The walker On finding and losing yourself in the modern city

Matthew Beaumont, 1972-

Book - 2020

"Whether one considers Dickens's insomniac night-time perambulations or restless excursions through the faceless monuments of today's neoliberal city, the act of walking is one of self-discovery and escape, of disappearances and secret subversions. Pacing stride for stride alongside literary amblers and thinkers such as Edgar Allan Poe, André Breton, H. G. Wells, Virginia Woolf, Jean Rhys, and Ray Bradbury, Beaumont explores the relationship between the metropolis and its pedestrian life"--

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Subjects
Published
London ; Brooklyn, NY : Verso 2020.
Language
English
Main Author
Matthew Beaumont, 1972- (author)
Physical Description
320 pages : illustrations (black and white) ; 24 cm
Bibliography
Includes bibliographical references and index.
ISBN
9781788738910
  • Introduction: Lost and Unlost Steps
  • 1. Convalescing
  • 2. Going Astray
  • 3. Disappearing
  • 4. Fleeing
  • 5. Wandering
  • 6. Collapsing
  • 7. Striding, Staring
  • 8. Beginning
  • 9. Stumbling
  • 10. Not Belonging On the Architectural Logic of Contemporary Capitalism
  • Afterword: Walking in London and Paris at Night
  • Acknowledgements
  • Notes
  • Index
Review by Publisher's Weekly Review

Beaumont (Nightwalking), lecturer in English Literature at University College London, explores literary depictions of walking in this fascinating, sometimes frustrating book. Drawing on Marxist theorist Raymond Williams's claim that literary depictions of the modern city have hinged on a "man walking, as if alone, in its streets," Beaumont discusses how numerous fiction writers have dealt with this "dominant metropolitan archetype." They include Edgar Allan Poe, with his short story "The Man of the Crowd"; G.K. Chesterton, who favored the "wandering champions" of medieval romance; and Ray Bradbury via his brief SF story "The Pedestrian." Beaumont also cites such thinkers as Slavoj Žižek on the architecture of the city and Sigmund Freud with his notion of the uncanny. The density of erudition keeps the book intriguing and provocative, but Beaumont wanders down some strange avenues, such as an essay arguing that "as a bipedal species, the human being begins with the big toe." Readers may also find that Williams's specifically male formulation of the walker isn't sufficiently challenged. Still, those interested in how literature has explored urban modernity are sure to find ample food for thought. (Nov.)

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