Review by Publisher's Weekly Review
A child absorbs the sights and sounds of "a very old city filled with boats, people, prayers, and hot tea." Lyrical second-person prose by Pellicioli (Where You End) opens at the oceanside, as the pale child throws a "gasping," just-caught fish back into the water: "You're afraid the fisherman/ will be angry," but he's not. He pats the child on the head and introduces a woman who sells simit--sesame rounds. Via a loose, linked narrative, a boat ride, pomegranate juice, a trip through the spice bazaar, and a trip to the public bath follow. In digital spreads, Turkish artist Atilgan gives the characters upbeat, animation-style friendliness, while picking out the city's patterns and visual rhythms in a palette of warm red, rich brown, and robin's egg blue. Everywhere, people greet the wandering child, offering sweets and kindnesses. This string of experiences lulls like a dream in this hymn to a city and its experiential offerings. Ages 3--7. (Nov.)
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Review by School Library Journal Review
PreS-Gr 1--In a modern folktale that requires an old-fashioned suspension of disbelief, a little girl has a whirlwind adventure in Istanbul's old city that introduces her to some of its sights, sounds, tastes, and many kindnesses. The nameless child, who has peach skin and brown hair, meets friendly people who offer her delicious tea, crunchy simit, sweet pomegranate juice, and some of the exciting snacks of the Spice Bazaar. She explores the city from high to low, taking to seas, rooftops, bridges, and even a bathhouse with a sweet-faced older woman. Along the way, the girl shares her treats and the story of her day with the people she meets, and offers her gratitude. The second-person narration referring to the girl as "you" draws readers into her experiences. Adding to this intimate feel are the lovely digital illustrations, which feature bold reds and teals on a predominantly white background accompanied by lots of texture and patterns, all of which create a warm and breezy atmosphere. Adult readers may want to remind impressionable young listeners about stranger danger. While readers unfamiliar with Istanbul may not get a broader sense of the city from this adventure, it certainly instills a sense of hospitality and possibility and will certainly pique curious minds to learn more. VERDICT A necessary purchase where books that highlight kindness, exploration, and wonder are in demand.--Darla Salva Cruz, Suffolk Cooperative Lib. Syst., Bellport, NY
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Review by Kirkus Book Review
A day in the life of a young girl in the ancient city of Istanbul. When life gives you "a flapping fish," your day is sure to be an interesting one. The plucky protagonist, leery of hurting the creature, throws it back into the sea and continues on her way. Along that way, she meets all manner of people and receives all manner of gifts, which she then bestows on others: simit from a street vendor, tea and treats, a song and a story, a warm bath. The final gift, a song from the city itself, is one she keeps eagerly for herself. In today's prematurely cynical world, it might be easy to write off the unwavering, indulgent generosity of the city dwellers as contrived, idealized romanticization. But to do so would be to spit on the magic this simple story weaves. Pellicioli has obviously done her research, suffusing her whirlwind tour of Istanbul with a great deal of genuine local color. Specific settings such as the Galata Bridge and the nearby Spice Bazaar situate the story in place while leaving it refreshingly untethered in time. The text is poetic, almost songlike, but sits small and unassuming on pages bursting with life in Atilgan's whimsical illustrations. Figures are gently canted at bizarre angles, all flyaway hair and shadowed faces. Colors are soft and warm, adding to the timeless feel. (This book was reviewed digitally with 10.5-by-17-inch double-page spreads viewed at 53.8% of actual size.) Quietly beautiful and charmingly quixotic. (Picture book. 4-8) Copyright (c) Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
