Small favors

Erin A. Craig

Book - 2021

In the secluded town of Amity Falls, Ellerie has the chance to have her secret wishes come true, but there is a price to pay in this retelling of Rumpelstiltskin.

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Subjects
Genres
Young adult fiction
Fantasy fiction
Published
New York : Delacorte Press 2021.
Language
English
Main Author
Erin A. Craig (author)
Edition
First edition
Physical Description
466 pages ; 21 cm
Audience
Ages 12 and up.
ISBN
9780593306741
9780593306758
9780593425626
Contents unavailable.
Review by Publisher's Weekly Review

The terror of grudges spiraling into violence haunts Craig's (House of Salt and Sorrows) American frontier fantasy, but is left unresolved. In the isolated, presumed-white religious farming community of Amity Falls, rules and rituals repel the woodland monsters that haunted its founders--monsters that tenderhearted beekeeper Ellerie Downing, 18, thinks are a myth. But when members of the semiannual supply train are slaughtered by massive silver-eyed beasts, the town's luck sours: apparitions appear and harvests wither, and violence stirs among the townsfolk. The mythic monsters have returned to destroy Amity Falls, and Ellerie must protect her farm and siblings--and the cocky, broken-nosed trapper who she's falling for might be the key. Accomplished prose and a love of beekeeping warm this horror-tinged landscape, but the plot quickly loses momentum in repetitive threats and vague omens, and its insistence that only outside enemies cause social strife may well repel some readers. Even so, fans of Brenna Yovanoff and Erin Bowman will enjoy this lushly built, ominous rural America. Ages 12--up. Agent: Sarah Landis, Sterling Lord Literistic. (July)

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 7 Up--Craig's sophomore novel is a canny "Rumpelstiltskin" retelling set in a pastoral town cut off from the world. Amity Falls has cut a utopian life out of the valley, stringing up a boundary called The Bells on the edge of the forest to keep monsters at bay. When a supply caravan goes missing just before winter, Ellerie's father and twin brother return from their search with terrible news: The monsters of the forest have returned. Soon after, Ellerie meets a handsome boy with no name and a handful of lucky talismans, who seems to know more than what he's saying. As autumn turns into a claustrophobic, supply-scarce winter, strange occurrences begin cropping up around town. Someone or something is granting wishes for the townspeople in exchange for small favors and raises the question: What if the monsters of the forest aren't all what they seem? With a strong narrative voice and a lush setting, the pervasive tension ultimately falters when the story gives way to a jarring level of violence as the town turns feral. While the author has a deft hand with themes and motifs throughout the story, some questionable choices crop up, e.g., the only dark-skinned characters mentioned are a literal monster and an Elder who turns irrationally, violently angry. Other characters are described as having pale skin. VERDICT Craig twists a slow-burn fairy tale around classic horror tropes that ultimately land on satisfying, though predictable, beats. A strictly supplementary purchase.--Emmy Neal, Lake Forest Lib., IL

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Review by Kirkus Book Review

An isolated mountain town faces inhuman threats and a reckoning. Eighteen-year-old Ellerie is the beekeeper's daughter in Amity Falls, a town with a curious past--legend has it the founders were plagued by monsters and so hung Bells along the forest line to keep them out. After an emergency draws her parents away, Ellerie's left taking care of her family--her twin brother and two younger sisters. When monsters in the woods, long thought gone, prevent supply runs, the town faces crucial shortages of things like medicine, ammunition, and general store goods. Meanwhile, aside from the monsters in the woods, other bad omens like deformed animals and ruined crops plague the town and add to its struggles to prepare for winter. Amid the claustrophobic atmosphere, acts of sabotage sow mistrust among the townspeople and uncover every last grudge. The nonspecific historical setting and creepy woods are well used, be it in eerie moments or in the details of beekeeping and the homesteading lifestyle. During the plot's slow build, Ellerie's interpersonal storylines (a budding romance with a young trapper, growing distance between her and her twin, and more) ground readers between the escalation of outward dangers. The biggest twist may be obvious, but the escalation to the wild climax provides a fun ride to an abrupt ending. Ellerie's family and most of the town default to White. An engrossing combination of the supernatural and human psychology. (list of families) (Horror. 12-18) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 The smoke smelled of burning pine needles, dark and sweet. It seeped from the hive box in front of me and danced across the fields, caught on a balmy breeze. Papa pressed down on the bellows to release another cloud, training it carefully toward the tall wooden structure's entrance. His head bobbed as he silently counted the passing seconds. Finally he nodded. Even though my hands were completely covered, they shook as I approached the hive. I'd never been allowed to help remove frames before, and I wanted to make sure I did everything exactly as Papa said. With a muffled groan, I strained to hoist the heavy lid before setting it aside in the grass, careful to avoid three drowsy bees crawling across its top. After puffing more of the smoke deep into the box, Papa stepped back, allowing me full access to the hive. "Take out one of the super frames and we'll inspect it." His voice was muffled under the thick netting swagged about his face. Though I could only see the limned highlight of his profile, he looked pleased. Proud, even. I prayed I wouldn't let him down. Usually I was in the kitchen with Mama, Merry, and Sadie during harvests. Samuel helped Papa, bringing in the heavy, honey-­laden frames for us to process. I'd hold them upright while Mama ran a wide knife down the combs, slicing off waxy caps with practiced ease. The dripping frames would go into a large metal drum, and Merry and Sadie would take turns cranking the handle until all the honey had spun free and was ready to be filtered. I glanced toward our farmhouse now, imagining my sisters jostling for space around the hearth as bottles were boiled clean and set out to dry. They'd be squabbling and begging for Mama to let them go out. It was too pretty a day to be spent over a hot fire and iron pots. A hawk screeched overhead in tacit agreement, spinning lazy circles in the late-­August sunshine. "Ellerie," Papa prompted, drawing me back. "The first frame can be the trickiest. Sometimes the bees seal the edges over with resin. You might need to chisel it free." "Won't that upset the bees?" I peered down through the slats of the frames. The ever-­present hum had died down, but I could still see some movement in the lower boxes. "Not if you do it right," he teased unhelpfully. I sensed his smile behind the netting. "The first time my father let me take the frames out, I was stung six times. It's a rite of passage." Growing up with beekeepers for parents, I'd certainly been stung before, but it wasn't an experience I cared to repeat. I'd kept the entire household up with my first sting, sobbing through the night--­not for my swollen hand but for the poor bee who had died in the process. Reaching under my own heavy netting, I wiped at the sweat trickling down my face, debating where to start. There were eight frames in this section, each spread out with uniform precision. I chose one near the middle and gently wiggled it back and forth, testing the sides. It moved easily enough. I held my breath as I pulled it free, careful to not brush it against any of the others on the way out. "Let's see, then." Papa leaned forward, studying the bees' work. Lacy patterns of honeycomb sheeted over the frame, some filled and capped but most empty. He clucked his tongue, considering. "Not yet. Could be a late harvest this year. Too much snow last winter. Put it back." With the utmost care, I eased the wooden frame back into its slot, then breathed a sigh of relief. "Now the next." "We check every one?" His head bobbed. "If you go through the trouble of smoking the bees, you need to make sure to thoroughly inspect the hive. Honey isn't the only thing we're concerned with. We're stewards for the hives, protectors of these bees. We need to make sure they're healthy and their needs are being met." He set the smoker down and lifted the top box, peering into the lower chambers. After setting aside the first box and counting the second's frames, he took one out, and gently brushed aside two bees clinging drunkenly to the combs. "Tell me what you see." I squinted through the veil. There were more honeycombs, as golden as a stained-­glass window. At the center of almost every cup was a tiny white speck, no bigger than a barley seed. "Those are the eggs, aren't they?" "Very good. What do they tell us?" I felt uncomfortably on the spot, like a knobby-­kneed schoolgirl no older than Sadie. "That the queen is laying?" He made a noise of affirmation, encouraging me to go on. "So if she's laying, that's good, right? A healthy hive?" He nodded. "It means the hive is queenright." He pointed to the eggs, his usually sure and swift movements hampered by the thick gloves. "Eggs this size mean there was a queen here at least three days ago. When you check the boxes, you always want to look for fresh eggs. A box without them is a dying swarm." He deposited the frame back and removed another, showing me the grubs, fat white blobs that looked nothing like the buzzing honeybees soaring about our yard. Another frame contained the pupas, cocooned away in caps of honey, growing and dreaming. "Those will break free in only a few days' time," Papa said approvingly. "New workers or drones. Our hive is thriving, Ellerie. Let's put everything back together and let them wake up. We'll check on the honey next month." "And they'll all be okay?" I hated the note of worry in my voice. I knew they would be. Papa had never lost a colony before. But seeing how everything fit together, up close and right in my hands, reinforced what a fragile existence these bees had. Leave a frame out by accident, and the bees could crosscomb, filling up the extra space with so much honey­comb, you'd destroy the box trying to free it. Set the lid off-­kilter, even slightly ajar, and the bees wouldn't be able to regulate the internal temperature. They'd work themselves to death, fanning and buzzing to heat the hive. "They'll be just fine. You've done well today." My face flushed with pleasure. I'd wanted to impress him, to show him I was every bit as capable as Samuel was. Samuel should have been here, should have been wearing this veiled hat, not me. But he'd slipped off after breakfast this morning, and Papa's face had grown as dark as a summer rainstorm sweeping across the mountain peaks. Samuel had changed over the summer, racing off the farm with his best friend, Winthrop Mullins, as soon as chores were finished, sometimes even leaving the last of them to be divided up among us girls. He often quarreled with Papa, bickering over little annoyances until the two stood hot-­faced, their noses curled into sneers. Mama said he must be sneaking off to see a girl, but I was at a loss to guess who it could be. We never kept anything from each other, my twin and I, and it seemed absurd to imagine him storing secrets now. Once the box lid was securely tightened, I swooped down to pick up the metal smoker before Papa could, offering to carry it back to the supply shed for him. When we were a good distance away from the hives, he pulled off his hat, then balled up the netting and his pair of gloves into its center. "I think this will be a good winter," he predicted, swinging his arms back and forth as we walked. I smiled as he whistled a song through his teeth, hopelessly off tune. "What's that flower there?" he asked, pointing to a patch of pink blooms sprouting along the path. I removed my hat for closer inspection. "Fireweed," I exclaimed proudly. He clicked in disapproval. "Its real name?" I tried remembering the species, written in tiny scrawl in ­Papa's botany book. "Epilobium angustifolium?" I guessed, stumbling over the Latin. Papa smiled. "Very good." "Maybe . . . maybe I could help with the next inspection too?" I asked, keen on taking advantage of his happy state. He nodded, and my heart leapt. Papa was a man of few words unless you got him talking about his bees, and then he'd prattle on for hours. I envied Sam, born just minutes ahead of me--­and a boy. He'd stroll after Papa to the shed without a backward glance, confident and certain of his place in the world. Not like me, stuck in the house, forever poised and waiting for the next step in my life. Waiting for a boy to come along and ease me into my next purpose. A wife. A mother. Waiting. Waiting. Waiting. Until today. Inside the shed, I held on to the veiled hat for just a moment longer, fingers sunk deep in the netting. I was scared to let go and release the magic of the afternoon. But an angry vibration buzzed against my thumb. A stray bee was entangled in the mesh. I struggled to gently sort through the layers, trying to free the honeybee as her legs squirmed in rage. "Don't sting, don't sting," I whispered to her. "I'm only trying to help. You're nearly free. . . ." The stinger sank into the side of my finger as the air split in two with a howl of anguish. It hadn't come from me. Papa rushed outside as more cries and shouts rose. This wasn't the sound of a children's game turned too rowdy. This pain wouldn't be patched with a splint or a kiss on the knee. It echoed across the valley, becoming a confusing cacophony of desperate heartache. "Ellerie, get your mother. We're going into town." Papa was already halfway to the path leading into Amity Falls. Another scream rang out, sharp and shrill, and a cold sweat trickled down my neck despite the warm afternoon. My feet remained still and unmoving. I did not want to know what was behind such torment. "Ellerie!" Papa urged, sensing I wasn't behind him. I tossed aside the hat, my finger swelling uncomfortably. The body of the honeybee spilled free from the netting and fell into the dirt, already dead. Excerpted from Small Favors by Erin A. Craig All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.