Detransition, baby A novel

Torrey Peters

Book - 2020

"[A novel] about three women--transgender and cisgender--whose lives collide after an unexpected pregnancy forces them to confront their deepest desires around gender, motherhood, and sex..."--

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Subjects
Genres
Literature
Novels
Published
New York : One World [2020]
Language
English
Main Author
Torrey Peters (author)
Edition
First edition
Physical Description
340 pages ; 25 cm
ISBN
9780593133378
Contents unavailable.
Review by Publisher's Weekly Review

Peters's sharp comedy (after Infect Your Friends and Loved Ones) charts the shifting dynamics of gender, relationships, and family as played out in three characters' exploration of trans femininity. Reese, a trans woman from the Midwest now living in New York City, is in the throes of an affair with a kinky, dominant, and married man. Ames, Reese's ex who has detransitioned since their breakup three years earlier, is now with his boss, a divorced cis woman named Katrina. When Katrina gets pregnant, Ames must reckon with his gender once again. Katrina intends to get an abortion if Ames leaves her, and he comes up with a solution so crazy it just might work. He cannot be a father, but he can be a parent ("He knew, however, that Katrina didn't have the queer background to allow for that distinction"), and Reese, more than anything, wants to be a mother; desperate, Ames asks Reese if she will be a co-mother; he also confesses to Katrina that he once lived as a woman. As Reese, Katrina, and Ames reckon with the possibility and difficulties of forming a family, their quick wit gets them through heavy scenes (Reese on Katrina's "AIDS panic": "How retro"). Peters conceives of a world so lovable and complex, it's hard to let go. Agent: Kent Wolf, Neon Literary. (Jan.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Peters's debut is a beautiful, heart-wrenching, gut-punching and captivating story, in which listeners want to cheer and embrace the characters one moment, and tell them off in the next. Here, three people try to define the concept of family when confronted with an unplanned pregnancy. There's Reese, a transgender woman who always longed to be a mother; Katrina, a cisgender woman who's grappling with whether to keep the baby; and Ames, who lived for six years as a transgender woman before "detransitioning," going back to the gender he was assigned at birth. Ames proposes that he, Reese (his ex), and Katrina (his current lover) raise the child together. It's a wonderful tale to listen to, especially with Renata Friedman's artful narration. VERDICT The buzz surrounding Peters's novel is well-deserved. The further listeners get into the story, the more they'll appreciate the complex characters struggling to define the concept of parenthood.--Gladys Alcedo, Wallingford, CT

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Review by Kirkus Book Review

A wonderfully original exploration of desire and the evolving shape of family. Reese's specialty is horrible married men--and she has carefully analyzed all the reasons why. She is, in fact, exquisitely self-aware when it comes to her self-destructive tendencies. When her ex, Ames, asks her to be a second mother to the baby his lover, Katrina, is carrying, Reese knows exactly why she doesn't say no: She believes that motherhood will make her a real woman. Ames has issues of his own. Fatherhood is not a role he wants for himself--which is not to say that he doesn't want to be a parent. It's his hope that, by bringing Reese into their ménage, he might make Katrina consider other, less binary, possibilities. Set in New York and peopled with youngish professionals (and folks who are, at least, professional-adjacent), this novel has the contours of a dishy contemporary drama, and it is that. What sets it apart from similar novels are the following details: Reese is a trans woman, and, when she and Ames were together, Ames was Amy and also a trans woman. Detransitioning--returning to the gender assigned at birth after living as another gender--is a fraught subject. People who change their minds about transitioning are often held up as cautionary tales or as evidence that trans identity is a phase or a sickness, not something real. Peters, a trans woman, knows this, and, in Ames, she has created a character who does not conform to any hateful stereotype. Ames is, like every other human, complicated, and his relationship to his own body and his own gender is just one of his complexities. Reese is similarly engaging. She's kind of a mess, but who isn't? There's no question that there will be much that's new here for a lot of readers, but the insider view Peters offers never feels voyeuristic, and the author does a terrific job of communicating cultural specificity while creating universal sympathy. Trans women will be matching their experiences against Reese's, but so will cis women--and so will anyone with an interest in the human condition. Smart, funny, and bighearted. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter One One month after conception The question, for Reese: Were married men just desperately attractive to her? Or was the pool of men who were available to her as a trans woman only those who had already locked down a cis wife and could now "explore" with her? The easy answer, the one that all her girls advocated, was to call men dogs. But now, here's Reese--sneaking around with another handsome, charming, motherf***ing cheater. Look at her, wearing a black lace dress and sitting in his parked Beamer, waiting while he goes into a Duane Reade to buy condoms. Then she's going to let him come over to her apartment, avoid the pointed glare of her roommate, Iris, and have him f*** her right on the trite floral bedspread that the last married dude bought her so that her room would seem a little more girly and naughty when he snuck away from his wife. Reese had already diagnosed her own problem. She didn't know how to be alone. She fled from her own company, from her own solitude. Along with telling her how awful her cheating men were, her friends also told her that after two major breakups, she needed time to learn to be herself, by herself. But she couldn't be alone in any kind of moderate way. Give her a week to herself and she began to isolate, cultivating an ash pile of loneliness that built on itself exponentially, until she was daydreaming about selling everything and drifting away on a boat toward nowhere. To jolt herself back to life, she went on Grindr, or Tinder, or whatever--­and administered ten thousand volts to the heart by chasing the most dramatic tachycardia of an affair she could find. Married men were the best for fleeing loneliness, because married men also didn't know how to be alone. Married men were experts at being together, at not letting go, no matter what, until death do us part. With the pretense of setting the boundaries of "just an affair," Reese would swan dive super deep, super hard. By telling herself it would just be a fling, she gave herself permission to fulfill every fetish the guy had ever dreamed of, to unearth his every secret hurt, to debase herself in the most lush, vicious, and unsustainable ways--­then collapse into resentment, sadness, and spite that it had been just a fling, because hadn't she been brave enough and vulnerable enough to dive super deep, super hard? She saw herself as attractive, round face and full figure, but she didn't pretend that she stopped traffic; nor did she frequently note people standing around to admire the harvests of her brain. But with the right kind of man, she bore a genius for drama. She could distill it and flame it like jet fuel when solitude chilled her bones. Her man this time was similar to her others. A handsome, married alpha-­type who put her on a leash in the bedroom. Only this one was better, because he was an HIV-­positive cowboy-­turned-­lawyer. He had a thing for trans girls and had seroconverted while cheating on his wife with a trans woman, and the wife had stayed with him, and now he was at it again with Reese. Wheeeee! "Did you bottom or something?" Reese had asked on their first date. "F*** no," he said. "My doctors said I had a one in ten thousand chance to contract it from getting head. You figure that at least ten thousand blow jobs are happening every minute, but that one in ten thousand was me. Also, she gave me a lot of blow jobs." "Cool," said Reese, who knew that that explanation wasn't factual, but had only really agreed to make sure he wasn't going to try to bottom with her. Within the hour, she had him back in her room and confessing from whom he'd gotten HIV and where. Within two hours, Reese convinced him to talk about his wife's disappointment, how she was unwilling to let him f*** a child into her even though his HIV had declined to undetectable levels. He described how much his wife hated the IVF treatments, how their clinical nature reminded her over and over what he had done to put her on a cold doctor's table instead of in their warm marital bed. "You're getting a lot more candor out of me than I'm used to," her cowboy said, sounding surprised at himself, even as he squeezed Reese's tits. "The power of pussy, I guess." "You might get my pussy," she responded, enjoying herself and aping his cowboy drawl, "but a good woman'll flay your soul." "Ain't that the truth," he drawled back. He lifted a big paw to the back of her neck and brought her face close to his. She sighed, went limp. Her eyes glassily held his. "Tell you what," he told her, "first I'm going to own your pussy . . ." He paused, and with his hand still on her neck, he slowly, firmly, pushed her face down into a pillow. "Then we'll see about my soul." Now he slides back into the car, with a little brown bag full of lube and condoms, and a tickling of anticipation slides across Reese's stomach. "Do we really need these tonight?" he asks her, holding up the bag. "You know I'm gonna want to knock you up." This was why she still put up with him: He got it. With him, she'd discovered sex that was really and truly dangerous. Cis women, she supposed, rubbed against a frisson of danger every time they had sex. The risk, the thrill, that they might get pregnant--­a single f*** to f*** up (or bless?) their lives. For cis women, Reese imagined, sex was a game played at the precipice of a cliff. But until her cowboy, she hadn't ever had the pleasure of that particular danger. Only now, with his HIV, had she found an analogue to a cis woman's life changer. Her cowboy could f*** her and mark her forever. He could f*** her and end her. His cock could obliterate her. His viral load was undetectable, he said, but she never asked to see any papers. That would kill the sweetness and danger of it. He liked to play close to the edge too, pushing to knock her up, to impregnate her with a viral seed. Make her the mommy, her body host to new life, part of her but not, just as mothers eternal. "We agreed on condoms always. You said you didn't want it on your conscience," she said. "Yeah, but that was before you started on your birth control." She first called her PrEP "birth control" at a Chinese place in Sunset Park where he felt safe that none of his wife's friends would possibly run into him. It popped into her head as a joke, but he looked at her and said, "F***, I just got so hard." He signaled for the check, told her that she wouldn't get to see a movie that night, and drove her right home to put her facedown on her floral bedspread. In the morning, she sexted him one of the sexiest, but most ostensibly non-­sexual, sexts of her life--­a short video of her cramming a couple of her big blue Truvada pills into one of those distinctive pastel birth control day-­of-­the-­month clamshell cases. From then on, her "birth control pills" were part of their sex life. There was another reason, beyond the stigma, taboo, and eroticization, that their particular brand of bugchasing had bite for Reese: She really did want to be a mom. She wanted it worse than anything. She had spent her whole adulthood with the queers, ingesting their radical relationships and polyamory and gender roles, but somehow, she still never displaced from the pinnacle of womanhood those nice white Wisconsin moms who had populated her childhood. She never lost that secret fervor to grow up into one of them. In motherhood she could imagine herself apart from her loneliness and neediness, because as a mother, she believed, you were never truly alone. No matter that her own and her trans friends' actual experiences of unconditional parental love always turned out to be awfully conditional. Excerpted from Detransition, Baby: A Novel by Torrey Peters All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.