The memory collectors A novel

Kim Neville

Book - 2021

"Ev can feel the emotions people leave behind on objects, but to her it's more than a curse than a gift. The ones she deems harmless, she sells at Vancouver's Chinatown Night Market. Harriet hoards thousands of these treasures and is starting to make her neighbors sick as the overabundance of heightened emotions start seeping through her apartment walls. Harriet wants to make a museum of memory that not only feels warm and inviting but can heal the emotional wounds many people unknowingly carry around. But Ev's family was destroyed by the darkness lurking in an object - and now is wrapping around another person, threatening to annihilate what little she has left."-- Goodreads.

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Subjects
Genres
Paranormal fiction
Fantasy fiction
Published
New York : Atria Paperback 2021.
Language
English
Main Author
Kim Neville (author)
Edition
First Atria Paperback edition
Physical Description
388 pages ; 21 cm
ISBN
9781982157586
Contents unavailable.
Review by Booklist Review

Evelyn understands more than most that every object has a story. Since she was young, Ev could feel the emotions contained in an item--the love, happiness, grief, sadness, scorn, resentment, and even danger or hatred. She has learned to live with these feelings, or "stains," and even figured out how to make a living by selling the objects that contain them. Ev's father was the only other person she knew with the ability, until she meets Harriet with her collection of "bright" objects. Together the two women transform Harriet's collection into a "museum of memories," hoping to share the brightness with others. But when Ev learns that Harriet is connected to her tragic past, each woman is pushed to the edge before the truth can emerge from beneath the secrets. Neville's debut novel delivers a unique and intriguing mystery, reminding readers that what most see as trash, a few see as treasure. Objects, like people, have a history and can be cherished, bring people joy or sorrow, and be full of darkness and light.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Neville debuts with a tense meditation on trauma, family, and inheritance. Strangers Evelyn and Harriet both possess the ability to sense emotions and memories attached to certain objects. For Evelyn, it's a terrifying burden: her father, who had the same power, became murderous after too much contact with objects that had hateful auras. For Harriet, "bright objects" are the only comforts in her reclusive, paranoid life, and she uses her vast wealth to hoard them. After a chance encounter, Harriet hires Evelyn to help her transform her collection into a museum of memory. Meanwhile, Evelyn works to provide a stable home for her chaotic younger sister, Noemi--even as Noemi pries deeper into the dark secrets of their family's past. Harriet and Evelyn are elegant foils for one another, allowing Neville to unpack dysfunctional memory from different angles. Unfortunately, the pervasive undercurrent of anxiety quickly becomes oppressive and both the magic and the characters feel underbaked. Fans of introspective fabulism will love the concept, but others will find this thin. Agent: Taylor Haggerty and Melanie Castillo, Root Literary. (Mar.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

What if people's emotions could be influenced by objects as trivial as a discarded button? Harriet and Evelyn don't seem to have anything in common. Harriet is an older White woman whose apartment is bursting at the seams with boxes containing her collection of treasured objects. Ev is a young half-Chinese woman living in a sterile apartment who wears white gloves to avoid having to touch anything directly. When one of Harriet's neighbors puts a few boxes of Harriet's things in the dumpster outside, Ev digs through them, looking for items to sell at the flea market. Harriet arrives home, catching Ev, and the women realize they have something in common: a rare ability to recognize the emotions and memories imbued in certain everyday items. Harriet's and Ev's different relationships to their gift (curse?) are captured by the word each woman uses to describe these special objects--for Harriet they are bright, and for Ev they are stained. Harriet is forced to vacate her apartment and thus reckon with her tremendous collection; she hires Ev to create a museum of treasures that will positively influence the emotions of its visitors: "They would gravitate to the objects that held the emotions they most needed, and without even realizing it, they would be filled up. Changed." When Ev's sister, Noemi, returns to town and the sisters confront their dark childhood, this plan becomes more complicated; Ev starts to realize her power is greater, and perhaps more dangerous, than she knew. In many respects the novel echoes Harriet's overabundance, and Neville's writing feels cluttered with characters and subplots that are underexplored. But the mysteries surrounding the two protagonists, and the originality of the novel's central conceit--that we influence the objects around us with our emotions, and these objects in turn influence us--outweigh any faults. Like the magical objects collected by its protagonists, this novel is emotionally transformative. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1 1 Ev squats on a heap of garbage, one hand on the edge of the dumpster to keep her balance, and listens for ghosts. Something inside this bin has a sweet stain. It's strong enough that she could sense it when she skimmed past on her bike. Feels like love, or close enough that people will pay good money for it. It doesn't matter if the stain belongs to a wedding band, an old photograph, or a doll with matted-up hair. Ev's gonna find it. She yanks the broken seat of a vinyl kitchen chair out from underneath some bags. A hint of resentment clings to it, muted but still sour. It's been buzzing against her boots, rattling her nerves and interfering with the hunt. She chucks the seat over the side of the bin. Down the alley she hears Owen's voice calling out to her. She ignores him, focusing on her prize. Where are you? There's still something blocking her, causing confusion, and making it hard to concentrate. "Evelyn?" Owen knocks on the side of the bin. The sound reverberates in her ears. "Quit it. You're giving me a headache." She feels ill, in fact, but she's too close to give up. "Find something good?" "Maybe." "Whatever it is, I bet I've got better." "Hey, can you take these?" Ev dangles a six-pack of empty beer bottles over the side. She feels the weight of them ease. "Got 'em." Ev digs deeper, tossing out the occasional empty as she works. She grabs the knotted top of a plastic grocery bag. It's heavy, with the soft lumpiness of used cat litter. In here. Ev tears into the bag. Flamingo-colored sand spills over her gloves, along with shards of broken glass and five pearly seashells that radiate a solid vibe: affection, longing, and tenderness. They hold a bitter note at the end--betrayal--but it only lends the rest of the stain a satisfying poignancy. Jackpot. She picks the shells out of the bag and drops them into a lead-lined pouch belted at her hip. She can sell them for ten bucks each. She grabs hold of the edge of the bin and vaults her body over, landing in a squat, boots slapping on wet pavement. A wave of dizziness clouds her head. She stays put and inhales deeply through her nose. She's mastered the shallow mouth breathing required for this kind of work but could be she was in there longer than she thought. Sometimes she loses track of time when she's on the hunt. The feeling doesn't pass. If anything, it gets worse, a low-grade fuzz scrambling her brain and turning her stomach upside down. Owen's voice floats past. "Are you all right?" She tries to nod but it only shakes things up more. Her head is a snow globe, a blizzard of glitter, a thousand tiny plastic flakes reflecting too many colors for her mind to track. She closes her eyes and waits for the settling. "Ev, honey." Owen puts his hand on her arm and she's too sick to shrug it off. She retreats further, finding that empty place inside. The quiet spot in the center of the globe where the snowman stands alone. She breathes into it. She is the snowman. "Why are you laughing?" asks Owen. "I'm a snowman." Keep the dirt out, Evelyn. The intrusion in her mind knocks her off balance again, makes the nausea rise. She clenches the muscles in her face, tightly curls her arms around her body. Squeezes the voice out. When she opens her eyes, she sees the jar. A mason jar with a dented lid. It sits at Owen's feet, filled to the top with buttons. Brass buttons. Plastic buttons. Satin-covered wedding dress buttons. A blue button with a Dalmatian puppy painted on it. A gold button in the shape of an anchor. Every one of them stained. Each button contains a unique set of emotions imprinted upon it by a past owner. They are, all of them, tiny ghosts, carriers of desire, sadness, lust, and pride. None of them radiates particularly strongly, but the overall effect is similar to watching two hundred television channels simultaneously. No wonder she feels like puking. "Here." Owen presses a stainless-steel bottle into her hands. She takes it. The water tastes soapy, but she drinks anyway. It gives her time to center herself. Owen has taken the refundables she found and lined them up against the side of the bin, offerings left for the next binner who passes through. As she regains control, questions begin to flood her mind. Who collected those buttons? How? Why? What are they doing in the garbage? This isn't a jar of odds and ends, spares kept in a sewing box. Someone went through the trouble of tracking these down one by one. It wouldn't have been easy. Ev knows this well, having just spent twenty minutes knee-deep in dirty diapers and greasy week-old chow mein for the sake of five seashells. It takes a serious emotional connection for an object to get stained. Most trash is just trash. Someone built this collection over time, button by button--someone who can feel the stains attached to each one. In twenty-two years, Ev has only known one other person who could sense stains like she can. She's not ready to meet another. She points at the jar. "Where'd you get that?" "Eighth and Woodland. Alley out back of an apartment building." Owen rubs his salt-and-pepper beard as he regards it. "Wonderful, isn't it? I think I'll make a mosaic." A fucking mosaic. Sure, it'll be gorgeous, like the rest of Owen's work, but it won't sell. It'll end up on the wall of some café in Kits, its eight-hundred-dollar price tag collecting dust and espresso stains. Ev can earn a couple hundred dollars off those buttons if she packages them right. Owen would give her the jar if she asked. But she won't ask. "Did you find anything else?" "This. I thought of you." He pulls a handkerchief out of the pocket of his jeans and unwraps it. Inside lies a stone, smooth and flat, the color of bone except for one black splotch in the middle that resembles a bird perched on a hilltop. The stone fits neatly in Owen's palm. It has a soft, comforting energy. Protection. Peace. He smiles at it, crinkling the skin around his eyes. "It seemed like an Evelyn thing to me," he says. "All the things seemed like Evelyn things, but this one especially." Ev disagrees. The stone is an Owen thing. She's tempted by it. It would be a nice weight in her pocket, a thing to carry with her always. When he offers it to her, she pinches it delicately and drops it immediately into her pouch. The stone will sell in a heartbeat at the market. "How much more is there?" "Three boxes. I tucked them behind the recycling bins, but that was an hour ago." Ev's throat dries up. That much stain gathered in one place equals a psychic bomb waiting to be triggered. Also, the potential for a lot of money. She studies Owen's face, thinking. He doesn't know stains, but he's done enough salvage missions with Ev that he's gotten good at guessing at the kinds of things she likes. If she gets her hands on three boxes of stained goods, she could take some time off come winter. At the moment business is good. The Night Market is thriving this year after a couple of dead summers. Ev won't need to set foot in the stuffy chaos of the flea market until September. But the weather has turned wet and cool over the last few days, a reminder of what picking trash during the rainy season feels like. Bloated cardboard that falls apart in your hands. Water mixed with rust, mud, stale beer, and rotten fruit seeping under your gloves. Oily puddles. Soggy, lipstick-stained cigarette butts. Some cash in the bank to ride out the cold months is awfully appealing. Appealing enough to quell the fear that rises every time Ev wonders who the hell is out there in her city collecting stains. If it's been an hour, by now the boxes have probably been picked over. Still, if there's anything left... "Show me," she tells Owen. Excerpted from The Memory Collectors: A Novel by Kim Neville All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.