Captioning the archives A conversation in photographs and text

Lester Sloan

Book - 2021

"Lester Sloan began his photography career as a cameraman for the CBS affiliate in Detroit, then worked as a staff photographer in Los Angeles for Newsweek magazine for twenty-five years. His daughter, noted essayist and National Magazine Award-winning writer Aisha Sabatini Sloan, writes about race and current events, often coupled with analysis of art, film, and pop culture. In this father-daughter collaboration, Lester opened his archive of street photography, portraits, and news photos, and Aisha interviewed him, creating rich, probing, dialogue-based captions for more than one hundred photographs. Lester's images encompass celebrity portraits, key news events like Pope John Paul's visit to Mexico, Black cultural life in E...urope, and, with astonishing emotion, the everyday lives of Black folk in Los Angeles and Detroit."--

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Subjects
Published
San Francisco : McSweeney's [2021]
Language
English
Main Author
Lester Sloan (photographer)
Other Authors
Aisha Sabatini Sloan (author)
Item Description
"Part of the Of the Diaspora series edited by Erica Vital-Lazare."
Physical Description
303 pages : illustrations (some color), portraits (some color) ; 21 x 15 cm
ISBN
9781952119156
Contents unavailable.
Review by Publisher's Weekly Review

Through arresting interviews with her father, former Newsweek photographer Lester Sloan, essayist Aisha Sloan (The Fluency of Light) celebrates over 100 of his famous images and the stories behind them. While Lester's photographs are breathtaking on their own, his commentary, prompted by questions from Aisha, enhances the depth of each as he interprets them anew with his daughter. When Aisha asks about an image of a cow carcass decaying on a Navajo reservation, the answer Lester offers is soulful: "This cow might have died because he... got hit by a car. But in a way to me it symbolized how we treated the people who lived on this land." From a photo of Harrison Ford casually sipping coffee to a tailor diligently working in Tijuana, a wide spectrum of the human condition is evocatively captured, but Lester's work is at its most moving in the subtle yet haunting ways it confronts racism and injustice. With an image of a crowd at the Olympics, for instance, Lester implores: "what is the point of saying 'it's not about politics' when it's always us against them, or us against the world?" Insightful, inquisitive, and full of vivid photographs, this powerful work is as beautiful as it is galvanizing. (Nov.)

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