Vicky, who she grew up with and is like a sister, Francie builds a "memory tent," and imagines the "tiny triangular empty moneyless canvas silent casino" will restore the slippery memories of her childhood. Bender grounds the tale with observations on the ephemeral nature of moments in time ("when it seems like words won't bruise the moment"), as Francie harnesses a childlike perspective to explore the trauma of her mother's breakdown. Rich in language and the magic of human consciousness, Bender's masterpiece is one to savor. Agent: Henry Dunow, Dunow, Carlson & Lerner Agency. (July)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

The author revisits themes she explored in The Particular Sadness of Lemon Cake (2010) in her latest novel. When Francie is 8 years old, her mother, Elaine, suffers a psychotic break. Elaine's struggles with mental health are nothing new, but this episode is severe enough that Elaine is institutionalized and Francie is sent from Portland, Oregon, to Los Angeles to live with her Aunt Minn, her Uncle Stan, and their new baby, Vicky. Twenty years later, Francie is still living in LA. She's managing a frame store, but she spends her free time scouring yard sales for odd treasures she can sell online. Her relationship with her adopted family is solid, if fraught--Minn and Vicky are always looking for signs of Elaine's illness in Francie. Her relationship with her mother--maintained by phone and occasional visits--depends largely on how well Elaine's medications are working. As she begins to revisit and work through what happened when she was 8, Francie withdraws from the world beyond this small circle. A reader's capacity to appreciate this novel will depend on how much time they're willing to spend inside Francie's head. Francie is smart and interesting. She is an engaging protagonist. And she notes--or it feels like she notes--every single detail of every encounter she has. Sentences like "At some point, Vicky got up to wipe down the table, and I watched all the last pieces of rice and blueberries connect to her sponge and gather together to fall into her hand" take up a whole lot of the first half of the novel. But the reader who sticks with this glacial pace will realize that Francie notices everything because her survival depended on noticing everything when she was a child. By the end, the book reveals itself as a meditation on memory, identity, and the sometimes-uncanny relationship between living beings and the inanimate world. A novel with rewards for patient and sympathetic readers. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1 We cannot tend to her. There is something wrong with her. What do you mean? What is wrong with her? We do not know. Something. She seems like such a normal little girl to me. Last visit-- It is hidden. Did she do anything? Did she do something bad? No. Then what? We cannot handle her. I cannot. But what do you mean by that? Is she misbehaving? No. Is she getting in trouble in school? You have to come get her. I don't understand. You are the godparents. You have to come. That is your job. But you are alive, Elaine. I am telling you I can't do it. Where's that new guy you were telling me about? Camping. Is he coming back? I don't know. Are you going to do something, Elaine? I could call social services. Maybe I will. Are they listed? Will they do foster care if other family is still available? Can you put her on the phone? No. Is she nearby? She's right here. She's looking right at me. Can you tell her to come on the phone? Francie. Francie, dear, your aunt Minnie wants to speak to you. Hello? Francie? Hello. Francie? Are you okay? Yes. You've been listening to our conversation? Yes. Your mother is very worried about you. Do you think you might be doing anything wrong? No. Have you been going to school? Yes. Are you behaving properly in school? Yes. Are you going to bed on time? Yes. I have to tell you, I'm more worried about your mother. Do you think she might be getting sick again? Yes. Can you tell me what she's doing? No. You can tell me. I know she's probably listening, but it's okay. Really. She knew I would ask you. Is she hurting you in any way, any way at all? No. Is she--dressed? Yes. Okay. That's good. Are you feeling okay? Yes. Do you need me to come up there? Yes. Yes? Yes. Can you tell me what you mean by yes? As in why? No. Is your mom's friend there? No. He's out of town? I don't know. Is anyone else there? No. Is your mother hurting herself? No. Sweetie, I'm so sorry, I just can't come this time, not right now. I'm too pregnant. I'm not allowed to go on a plane. Your uncle can, though. You want your uncle to come? No. Oh, Francie. Who is the best grown-up for you to call? It's me again, Minn. She dropped the phone. She's standing by the wall now. She puts her nose right up against the wall. It's touching the wall. What is happening over there? Like she is talking to the wall. She has this look, Minn. Kids have looks. No, no. Other kids don't have this look. Elaine, she can hear the whole conversation for God's sake! Like she is judging me. All the time. Kids don't judge, not like that. She does. You're still on the Abilify? I cannot be around her. There's something in her. There is a bug in her. I cannot even trust myself around her! Are you listening to me? Yes. I'm sending Stan up. The minute he gets home. Morning flight. Not Stan! You! I can't fly. What do you mean, a bug? A bug in her. Something crawling inside her. Can she stay somewhere else? Where can she stay? I don't know. A friend? I don't like her friends. A friend of yours? She loves her babysitter. Ask the babysitter. Of course. Tomorrow. Or, I'll call her too. We can both call her. Okay? This is the one who also works at the school? Shrina. I have her number. We'll work something out, honey. You have to call your doctor. We'll both call the doctor. I know I should. I know I do. And I will too. So that's a start. We have a plan then. We do? We'll both make some calls in the morning. Okay? Let's go over the plan. What are you going to do tomorrow? I am going to call my doctor. Good. And? I am going to call my doctor. And, if you feel able, ask the babysitter. Right. And I will ask the babysitter. What are you going to ask the babysitter? If she will take my sweet girl, Francie. But what do I mean again? Where will she take her? You know what, I'll call Shrina. Don't worry about that. You take care of yourself. Maybe Francie can stay with her for a couple days while we get you feeling better. Do you know where she lives? She is very young. Francie? The babysitter. It's just until Stan can get up there. I'll tell her he'll be coming as soon as he can. How many months are you again? Eight and a half. So that's the plan for tomorrow. But what about tonight? Tonight? Exactly! Does she have a lock on her door? Her bedroom door? Yes. She does. She asked for that. What do you mean? She asked for a lock? Last year. For her birthday. You're kidding me. Did she ask for anything else? Is that odd? Just a lock? Yes. Unbelievable. But okay. She's a smart girl. It's very useful. From the inside? Yes. And how about you? We can both lock our doors from the inside. Okay. You need to do that then. Why don't you do that as soon as we get off the phone. Use the bathroom first. Then go to bed. You'll call me tomorrow morning? Yes. You'll call the doctor? Yes. You'll call me if you need anything, absolutely anything? Yes. Tell Francie goodbye. Tell her I love her. You're on speaker. She can hear you. Jesus. Goodbye, Francie. Did you hear that about locking your door? Yes. I love you, Francie. She doesn't say I love you. I will say it anyway. She doesn't have to say it back. I love you, Francie. Goodbye, Minn. Thank you so much. I love you. I love you too, Elaine. We'll figure this out. Thank you. I love you. I love you too, Elaine. Go to your room now, honey. Good night. Excerpted from The Butterfly Lampshade: A Novel by Aimee Bender All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.