Rabbit Island Stories

Elvira Navarro, 1978-

Book - 2020

"Combining the gritty surrealism of David Lynch with the explosive interior meditations of Clarice Lispector, the stories in Elvira Navarro's Rabbit Island traverse the fickle, often terrifying terrain between madness and freedom. In the title story, a so-called "non-inventor" conducts an experiment on an island inhabited exclusively by birds and is horrified by what the results portend. "Myotragus" bears witness to a man of privilege's understanding of the world being violently disrupted by the sight of a creature long thought extinct. Elsewhere, an unsightly "paw" grows from a writer's earlobe; a grandmother floats silently in the corner of a room."--

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Subjects
Genres
Short stories
Published
San Francisco, CA : Two Lines Press [2020]
Language
English
Spanish
Main Author
Elvira Navarro, 1978- (author)
Other Authors
Christina MacSweeney (translator)
Item Description
Originally published in Spain as La isla de los conejos in 2019.
Physical Description
164 pages ; 21 cm
ISBN
9781949641097
  • Gerardo's letters
  • Strychnine
  • Rabbit Island
  • Regression
  • Paris périphérie
  • Myotragus
  • Notes on the architecture of hell
  • The top floor room
  • Memorial
  • Gums
  • The fortune teller.
Review by Booklist Review

Spare in pages, Navarro's collection of 11 short stories prove dense with disconnection, dysfunction, and dismay as families fray, couples sunder, and animals are brutalized. Set between the seemingly familiar and elusively surreal, Navarro's tales unsettle readers through oneiric landscapes. In "Rabbit Island," a non-inventor who doesn't create installation art nonetheless populates a small island with a filthy river with white rabbits to deter the resident birds, causing, of course, horrific results. Slaughter looms in "Myotragus," which features an elephantiasis-impaired archduke with a penchant for hunting young flesh. A woman's ear grows an extraneous paw in "Strychnine," while a not-husband not honeymooning after a not-wedding observes that he might be turning into an insect in "Gums." Estrangements drive "Gerardo's Letters," in which a troubled couple travels to a bug-infested hostel; "Regression" depicts the fickle relationship between two girls; "Paris Périphérie" is about a map-resistant wanderer who's maybe meeting or leaving a lover. Named one of Granta's magazine's "Best Young Spanish-Language Novelists," Navarro--adroitly anglophone-enabled by award-winning Christina MacSweeney--distinctly proves her inarguable facility with short fiction.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

The stories in Spanish writer Navarro's arresting collection (after A Working Woman) are set in and around present-day Madrid, but the characters often find themselves in a more surreal terrain. In the title story, a man releases 20 rabbits on an uninhabited island in hopes they will eat the eggs of the birds whose excrement, noise, and dirty feathers are preventing him from enjoying the few nights a week he camps there, a plan which devolves into a grotesque, cannibalistic situation. In "Strychnine," a paw grows in the young protagonist's ear. It starts out as a red swelling, but by the next day the appendage hangs "below her breast" and has "sprouted toes with small mouths." In "Myotragus," Navarro imagines an encounter between a predatory nobleman and a cold-blooded (now extinct) goat that lived on the island of Majorca. While some stories feel overly impressionistic, with too little plot, the most daring in the collection are unsettling and memorable. Navarro showcases her ability to lead her characters from relative normalcy into nightmare terrain in starkly elegant prose and with a winking sense of humor. (Feb.)

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He'd built a canoe and wanted to try it out on the Guadalquivir River. Sports didn't interest him, and he hadn't made the canoe for regular use; once he'd explored the small river islands, it would be relegated to the junk room or sold. He thought of himself as an inventor, although the things he made couldn't be called inventions. Yet he'd begun categorize all the ideas he sketched out in that way because he never used instruction manuals. His method was to work out for himself what was needed to construct something that had already been made. The process took months, and he considered it his true vocation: inventing things that had already been invented. The pleasure he got from that activity was something like what Sunday hikers feel when they reach the summit of some mountain and wonder why personal fulfillment is such a strange sensation. In the mornings the non-inventor taught in an arts and crafts college without any sense of fulfillment, despite the fact that his students found his workshops useful. Since childhood he'd had the desire to travel to spits of land that extend into the sea, or to uninhabited islands. Once, when he was eighteen, his parents invited him to go with them to Tabarca, promising that it was a deserted island. He'd thought that it would be a wilderness, but what he found was seven streets of poor houses, a high wall, a church, a lighthouse, two hotels, and a small harbor. His parents had probably exaggerated the isolation of Tabarca in order to persuade him to spend the vacation with them--they didn't like the idea of leaving him home alone; but it's also possible that they had never really understood what he meant by uninhabited places. It was no easy task to count the number of river islands on the stretch of the Guadalquivir adjoining the city. Some could be mistaken for small isthmuses. One September morning he walked to the dock carrying his canoe and took to the water. He spent several days getting the hang of his vessel, but once he had, he started to explore. There had been no rain for weeks. The river was very low; the water was calm and smelled really bad. He skirted the islands with a mixture of anxiety and astonishment, without ever managing to take the canoe ashore. He wasn't confident of his ability to make rapid maneuvers, feared that the shorelines might be muddy, that he would slip and his canoe would drift away. And the thought of having to swim back with his mouth tightly closed to avoid swallowing putrid water scared him, as did the lush, brightly colored vegetation buzzing with insects, and the layer of bird shit on the ground. A landscape he'd believed to be beautiful was no more than trees deformed by the weight of birds--or perhaps some disease--colonies of bugs, and bushes rotted by the filth. On his fifth day out in the canoe, he decided to explore beyond the curve in the Guadalquivir. Paddling south had the advantage of allowing him to keep the low rolling hills of the surrounding countryside in sight. The islets there were tiny, more rocky and packed closely together like a rash. He paddled laboriously around them; near the last one he found a dead body floating facedown in the reeds. It was a man, wearing only boxers; the skin on his back was covered in blisters the size of a hand. He didn't know if they were caused by exposure to the sun, which was still scorching in September, or immersion in the water. The river stank. He called the civil defense unit and some officers arrived in a boat too big to pass through the reeds. They had a canoe onboard; while an obese officer was getting into it, he paddled to the boat and asked for permission to leave. He didn't want to witness that dead flesh being dragged out of the water. He shrank at the thought of turning around to find fresh entrails nibbled by fish. Excerpted from Rabbit Island by Elvira Navarro All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.