Amplified A design history of the electric guitar

In Amplified Atkinson (design and design history, Sheffield Hallam Univ., UK) seeks to explain the complicated history of the electric guitar--complicated because of the burden of mythology, legend, contradictory statements, and inaccurate dating attached to the instrument. To make sense of the mess, Atkinson did extensive research, conducted interviews, and delved into oral histories. As he explains, he is trying to "trace [the] history of design and development of the electric guitar from the roots to a mass-produced object" (p. 19). However, he limits the discussion to the electric guitar itself and mentions musicians and aspects of the music (e.g., sound pedals and amplification) only in passing. The focus is on materials used and the artists/makers surrounding electric guitar development. Atkinson also discusses six-string guitars or bass guitars, reasoning that "they are all still guitars" (p. 20). The book includes numerous diagrams/patents, and photographs of various electric guitar models help the reader understand which model is under discussion. Summing Up: Recommended. All readers. --Jennifer King Matthews, Rowan University

Atkinson (design & design history, Sheffield Hallam Univ., UK; Computer) strives to separate fact from myth in this well-researched, accessible exploration of the electric guitar. Focusing exclusively on the instrument's design, with little attention given to music or accessories such as sound pedals and amplifiers, the author starts with patents for primitive exponents in 1890. He covers major developments of signature manufacturers such as Gibson and Fender, how the industry broadened to Britain and Japan, the onset of mass production and boutique makers, and the recent inclusion of synthesizers. Atkinson also devotes a chapter to materials and technologies. Readers learn how the basic instrument is created, with fascinating highlights such as the integration of automobile engineering techniques and evocative new body shapes. Beautiful color photographs, contemporary advertisements, and examples of musicians displaying their own favorites add interest. VERDICT Acknowledging the significant role guitar historian Tony Bacon has played in this arena through his more popularly oriented publications, Atkinson's more academic contribution to the literature is decidedly welcome. His rigorous scholarship and clear affection for the subject shine.--Barry Zaslow, Miami Univ. Libs., Oxford, OH