Do what you want : the story of Bad Religion

Do what you want The story of Bad Religion

Book - 2020

"The all-access autobiography of Bad Religion, a Southern Californian institution and one of the most influential and long-standing punk rock bands of all time In 1980, punk was declared dead in New York, done-for in London, banned in Hollywood. And yet just under the radar, the punk rock virus had continued to spread, slowly inching its way through the breezy beach towns of Southern California and into the edgier interior of East LA. Embraced by the skaters and surfers, and hated by just about everyone else, the LA punk scene ebbed and flowed in the early '80s, each wave ushering in an increasingly aggressive cycle of reformers. It was within this hotbed of deliberate dissonance, lyrical intensity, and untapped teen angst that Ba...d Religion was born. In Do What You Want, the legendary band tells us the story of their success in their own words, from jamming out in a 'hell hole-ish' garage in the 1980s to headlining sold-out festivals like Coachella, Lollapalooza, Riot Fest, and more. Our principal storytellers are the four voices that define Bad Religion: Greg Gaffin, a Wisconsin kid who sang in the choir and became a punk rock icon while he was still a teenager; Brett Gurewitz, a high school dropout who later founded the infamous indie punk label Epitaph Records, eventually expanding its net and cache to sign legends like Tom Waits and Merle Haggard; Jay Bentley, a surfer and skater who gained recognition as much for his bass skills as for his outlandish onstage antics; and Brian Baker, a hardcore guitarist who joined the band in 1994 and brings a fresh perspective as an intimate outsider. Do What You Want also features additional interviews from former band members and fellow rock stars like Fat Mike (NOFX), Keith Morris (Black Flag and the Circle Jerks), and many more. With hit after hit dominating the radio waves, Bad Religion also paved the way for the punk rock explosion of the 1990s, opening the door for bands like Blink-182, Green Day, and NOFX to reach a wider audience. They showed the world what punk could be, and they continue to spread their message one song, one show, one tour at a time--with no signs of stopping. Do What You Want isn't a book about a band that's sitting on the sofa and rewriting their history. Bad Religion is at the top of their game, one of the last bands standing with legit punk roots, mainstream success, and widespread appeal"--

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Subjects
Bad Religion (Musical group)
Punk rock musicians > United States > Biography.
Autobiographies.
Genres
Autobiographies
Published
New York : Hachette Books 2020.
Language
English
Corporate Author
Bad Religion (Musical group)
Corporate Author
Bad Religion (Musical group) (author)
Other Authors
Jim Ruland (author)
Edition
First edition
Item Description
Includes index.
Physical Description
xi, 324 pages, 32 unnumbered pages of plates : illustrations ; 24 cm
ISBN
9780306922220
  • Introduction: A dangerous dissonance
  • Welcome to the hell hole
  • I can do that
  • Live from Purgatory Beach
  • Life alone is such a curse
  • Something but nothing
  • Music for weirdos
  • New leaf
  • Go west
  • Jerking back and forth
  • Do what you want
  • Something more
  • Swimming upstream
  • Eleven ways of looking at god
  • The sword of progress
  • A subtle fuck you
  • Collapse
  • Fastest driver drives the car
  • A tangled web of logic and passion
  • Untethered from reality
  • Paradise lost
  • A shitty band like yours
  • The hurting ground
  • Shock and awful
  • Evolution of revolution
  • Here we go again
  • The world and elsewhere
  • The end of history.
Review by Publisher's Weekly Review

Ruland (My Damage) serves up a heady, revelatory collaboration with the enduring punk band Bad Religion, set to be published on the 40th anniversary of the group's formation. Ruland begins with the band's humble origins as a group of teens in the uncool San Fernando Valley and captures how their intelligent lyrics meant to "encourage the audience to not just think, but think critically" helped them stand out in the punk scene. Ruland anchors the group portrait with interviews with three of the founding members: Greg Graffin, vocalist, known as the "punk professor" for his parallel career as an evolutionary biologist; Brett Gurewitz, guitarist and founder of Epitaph Records, which released the band's records; and Jay Bentley, bassist, responsible for writing each show's set list. (Unlike most successful touring bands, Ruland explains, Bad Religion would rather challenge themselves and surprise their fans by playing a different set every night.) Readers will appreciate Ruland's thorough reporting and insight on the various lineup changes over the years, along with his convincing analysis of punk history in which, counter to the consensus of popular rock critics, Ruland argues that bands such as Green Day and Rancid were influenced by the Southern California punk scene, not by Nirvana or Seattle's grunge music. This testament to the value of hard work and independent thinking offers a thrilling alternative to the conventional rise-and-fall rock narrative. (Aug.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

From humble beginnings as a garage band of Southern California teenagers, Bad Religion has ridden a wave of thoughtful and well-crafted songwriting and performances that has lasted for four decades with no end in sight. Then-15-year-old singer Greg Graffin's first recorded words into a microphone may have been "this isn't art, this is suicide," but career-wise he was sorely mistaken. Seventeen albums later, the band continues to tour the world and release energetic, in-your-face punk that both thrills and questions its dedicated audience. Bad Religion produced this insider story with Ruland (coauthor, with Black Flag's Keith Morris, My Damage), who keeps things going at a pace that almost matches that of the performers. There aren't many groups that can say they've been true to their muse for four decades, and there were hurdles to overcome, but in the words of cofounder Brett Gurewitz, the band "just won't die." Their story is here. VERDICT An engaging chronicle of a band that has, remarkably, retained its founding spirit and relevancy many years on. A delightful read for fans of both the early days of punk and those curious about contemporary practice.--Bill Baars, formerly with Lake Oswego P.L., OR

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

An authorized band biography that attempts to provide long-overdue credit. After persevering through four decades, an eternity by punk-rock standards, Bad Religion has "never been more popular than they are right now." Devoted fans of the internationally popular band will embrace the narrative, which offers plenty of backstory on the splits and reunions of the two principal songwriters, Greg Graffin and Brett Gurewitz. It's both a chronicle and critical guide to each of the band's many albums and tours (nonfans will be overwhelmed by some of the detail). The biography--written with the assistance of Ruland, who co-authored the memoir of Black Flag and Circle Jerks founding member Keith Morris--also suggests why Bad Religion never achieved the sales levels or popularity of Nirvana or Green Day, whose influence on musical culture Graffin and company feel has been overstated, at least in comparison to their own. " 'People are finally filling in the chapter between 1983 and 1991,' Greg said. 'What happened? Two words: Bad Religion.' " From the beginning, the band has felt slighted, starting young as suburban teenagers from the San Fernando Valley, rising with the spread of punk culture, and then getting overshadowed by bands who sold more but perhaps didn't have Bad Religion's European reach or die-hard following. It's an often fascinating story, especially regarding Graffin's pursuit of his doctorate in evolutionary biology and Gurewitz's progression to record mogul through his founding of Epitaph Records. There are also the expected stories of excess and addition, and the claim that "Greg and Brett were establishing themselves as the Beatles of punk rock" would be more credible if it didn't come from the band itself. The text generally refers to the characters by first name only, an insider's perspective that prevents much critical distancing. The band has overcome a lot of challenges over the years, and this sufficient narrative documents every one of them. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

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