Everyone knows how much I love you A novel

Kyle McCarthy

Book - 2020

"At age thirty, Rose is fierce and smart, both self-aware and singularly blind to her power over others. After moving to New York, she is unexpectedly swallowed up by her past when she reunites with Lacie, the former best friend she betrayed in high school. Captivated once again by her old friend's strange charisma, Rose convinces Lacie to let her move in, and the two fall into an intense, uneasy friendship. While tutoring the offspring of Manhattan's wealthy elite, Rose works on a novel she keeps secret--because it stars Lacie and details the betrayal that almost turned deadly. But the difference between fiction and fact, past and present, begins to blur, and Rose soon finds herself increasingly drawn to Lacie's boyfrie...nd, exerting a sexual power she barely understands she possesses, and playing a risky game that threatens to repeat the worst moments of her and Lacie's lives."--FantasticFiction.com.

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Subjects
Genres
Psychological fiction
Published
New York : Ballantine Books [2020]
Language
English
Main Author
Kyle McCarthy (author)
Edition
First edition
Physical Description
272 pages ; 25 cm
ISBN
9781984819758
Contents unavailable.
Review by Booklist Review

Childhood best friends reconnect in McCarthy's debut novel of obsession and betrayal. Rose and Lacie were inseparable until the suspicious car accident involving Rose, who was driving, and Lacie's then boyfriend, Leo. Now they haven't seen each other in a dozen years, but when Rose moves to New York City to work on her novel, she reconnects with Lacie.They restart a friendship full of distrust and seemingly false intimacy, even after Rose moves into Lacie's apartment. Under the guise of research for her novel, a thinly veiled story of the womens' childhoods and rupture, Rose begins to embody Lacie a la Single White Female--snooping through her things, wearing her clothes, cozying up with her boyfriend--with predictably disastrous consequences. McCarthy unfolds the story in a delightfully suspenseful way, even while some bombshells fizzle, using the duplicitous and unreliable Rose to full effect. Readers who need a character to root for won't find one here, but those who enjoy books about the dark side of female friendship--think Megan Abbott--will be right at home.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Rose, the unhinged narrator of McCarthy's grimly comic debut, is the sort of childhood friend best left behind. In high school, Rose set her sights on Leo, the boyfriend of her best friend, Lacie. After Leo "wouldn't shut up" about Lacie while Rose was driving him to meet her in the middle of the night, Rose crashed her car and ran away, leaving Leo bloodied and unconscious. Twelve years later, Rose tracks down Lacie in New York City, where they both live. Rose is working on a novel about her youth and making ends meet as an SAT tutor, a job she lands after fudging her qualifications. Lacie is working as a graphic artist and dating Ian, a painter. Rose worms her way into sharing Lacie's apartment, and soon, in the best horror movie tradition, is costuming herself in Lacie's clothes, throwing herself at Ian, and generally taking possession of Lacie's life, with predictably disastrous consequences. A classic unreliable narrator, Rose glibly explains away even her most horrific actions. McCarthy's pitch-dark tone extends outward from her narrator to the rest of the cast of characters, all motivated by self-interest and most even less self-aware than Rose. This is a deliciously incisive tale. (June)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

Exploring a troubled, obsessive friendship between two young women in New York. Whatever happened between Lacie and Rose in high school, they're not saying--not to each other or to anyone else. They haven't seen each other in more than a decade. Now Rose, a writer years deep into working on a novel based on their shared experience, has moved to New York and then, before either of them can catch their breath, into Lacie's apartment. McCarthy's debut is an utterly taut construction, as unsettling as it is propulsive. Rose narrates the novel--both in present-day scenes and in high school flashbacks--but it quickly becomes clear that she may not always make the most reliable source. Throughout, McCarthy toys with the idea of double consciousness: Rose, who scrapes together an income tutoring privileged teenagers, listens to one of her clients explain the notion this way: "It's when you see yourself from the inside, like a normal person, but also from the outside." As Rose digs deeper into her novel--sneaking into Lacie's room, trying on Lacie's clothes, hoping to gain insight for the character she's based on Lacie--the limits of her own self-awareness become more and more clear. Meanwhile, the obsessive cast to her friendship with Lacie continues to heighten. Ironically, though, as Rose's agent compliments her on her portrayal of the fictional Lacie, the other Lacie--the one we're reading about--remains something of a cipher. Rose grows into one of the more complex--and, sometimes, plainly repugnant--characters of recent fiction, but Lacie, the object of her fascination, remains, for most of the novel, just that: a blank object. McCarthy's debut, with the acumen of the best literary fiction and the suspense of a psychological thriller, is a marvel. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

As many times as I've tried I can't go back. As many times as I've sat writing at my desk--­so many different desks, in so many different cities--­that exact moment on the road remains blank. What was in my mind? I've tried to find it. I've conjured. Fibbed. Faked it, and let it remain the lie in the middle of my novel, the improvisation, the patch. The caulk over the crack in my memory. At the time everyone wanted to know what I'd been thinking, and maybe lying so often lost me access to the truth. Not the truth, but the feeling. "You just . . . overshot the curve?" my mom said. "Was there a deer?" a cop asked. "Another car?" his buddy guessed. They were so desperate to understand. To diminish what I'd done. Decipher it. "So you swerved . . ." I did swerve. But it wasn't a flinch. It wasn't a mistake. There was a column of rage in me, a crackle of blue flame, clarifying. The whole problem--­as I recall--­was that Leo kept talking. Leo wouldn't shut up. It was past one in the morning and he wouldn't stop talking about Lacie and so I turned the wheel. Did I simply want to scare him? That might be too generous. But even now, all these years later, trying once again to summon the moment, all I find is static. The moment afterward I remember. The moment afterward, indelible. Before the sirens, before the ambulance, before all the flashlights and noise and shouting, there was just a quivering hush, the trickling creek, and my beautiful boy, my best friend's boyfriend, his warm blood all over my lap. August, and a gray sweaty shimmer lay over Bryant Park. Cops stood around looking bored. A homeless man keened. Women in pencil skirts unwrapped greasy sandwiches with quick, surgical fingers, or forked up massive bites of salad. They ate quickly, alone; they had come to enjoy being outside, in this "urban oasis," yet their shoulders were hunched and their eyes lowered. But who was I to judge? I, too, sat at a little green table with my shoulders hunched; I, too, tapped my cell phone and darted my eyes. Wishing I had chosen a coffee shop--­someplace normal--­though at the time Bryant Park had made sense. Lacie lived in Brooklyn; I was staying with my cousin in Queens. There was the meeting with Portia Kahn, my so-­called agent, which would bring me to Midtown anyway. And I was broke. Even four dollars for tea--specially four dollars for tea--­seemed unbearable to me. So I had suggested this glade of green where we could sit for free. While I waited I watched a woman at a sandwich kiosk feebly disguised as an antique gazebo. She wore a loose black jumpsuit and espadrilles. She had a tote bag. Her brown curls were carelessly pulled into a messy topknot. She was not like the office drones; in fact, I could almost imagine myself, once I had settled into my New York life, dressing something like her. Up at the green-­black trees she gazed. Then she turned. Everything slowed. My lizard brain knew her. Even from across the park I knew. That tilt of the head, the squint as she scanned the tables. I had a sudden instinct to hide. Too late--­she had spotted me, was even now rushing across the park, calling "Rose!" Then she stopped short. We met each other's eyes. We stared deep. We looked the way you look in a mirror when you are alone: blatant, utterly unself-­conscious. "Wow," she murmured. "It's been so long. It's been forever." Time had sharpened her face, and it was strange to see her with a few strands of silver hair. Yet in her gray eyes, and the vexed, pointed chin, there was still Lacie. The spell broke--­she broke it with a tentative smile--­and we embraced. Inside my arms she smelled of sweat and summer. Everything came back to me. Lacie, Lucinda Salt. Here. I shuddered. She pulled back. "Want to sit? Do you still have some time?" "So much time," I said, and then regretted my honesty. I couldn't stop looking at her. Her eyes, I thought. What drives men crazy are her eyes. She had come back into my life in that most quintessential of contemporary ways, the email. A shy, tentative email. Twelve years it had been. Not a word since high school, and then suddenly her name on my screen. I've been seeing someone you know . . . Ian, apparently, had brought up my name; he had been the one to share my email address. "I can't believe you know Ian," I said once we had settled ourselves at my table. I tried to keep my voice offhand. "I can't believe you know him." She twisted the cap off her iced green tea and took a tiny, nervous sip. "When he was like, 'My friend Rose is moving to town,' I thought, I used to have a friend named Rose . . ." Used to, so casual on her lips, startled me. I tried to match her bright tone. "So you guys are dating?" "Apparently." An ironic twist to her lips. "I hope you don't mind me reaching out. It was his idea." In the hollow of her throat, a tendon was jumping. I felt it in my own neck. The rigid angle of her arm: my arm, too, was oddly bent. Always between us there had been this symmetry, this sympathetic pain, born of thousands of hours of sleepovers and creek walks, born, I think, of being children together. A kinship between our cells. I realized what I should have known right away: she didn't want to be here. She had come for him. We locked eyes again, and in that moment I knew--­but the kind of knowledge that is like a dream, so that you doubt it afterward, if you even remember it--­that I had haunted her twenties the way she had haunted mine. I had lived inside her brain. I knew it. Excerpted from Everyone Knows How Much I Love You: A Novel by Kyle McCarthy All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.