Evil geniuses The unmaking of America : a recent history

Kurt Andersen, 1954-

Book - 2020

"Americans have disabled the government's ability to solve even basic problems, making us vulnerable to the most dangerous demagogue ever to pretend to the White House. Kurt Andersen shows how the masterminds of the economic right rode an unprecedented wave of nostalgia by dressing up their harsh new rich-get-richer system in patriotic old-time drag, making it their mission to take over the government for their purposes alone and convincing the country that the mid-century consensus about the function of the American government was all wrong. Only a writer with Andersen's crackling energy, deep intelligence, and ability to see complex systems with clarity could make such a vital book both intellectually formidable and complet...ely entertaining. In his diagnosis of what happened and what it means for us today, Andersen spares no one, committing to a pinpointing of his own boomer generation as accessories to the great dismantling of the American experiment"--

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Subjects
Published
New York : Random House [2020]
Language
English
Main Author
Kurt Andersen, 1954- (author)
Edition
First Edition
Physical Description
xxvii, 430 pages ; 25 cm
Bibliography
Includes bibliographical references and index.
ISBN
9781984801340
  • Introduction
  • Part 1. A Brief History of America
  • 1. Land of the New: America from 1600 to 1865
  • 2. Land of the New: An Economic History from the 1770s to the 1970s
  • 3. Approaching Peak New: The 1960s
  • Part 2. Turning Point
  • 4. The 1970s: An Equal and Opposite Reaction
  • 5. The 1970s: Liberalism Peaks and the Counterrevolution Begins
  • 6. The 1970s: Building the Counter-Establishment
  • 7. The 1970s: From a Bicentennial Pageant to a Presidency
  • 8. The 1970s: Neoliberal Useful Idiots
  • Part 3. Wrong Turn
  • 9. The Reagan Revolution
  • 10. Raw Deal What Happened in the 1980s Didn't Stay in the 1980s
  • 11. The Rule of Law
  • 12. The Deregulation Generation
  • 13. The Culture of Greed Is Good
  • 14. How Wall Street Ate America
  • 15. Workers of the New World, You Lose
  • 16. Insecurity Is a Feature, Not a Bug
  • 17. Socially Liberal, Fiscally Conservative, Generally Complacent
  • 18. The Permanent Reagan Revolution
  • 19. The 1990s: Restrained and Reckless
  • Part 4. Same Old Same Old
  • 20. Rewind, Pause, Stop: The End of the New
  • 21. The Politics of Nostalgia and Stagnation Since the 1990s
  • 22. Ruthless Beats Reasonable
  • 23. Winners and Losers in the Class War
  • 24. American Exceptionalism
  • Part 5. Make America New Again
  • 25. Winners and Losers (So Far) in the Digital Revolution
  • 26. How the Future Will Work
  • 27. This Strategic Inflection Point
  • 28. What Is to Be Done?
  • 29. The Plague Year and Beyond
  • Acknowledgments
  • Bibliography
  • Index
Review by Choice Review

This book summarizes the author's interpretation of recent US history and explains his belief that the country took a wrong turn politically during the 1970s and 1980s. In this coda to his earlier Fantasyland (CH, Jan'18, 55-1830), best-selling author Andersen says the country was on the right track politically and economically from the New Deal of the 1930s until the fateful recent turn. Active government policies resulted in improvements in the American standard of living, and Americans' characteristic interest in the "new" fostered acceptance of beneficial changes. Wealthy and conservative people, however, capitalized on several convergent factors to influence change that benefited themselves at the expense of others during recent decades. Andersen begins with a brief review of American history until the 1960s, explains how liberalism reached its peak of influence during the 1970s before the counterrevolution began, and then recounts the wrong turn the country took during the 1980s and continuing into the 1990s. He finally surveys contemporary efforts he believes might change the country's political and economic trajectory in the future. Andersen's mostly entertaining text is not footnoted, but interested readers may consult sources and citations available on the author's website. Some sources are also listed in the bibliography. Summing Up: Recommended. Upper-division undergraduates. Graduate students, faculty, and professionals. General readers. --Jerry Purvis Sanson, formerly, Louisiana State University at Alexandria

Copyright American Library Association, used with permission.
Review by Publisher's Weekly Review

In this sweeping jeremiad, journalist Andersen (coauthor, You Can't Spell America Without Me) traces the origins of today's economic inequality and political dysfunction to "the quite deliberate reengineering of our economy and society since the 1960s by a highly rational confederacy of the rich, the right, and big business." This reengineering, Andersen contends, was aided and abetted by a more spontaneous cultural trend: "a wholesale national plunge into nostalgia" in TV (Happy Days), movies (Grease), music (Bruce Springsteen), and design (New Urbanism). Right-wing politicians and economists exploited this "nostalgia boom," Andersen writes, by pitching regulatory rollbacks, tax cuts, and small government as a return to a more "rugged" and "frontiersy" America. Andersen also blames the Clinton administration's deregulation of financial markets and the Supreme Court's gutting of campaign finance laws for contributing to today's "extreme insecurity and inequality," and holds out tentative hope that the coronavirus pandemic and protests against racial injustice will shock the country out of its economic, political, and cultural stasis. Much of Andersen's material will be familiar to newshounds, but he arranges it into a cohesive argument backed by hard data and stinging prose. Readers will get a clearer picture of how the U.S. got to where it is today. (Aug.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

How inequality happened in America. Journalist, editor, magazine founder (Spy, Inside), and host of the public radio broadcast "Studio 360," Andersen builds on the political and cultural critique he offered in his last book with a timely, hard-hitting analysis of America's "hijacked, screwed-up political economy." "Whereas Fantasyland concerned Americans' centuries-old weakness for the untrue and irrational, and its spontaneous and dangerous flowering since the 1960s," he writes, "Evil Geniuses chronicles the quite deliberate reengineering of our economy and society since the 1960s by a highly rational confederacy of the rich, the right, and big business." Synthesizing many works on capitalism, inequality, greed, and corruption, Andersen focuses on the "hyperselfishness" that took hold in the 1970s, when economic equality was "at its peak." What Tom Wolfe called the "Me Decade" extended beyond personal behavior to infect the nation's economy, leading to "strategizing, funding, propagandizing, mobilizing, lobbying, and institution-building" by big business, turning the U.S. political economy "into a winner-take-all casino economy." The author sees the '70s as a turning point in American life that gave rise to neoliberalism, a move toward deregulation of business, and a glorification of a culture of greed. "The anti-Establishment subjectivity and freedom to ignore experts and believe in make-believe that exploded in the '60s was normalized and spread during the '70s and beyond," he writes (especially during Reagan's presidency) and is in evidence today in a mistrust of government--regulations, taxes, oversight--and a nostalgia for some imagined, stable past. Andersen believes that change can occur, unrelated to partisan politics: He urges Americans to push for "goals that can seem radical--lots more power for workers and average citizens, optimizing the economy for all Americans rather than maximizing it for rich ones and corporations--but then being nondoctrinaire about how we achieve the goals." A rousing call for desperately needed systemic transformation. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

As I was working on Fantasyland, reading and thinking about American history, I noticed more connections between the two phenomena-- between our simultaneous switch in the 1970s and '80s to a grisly old- fashioned political economy and to a strenuously, continuously familiar culture. Which led me to spend a couple of years reading and thinking more deeply about both. A lot more deeply about the economics and politics. That's what I'd mainly studied in college, but since then I'd mostly just read the news, skimmed along day to day and month to month like anybody whose job never required knowing a lot about deregulation, antitrust, tax codes, pensions, the healthcare industry, the legal fraternity, constitutional law, organized labor, executive compensation, lobbying, billionaires' networks, the right wing, the dynamics of economic growth, stock buybacks, the financial industry and all its innovations--so many subjects of which I was mostly ignorant. My immersion was revelatory. Reading hundreds of books and scholarly papers and articles and having conversations with experts made me more or less fluent in those subjects and, more, taught me many small things and one important big thing: what happened around 1980 and afterward was larger and uglier and more multifaceted than I'd known. Inequality is the buzzword, mainly because that's so simple and quantifiable: in forty years, the share of wealth owned by our richest 1 percent has doubled, the collective net worth of the bottom half has dropped almost to zero, the median weekly pay for a full-time worker has increased by just 0.1 percent a year, only the incomes of the top 10 percent have grown in sync with the economy, and so on. Americans' boats stopped rising together; most of the boats stopped rising at all. But along with economic inequality reverting to the levels of a century ago and earlier, so has economic insecurity, as well as the corrupting political power of big business and the rich, oligarchy, while economic immobility is almost certainly worse than it's ever been. Before I started my research, I'd understood the changes in the 1970s and '80s hadn't all just . . . happened, spontaneously. But I didn't know how long and concerted and strategic the project by the political right and the rich and big business had been. One of my subjects in Fantasyland is how conspiracy-theorizing became an American bad habit, a way our chronic mixing of fiction and reality got the best of us. Of course there are secretive cabals of powerful people who work to make big bad things happen, actual conspiracies, but the proliferation of conspiracy theories since the 1960s, so many so preposterous, had the unfortunate effect of making reasonable people ignore real plots in plain sight. Likewise, the good reflex to search for and focus on the complexities and nuances of any story, on grays rather than simple whites and blacks, can tend to blind us to some plain dark truths. I still insist on a preponderance of evidence before I draw conclusions. I still resist reducing messy political and economic reality to catch- phrases like "vast right-wing conspiracy" and "the system is rigged," but I discovered that in this case the blunt shorthand is essentially correct. It looks more like arson than a purely accidental fire, more like poisoning than a completely natural illness, more like a cheating of the many by the few. After all, as the god of the economic right himself, Adam Smith, wrote in capitalism's 1776 bible, The Wealth of Nations: "People of the same trade seldom meet together, even for merriment and diversion, but the conversation ends in a conspiracy against the public, or in some con- trivance to raise prices." Evil Geniuses is the book I wish had existed a dozen years ago to help clarify and organize and deepen and focus my thinking and understanding and anger and blame. Like most people over the past decade, I'd noticed this fact here or that infographic there about inequality or insecurity or malign corporate power, but quickly moved on, flittered off to the next headline. But then I decided to go deep into the weeds in order to understand, then come out of the weeds to explain what I'd learned as clearly as I could. I wanted to distill and gather and connect the important facts and explanations in one compact package, to make a coherent picture out of all the puzzle pieces. There are lots of facts and figures in here, but not much jargon at all. By chronicling CEOs and billionaires and intellectu- als and zealots and operators planning and strategizing for years, together and apart, networking and plotting, even memorializing some plots in memos--so many jaw-dropping memos-- I've tried to tell a compelling story as well as make a persuasive argument about what's become of us. So how did big business and the very rich and their political allies and enablers manage to convince enough Americans in the 1970s and '80s that the comfortable economic rules and expectations we'd had in place for half of the twentieth century were obsolete and should be replaced by an older set of assumptions and protocols? Most people at the time didn't realize just how immense and perva- sive the changes were and certainly not where they'd lead. Reagan's election and landslide reelection were plainly big deals, some sort of national mandate, but at the time the 1980s seemed more like a post-1960s rever- sion to the historically typical, not really its own moment of wrenching transformation. Whereas during the 1960s, everyone was aware we were experiencing a great turning point in culture and politics, with almost everything changing in obvious ways--like how in the '30s people were aware in real time that the Depression and New Deal were transforma- tive, the beginning of a new America. The specific policy changes in the 1980s were profound in the aggregate, but beyond the nostalgic Rea- ganite Morning in America and freer-free-markets messaging, most of the changes were complicated and esoteric and seemed small, so they had a stealth quality. It didn't feel quite like a paradigm shift because it was mainly carried out by means of a thousand wonky adjustments to government rules and laws, and obscure financial inventions, and big companies one by one changing how they operated and getting away with it--all of it with impacts that emerged gradually, over decades. Social Security and Medicare benefits were not cut, the EPA wasn't abolished, labor unions weren't banned. As it turned out, the 1980s were the '30s but in reverse: instead of a fast-acting New Deal, a time-release Raw Deal. But the reengineering was helped along because the masterminds of the economic right brilliantly used the madly proliferating nostalgia. By dressing up their mean new rich-get-richer system in old-time patriotic drag. By portraying low taxes on the rich and unregulated business and weak unions and a weak federal government as the only ways back to some kind of rugged, frontiersy, stronger, better America. And by choosing as their front man a winsome 1950s actor in a cowboy hat, the very embodiment of a certain flavor of American nostalgia. Of course, Ronald Reagan didn't cheerfully announce in 1980 that if Americans elected him, private profit and market values would override all other American values; that as the economy grew nobody but the well-to-do would share in the additional bounty; that many millions of middle-class jobs and careers would vanish, along with fixed private pen- sions and reliable healthcare; that a college degree would simultaneously become unaffordable and almost essential to earning a good income; that enforcement of antimonopoly laws would end; that meaningful control of political contributions by big business and the rich would be declared unconstitutional; that Washington lobbying would increase by 1,000 percent; that our revived and practically religious deference to business would enable a bizarre American denial of climate science and absolute refusal to treat the climate crisis as a crisis; that after doubling the share of the nation's income that it took for itself, a deregulated Wall Street would nearly bring down the financial system, ravage the economy, and pay no price for its recklessness; and that the federal government he'd committed to discrediting and undermining would thus be especially ill-equipped to deal with a pandemic and its consequences. Rather, when we were promised in 1980 the wonderful old-fashioned life of Bedford Falls, we didn't pay close enough attention to the fine print and possible downsides, and forty years later here we are in Pottersville instead, living in the world actually realized by Reaganism, our political economy remade by big business and the wealthy to maximize the wealth and power of big business and the well-to-do at the expense of everyone else. We were hoodwinked, and we hoodwinked ourselves. Our wholesale national plunge into nostalgia in the 1970s and afterward was an important part of how we got on the road toward extreme insecurity and inequality, to American economic life more like the era of plutocrats and robber barons of the 1870s. All our clocks got turned back--the political and economic ones by design, the cultural ones more or less spontaneously. Economic progress ended, and cultural innovation stagnated except in information technology, where unchecked new indus- trial giants arose--resembling those of that first Gilded Age. The morphing of the nostalgia addiction into cultural paralysis in the 1990s helped to keep us shackled in an unpleasant perpetual present ever since. That cultural stasis, almost everyone and everything looking and sounding more or less the way they did a generation ago, provided daily reinforcement of the sense that the status quo is permanent and unchangeable across the board--in other words, a kind of fatalistic hopelessness of the kind that was standard before democracy existed, before revolutions, before the Enlightenment. We've thus been discouraged by the culture as well as by much of politics from imagining that the economy might be radically redesigned and remade once again, encouraged to think that fundamental change is either no longer possible or no longer desirable or both. If the present is more or less indistinguishable from the recent past, why won't the future be pretty much the same as the present but with more robots? There are the gadgets and bits of fresh software, but otherwise we have become unaccustomed to the new, many of us skeptical and afraid of the new, confused about how to think of the past or cope with the future. Unlike longing for a fairer economy of the kind we used to have, which would require a collective decision to bring back, the itch of cultural and social nostalgia is easy for individuals to scratch and keep scratching. So for many Americans, who spent several decades losing their taste for the culturally new and/or getting screwed by a new political economy based on new technology, fantasies about restoring the past have turned pathological. Thus the angriest organized resistance to the new, the nostalgias driving the upsurge of racism and sexism and nativism--which gave us a president who seemed excitingly new because he asserted an impossible dream of restoring the nastily, brutishly old. The recent wave of politi- cized nostalgia is global, of course, taking over governments from Britain to Russia to India. But those countries at least have the excuse of being ancient. Excerpted from Evil Geniuses: The Unmaking of America: a Recent History by Kurt Andersen All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.