The comeback

Ella Berman

Book - 2020

"A deep dive into the psyche of a young actress raised in the spotlight under the influence of a charming, manipulative film director and the moment when she decides his time for winning is over. At the height of her career and on the eve of her first Golden Globe nomination, teen star Grace Turner disappeared. Now, tentatively sober and surprisingly numb, Grace is back in Los Angeles after her year of self-imposed exile. She knows the new private life she wants isn't going to be easy as she tries to be a better person and reconnect with the people she left behind. But when Grace is asked to present a lifetime achievement award to director Able Yorke - the man who controlled her every move for eight years - she realizes that she c...an't run from the secret behind her spectacular crash and burn for much longer. And she's the only one with nothing left to lose. Alternating between past and present, The Comeback tackles power dynamics and the uncertainty of young adulthood, the types of secrets that become part of our sense of self, and the moments when we learn that though there are many ways to get hurt, we can still choose to fight back"--Provided by publisher.

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Subjects
Genres
Psychological fiction
Published
New York : Berkley 2020.
Language
English
Main Author
Ella Berman (author)
Item Description
"Read with Jenna" -- cover.
Physical Description
378 pages ; 24 cm
ISBN
9780593099513
Contents unavailable.
Review by Booklist Review

Grace Hyde was plucked from her London school to star in a series of kid-spy movies; renamed Grace Turner, she became the muse of director Able Yorke. Ten years later, she is living, numb, in her parents' stifling house in Anaheim. When her good-girl sister is suspended from boarding school and returns home, Grace rents a tiny bungalow in Malibu and reconnects with her best friend and her management team, but she is hardly poised for a comeback, since she lacks the life skills she should have learned while she was making movies. Grace is selfish and self-destructive, and her narrative voice reflects her inability to process her trauma, the details of which are not necessarily surprising in light of the #MeToo movement. But Berman reveals the gaslighting, emotional abuse, and sexual assault Grace endured with terrifying, heartbreaking clarity, free of gratuitous details. Grace's frustrating inability to pull herself together is exactly what makes this debut so compelling; it is an ultimately hopeful exploration of dealing with trauma that will have readers looking at celebrity gossip differently.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In Berman's debut, a young actor struggles to break free from a famous Hollywood director. Grace Turner, 23, has been living in her parents' house in Anaheim, Calif., in the year since she disappeared on the eve of the Golden Globes. Grace is newly sober and out of the spotlight that has followed her since she was a 15-year-old British schoolgirl handpicked by director Able Yorke for the starring role in a trilogy. Able, widely respected in the industry and by the public, changes Grace's life at the cost of years of emotional manipulation and, eventually, sexual abuse. When Grace finds out that her younger sister, with whom she's long had a rocky relationship, is moving back home, she decides to return to Los Angeles and find a way to move forward with her life. But going back also means confronting all she left behind, including her estranged, still beloved husband Dylan; the paparazzi, always hungry to document her slip-ups; and, of course, Able, who still casts a long shadow over her life. While a slow first half wears on the reader, the late scenes of confrontation are electrifying. Berman's searing psychological portrait shows how Grace's girlhood is corrupted by Able's rampant ego and the industry's unencumbered patriarchy. Agent: David Forrer, Inkwell Management. (Aug.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

A 22-year-old Hollywood star--discovered in London as a young teen--tries to come to terms with the molestation and bullying she experienced early in her acting career. Grace Turner seems to have it all--beauty, wit, acting chops, and a reputation as the muse for famous Hollywood director Able Yorke. However, behind that public facade, she is spiraling out of control as she uses alcohol and drugs to escape her life. And then, on the cusp of awards season, she disappears from the public eye. She spends the year quietly--and soberly--going through the routine that life at her parents' house in Anaheim allows. She has a complicated relationship with everyone and everything: her parents, whom she distanced herself from as her star was rising; her sister, who was too young when she left home to be a friend; her husband, whom she holds up as a saint; the various women who try to become her friends but might only be pretending; and the drugs and alcohol that allowed her to distance herself from Able and the ugliness behind the glossy, picture-perfect scenes. When Grace returns to Los Angeles after her year away, she struggles with her future. Able and his wife, Emilia, loom large in her psyche--he as her tormentor and benefactor, and she as the woman who was supposed to look over her, but didn't. Is Grace seeking revenge and an opportunity to destroy Able completely? A comeback? She isn't sure herself. Readers familiar with the downfall of film producer Harvey Weinstein will see the influence of current events on this story, which is filled with tension and stress as the reader tries to predict what will happen next. Not all readers will be pleased with the ending. A raw look at the toll that molestation takes on victims. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

CHAPTER ONE Six Weeks Earlier They recognize me when I'm at CVS buying diet pills for my mom, the only kind that don't make her lose her mind. "Aren't you Grace Turner?" The woman is pleased with herself, a red flush climbing her neck and bursting proudly across her cheeks. Her companion is smaller, wiry, with narrow eyes, and I already understand that she's the type who will need me to prove it somehow, as if I have anything left to prove. "Grace Hyde," I correct, smiling politely, humbly, before turning back to the staggering array of options in front of me. The one my mom likes has a cartoon frog standing on a set of scales on the box. "Do you live around here now?" the first one asks hungrily. She's already terrified that she'll forget something when she recounts the story to her friends. "I'm staying with my parents." Maybe I'm in the wrong section. "What was your last movie, anyway?" This from the smaller one, obviously. She's scowling at me and I find myself warming to her. It's hard to find a woman who still believes that the world owes her anything. Her friend, who has been shifting from foot to foot like she needs to take a piss, jumps into action. "Your last film was Lights of Berlin. You were nominated for a Golden Globe but you'd already disappeared." "Top marks," I say, forcing a smile before I turn around again. Then I put on a truly award-­worthy performance, this one of a former child star in a supermarket, dutifully shopping for all of her mom's health care needs. "Were you needed back at home?" The woman puts her hand on my shoulder, and I try not to flinch at the unsolicited contact. "I'm sorry. It's just how you . . . you disappeared one day. Was it because your parents needed you?" Her relief is palpable, hanging off each word. And there it is. Because not only has this woman recognized me despite my badly bleached hair, ten extra pounds, and sweatpants from Target, and not only have I validated her very existence merely by being in the same shitty store in the same shitty town as she is, but also, after a year of waiting, I have restored her faith in something that she might never be able to articulate herself. This woman can leave the weight management aisle today believing once again that people are inherently good and, even more important, that people are inherently predictable. That nobody on this planet would walk out of their own perfect life one day for no discernible reason. And all this on a Monday afternoon in Anaheim no less. "Can you do the bit? From Lights of Berlin?" she asks shyly, and the way her mouth tugs up more on one side when she smiles reminds me suddenly of my dad. I look down at the floor. It would be so easy to say the line, but the words get stuck at the back of my throat like a mothball. "You have pasta sauce on your T-­shirt," the smaller one says. CHAPTER TWO I take the long route home, walking down identical streets lined with palm trees and fifties-­style suburban houses. My parents have lived here for nearly eight years now, and I still can't believe that such a place exists outside of nostalgic teen movies and sub­urban nightmares. It's the kind of town where you can never get lost no matter how hard you try, and I end up, as I always do, outside my parents' neat, pale pink bungalow. It has a wooden porch in the front and a turquoise pool in the back, just like every other house on the street. The smell of bubbling fat hits me as I step through the front door. My dad is cooking ham and eggs for dinner, with a couple of broccoli spears as a nod to my former lifestyle. I didn't realize how badly they'd been eating until I came home, but it turns out there really are a lot of ways to fry a potato. I arrived back in Anaheim a vegan, but as I watched my dad carefully prepare me a salad with ranch dressing and bacon bits on my first night, I knew I couldn't remain one for long. My mom is watching TV on the sofa with a slight smile on her face, and I know without looking that she'll be watching the Kardashians, or the Real Housewives of anywhere else on earth. She used to be a semi-­successful model back in England, but now she's just skinny and tired for no reason since she rarely leaves the house. Instead she lives for these shows, talking about these women as if they are her friends. I try to apologize about the diet pills, and she just shakes her head slightly, which I take to mean she doesn't have the energy to discuss it. It's this new thing she's doing, rationing her energy and refusing to spend it on anything that either displeases her or causes her stress. She's selective with her energy but she'll watch hours of the Kardashians each day. I sit next to her, carefully avoiding the pink blanket that covers her lap. I tuck my legs underneath me, and my dad passes each of us a tray with a beanbag underneath so that we can eat from our laps. My mom's tray has a watercolor picture of poppies on it, and mine has sleeping cocker spaniels. He takes a seat on the green corduroy armchair next to my mother, and I know that he will be watching her with an affectionate look on his face. The one that annoys her when she catches him doing it. Weakness has always repelled us both, which is somewhat ironic given my current state. I eat the broccoli first from the head down to the stem, and I wish I hadn't made such a thing about salt being the devil. It's overcooked to the point of oblivion. I coat it in ketchup instead until it's nearly edible, and then I start to cut the ham. The Kardashians break for a commercial, and my mom mutes the TV. It's her way of beating the system--­she will never buy a mop just because some newly promoted advertising executive thinks she needs one. I watch my mom push a piece of ham around her plate. We all know that she's not going to eat any more than a third of it, but she keeps up the charade for my dad. "Good day, everyone?" my dad asks, studying a cut on his thumb. "Excellent," I say, and my mom lets out a small laugh. "Just sublime," she says, before turning the volume back up. I stare out the window and watch my parents' neighbor Mr. Porter arranging a Thanksgiving display at the end of his drive, soon to be replaced by an elaborate nativity scene. I already know he will back his car into each one at least three times before the New Year and will blame everyone else for it. At times like this, I can almost under­stand why my parents never left Anaheim. There's a comfort to be found in the inevitability of it all. I arrived on their porch nearly a year ago, with a camouflage duffel bag filled with all the things in the world I thought I couldn't live without, most of which are now long gone. I was seven hours sober after six months that I remember only in gossamer fragments, and I saw how bad it had gotten in my parents' faces before I ever looked in a mirror. Despite what I told the women in CVS, I haven't really been Grace Hyde since I was fourteen, so I had to work hard to make my return as seamless as possible for my parents. I observed their habits carefully before slotting myself into their schedule, drifting into their spaces only at breakfast and dinner, never in between. I even matched my rootless accent to theirs again, pulling back on my vowels wherever they did to remind them of who I was before we moved here. I, too, have learned how to worship at the altars of TV dinners and reality shows, all the while pretending to be like any other family deeply entrenched in the suburbs of Southern Cali­fornia. In the middle of the day, when my dad is at work and my mom is painting her nails or watching QVC, I walk the streets of Anaheim, generally ending up at the same manicured park with a pink marble fountain in the center. I am rarely approached here when I go out, and if I am, I politely decline to take any photos. People in small cities are different--­they need less from you. I thought it would be hard to disappear, but it turns out it's the easiest thing in the world. Whoever you may have been, you're forgotten as soon as you pass the San Fernando Valley. For my family's part, they don't question my presence. Awards season came and went, and we all pretended that my eight-­year career never existed. Maybe they're respecting my privacy, or maybe they really don't care why I'm here. Maybe I lost that privilege when I moved away, or that first Christmas I didn't come home, or maybe it was all the ones after that. When I'm being honest with myself, I understand that I only came back here because I knew it would be like this--­that as much as I don't know how to ask for anything, my family also wouldn't know how to give it to me. Excerpted from The Comeback by Ella Berman All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.