Marking time Art in the age of mass incarceration

Nicole R. Fleetwood

Book - 2020

"More than two million men and women are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities, it also exposes them to shocking levels of violence and sexual assault and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America's prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author's own family experiences with the penal system, Marking Time shows how the imprisoned tur...n ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions-including solitary confinement-these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to reform the country's criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century"--

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Subjects
Published
Cambridge, Massachusetts : Harvard University Press 2020.
Language
English
Main Author
Nicole R. Fleetwood (author)
Item Description
"Through Apr 4, 2021, MoMA P.S.1. -- This major exhibition explores the work of artists within US prisons and the centrality of incarceration to contemporary art and culture. Featuring art made by people in prisons and work by nonincarcerated artists concerned with state repression, erasure, and imprisonment, Marking Time: Art in the Age of Mass Incarceration highlights more than 35 artists, including American Artist, Tameca Cole, Russell Craig, James 'Yaya' Hough, Jesse Krimes, Mark Loughney, Gilberto Rivera, and Sable Elyse Smith. The exhibition has been updated to reflect the growing COVID-19 crisis in US prisons, featuring new works by exhibition artists made in response to this ongoing emergency."--Page S. 1 Contemporary Art Center website (viewed on October 15, 2020)
Physical Description
xxvi, 323 pages : illustrations (some color), portraits ; 22 cm
Bibliography
Includes bibliographical references (pages 265-296) and index.
ISBN
9780674919228
  • Carceral aesthetics: penal space, time, and matter
  • State goods: clandestine practices and prison art collectives
  • Captured by the frame: photographic studies of prisoners
  • Interior subjects: portraits by incarcerated artists
  • Fraught imaginaries: collaborative art in prison
  • Resisting isolation: art in solitary confinement
  • Posing in prison: family photographs, practices of belonging, and carceral landscapes.
Review by Choice Review

That some incarcerated people create thoughtful, noteworthy art is hardly a revelation since options for using time well in the US's carceral wasteland are few, and making art is one of them. Fleetwood (Rutgers) takes on this subject with passion and originality, looking at how the creation of art liberates the incarcerated; how the institution itself impacts artistic expression; and how artistic products of the truly innocent translate differently onto surfaces. The artist-prisoners she discusses are disproportionately poor and of color, and Fleetwood argues that their humanity is dispossessed by the oppression and sterility of the prison. The decision to create a "haptic artifact" is consequential and deeply individualistic. The author first visited a prison as a child, accompanying her mother to visit an incarcerated uncle, and she has retained her interests in prison matters over decades, now as a scholar. The book analyzes how art is formed under different circumstances: by individuals, collectives, and collaborations. Fleetwood writes with poignancy about the power imbalance between the prisoner and the omnipotent state, and how this is reflected in artistic production--on paper, as sculpture, and even from a bootlegged cellphone. Accolades are due to Harvard University Press and Sam Potts, the designer, for such a beautiful volume on such an agonizing topic. Summing Up: Highly recommended, All readers. --Robert D. McCrie, John Jay College of Criminal Justice, CUNY

Copyright American Library Association, used with permission.