Joan is okay A novel

Weike Wang

Book - 2022

"Joan is a thirtysomething ICU physician at a busy New York City hospital. The daughter of Chinese parents who moved to America to secure the American dream for their children, Joan is intensely devoted to her work, happily solitary, successful. She does look up sometimes and wonder where her true roots lie: at the hospital, where her white coat makes her feel needed, or with her family, who try to shape her life according to their own cultural and social expectations. Once Joan and her brother, Fang, were established in their careers, their parents moved back to China, hoping to spend the rest of their lives in their homeland. But when Joan's father suddenly dies and her mother returns to America to reconnect with her children, a... series of events sends Joan spiraling out of hr comfort zone just as her hospital, her city, and the world are foced to reckon with a health crisis more devastating than anyone could imagine. Deceptively spare and quietly powerful, laced with sharp humor, Joan Is Okay touches on deeply resonant matters: being Chinese American right now, working in medicine at a high-stakes time, being a woman in a male-dominated workplace, and saying independent within a tight-knit family. But above all, it's a portrait of a remarkable woman so marvelously surprising that you can't get her out of your head." -- Jacket flap.

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Subjects
Genres
Medical fiction
Novels
Published
New York : Random House [2022]
Language
English
Main Author
Weike Wang (author)
Edition
First Edition
Physical Description
212 pages ; 22 cm
ISBN
9780525654834
Contents unavailable.
Review by Booklist Review

Complicated intergenerational relationships have long fueled fiction, with immigration notably adding further challenges to parent-child understanding and bonding. Wang's provocative sophomore novel (after Chemistry, 2017) again centers on an accomplished Chinese American Harvard graduate with uneasy social, professional, and familial connections. Here Wang dissects the titular Joan's singularity, interrupted by seeming demands from her hospital co-workers, her overfriendly new neighbor, and, most urgently, her immediate family comprised of wealthy older brother Fang, their late father, and surviving mother. "Hitting is love, berating is love," is the Chinese adage her parents used to mold her. At 36, U.S.-born Joan is an exemplary ICU doctor in New York City, committed to her career. Her father's funeral--her parents reverse-emigrated back to China when Joan entered college--is merely a weekend disturbance. When Fang installs their mother in his sprawling Greenwich, Connecticut, compound, Joan only learns of her arrival when Mom uncharacteristically calls to just "chat." An enforced grief leave finally forces Joan to disconnect from work and learn new ways to be okay. And, yes, add Wang's latest to the growing list of pandemic titles.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Wang's profound latest (after Chemistry) portrays two generations of a grieving Asian American family. Joan, a 36-year-old self-possessed physician, works long hours at her Manhattan hospital's ICU and lives alone in a sparsely decorated apartment despite the insistence of her well-to-do brother, Fang, that she move to Connecticut to be closer to him and his family. But when their father, who has lived in Shanghai with their mother ever since Joan went to college, dies after a stroke, Joan begins to feel unmoored. Their mother then returns to the U.S. after 18 years, only to be stranded in Connecticut due to the pandemic travel bans. Because of language barriers, her old age, and lack of a driver's license, she depends on her children to get around and to communicate. Wang offers candid explorations of family dynamics ("berating is love, and here I was at thirty-six, still being loved," Joan reflects after Fang shames her for not going with him and their mother on a fancy Colorado skiing trip), and Joan's empathy for her ailing patients, as well as her disapproving brother and sister in law, are consistently refreshing. It adds up to a tender and enduring portrayal of the difficulties of forging one's own path after spending a life between cultures. Agent: Joy Harris, Joy Harris Literary. (Jan.)

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Review by Library Journal Review

Wang's second novel (after Chemistry) is by turns touching, funny, observant, and thoughtful. The title character is a Chinese American attending physician at a New York City hospital, where she's always willing to pick up extra shifts rather than face the confusing chaos of family obligations and other social activities. A math whiz and assiduous chronicler of vital signs, she works better with machines than with people and doesn't always pick up on social cues. Is Joan OK? All around her are people who want to help. Her pushy new neighbor loads her down with cast-off possessions; her wealthy brother Fang and his wife berate her for blowing off the lavish parties at their mansion in Connecticut; even her doorman tells her how to stand in the elevator. Then her father, who moved back to China with her mother when Joan and Fang were grown, dies suddenly. Joan makes a 48-hour trip to China for the funeral, confounding her coworkers. Her mother comes to Connecticut and is unable to return when the pandemic hits, accompanied by a wave of anti-Asian hostility and fear. VERDICT Though the book ends abruptly, readers will enjoy spending time with Wang's offbeat protagonist who straddles two cultures and tries to find her place in the world.--Liz French

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Review by Kirkus Book Review

The loss of her father forces a young doctor to confront her past and present. By most people's estimation, Joan is more than OK: In her mid-30s, she's an attending physician in the intensive care unit of a Manhattan hospital. She's such a dedicated doctor that when her father dies, she flies to China for the funeral and back in a single weekend. (She's puzzled by other characters' objections to feeling like cogs in a machine at their jobs: "Cogs were essential and an experience that anyone could enjoy," she muses.) The hospital director is so impressed with her that he's wooing her to stay with an impressive salary and perks. But she's also different from just about everyone she knows. Straightforward, literal, utilitarian Joan is a puzzle to her wealthy brother, F to her widowed mother, who doesn't understand why she doesn't enjoy womanly pastimes like shopping or jewelry; to her new neighbor, Mark, a bachelor trying to figure out how to get beyond her stoic exteri to her colleague Reese, who feels he may be in the wrong field because he can't keep up with her work ethic. When HR forces Joan on a bereavement break, she's finally left to process her father's loss and her roles as the child of immigrants, a career woman, and an Asian American. In the wrong hands, Joan's story could have been a rom-com with familiar contours or a heavy existential drama. But Joan is such an idiosyncratic character, and Wang's style so wry and piercing, that the novel is its own category: a character study about otherness set partly against the backdrop of early-pandemic anti-Asian sentiment that manages to be both profound and witty. A novel as one of a kind as its memorable main character. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

When I think about people, I think about space, how much space a person takes up and how much use that person provides. I am just under five feet tall and just under a hundred pounds. Briefly I thought I would exceed five feet, and while that would've been fine, I also didn't need the extra height. To stay just under something gives me a sense of comfort, as when it rains and I can open an umbrella over my head. Today someone said that I looked like a mouse. Five six and 290 pounds, he, in a backless gown with nonslip tube socks, said that my looking like a mouse made him wary. He asked how old I was. What schools had I gone to, and were they prestigious? Then where were my degrees from these prestigious schools? My degrees are large and framed, I said. I don't carry them around. While not a mouse, I do have prosaic features. My eyes, hooded and lashless. I have very thin eyebrows. I told the man that he could try another hospital or come back at another time. But high chance that I would still be here and he would still think that I looked like a mouse. I read somewhere that empathy is repeating the last three words of a sentence and nodding your head. My twenties were spent in school, and a girl in her twenties is said to be in her prime. After that decade, all is lost. They must mean looks, because what could a female brain be worth, and how long could one last? Being in school often felt like a race. I was told to grab time and if I didn't--­that is, reach out the window and pull time in like a messenger dove--­someone else in another car would. The road was full of cars, limousines, and Priuses, but there were a limited number of doves. With this image in mind, I can no longer ride in a vehicle with the windows down. Inevitably I will look for the dove and offer my hand out to be cut off. --­ My father's stroke was fatal, having followed the natural course of a stroke of that magnitude to its predictable end. Usually people die from complications and I was grateful he hadn't. Complications would've angered him, actually, to have died not from a single blow but from a total system shutdown, which was slower, more painful, and revealed just how vulnerable a person could be. Months prior, he had complained of headaches and eye pressure. I told him to get some tests done and he said that he would, which meant he wouldn't. In China, my father ran a construction company that, in the last decade, had finally seen success. He was a typical workaholic and for most of my childhood, adolescence, adulthood, not often around. When I got the news, I was in my office at the hospital, at work. My father had tripped over a bundle of projector cords during a meeting and bounced his head off a chair. As my mother was explaining--­either the fall triggered the stroke or the stroke triggered the fall--­I asked her to put the phone next to his ear. He was already unconscious, but hearing is the last sense to go. Given the time difference on my side, only morning in Manhattan since I was twelve hours behind, my father was still en route to the meeting that by my mother's accounts was meant to be ordinary. I asked my father how his drive was going and if he could, just for today, take a few hours off. He obviously didn't reply, but I said either way this went, I was proud of him. He had never planned to retire and remained, until the very end, doing what he loved. Chuàng, I said into the phone, and raised my fist into the air. After my mother hung up, I sat there for a while, not facing the computer, and that was my mistake. Having seen my fist go up, the two other doctors in the office asked whom I'd been talking to and what was that strange sound I just made. I said my father and that the sound was closer to a word but the word meant nothing. My colleagues didn't know I spoke Chinese, and I wanted to keep it that way to avoid any confusion. But the word did mean something, it had many different definitions, one of which was "to begin." It was late September, and my female colleague Madeline was teasing my male colleague Reese about summer, which was his favorite season so he was sad to see it go. Only little girls like summers, Madeline said to Reese, little girls in flower crowns and paisley dresses. Reese was a six-­two, 190-­pound all-­American guy who went on casual dates with lots of women but flirted with only Madeline at work. I'm madly in love with you, he would say to her, in front of other colleagues like me, and Madeline would either ignore him completely or relentlessly try to get him back. Madeline was a five-­seven, 139-­pound robust German woman with a slight accent. She has had the same software engineer boyfriend for seven years, and they lived in an apartment with lots of plants. What's wrong? Madeline asked, sensing that I had been turned away from my monitor for too long. I asked if one of them could cover my weekend shift. I apologized for the short notice, but I had to leave. Both were happy to do it and even commended my request, since like my father I was a workaholic and known to never take time off. They asked where I was going and I said China, but just for the weekend. Then I turned from them and started packing up my things. Fine, don't tell us, said Reese. I know what it is, Madeline said with a mischievous glint. You're off to get married. You're going to elope. Elope is a funny word and, in hospital-­speak for patients, meant "to leave the building at the risk of yourself and without a doctor's consent." After I mentioned my father's passing, Madeline gasped, covering her mouth and, for a second, shutting her eyes. Through her fingers, she asked if that had been my last conversation with him, and the sound I made, was it, then, a sound of grief? I said, No, not really, and left it at that. Reese and Madeline asked me a few more questions, like when I last saw him, and how long has it been since I left China? You were born there, no? Reese asked, and I said I was born in the Bay Area. California, Madeline said. A great place to be born. But Oakland, I said, to not seem like I was giving my birthplace too much credit. Right, Reese said. Still, Madeline said. I told them that the last time I saw my father was in spring. He had been in New York for business, a possible opportunity here, a new client, and, on his way back to JFK, drove past the hospital and met me in its first-­floor atrium that had fake greenery and a small café. He bought me a cup of coffee and I was almost done with it when he had to leave and catch his flight. But to China, I rarely went, nor did I consider myself too Chinese. The moment those words left my mouth, I wondered why I had said them. What was wrong with being too Chinese? Yet it'd always seemed that something was. I felt a draft but that was impossible. Our shared office was a windowless room with a dozen desks lined up against the walls and a refreshments station in the back. The door opened to a hall that had no open windows and was used only to transport equipment. A folded-­up wheelchair, an empty bed, pushed by hunched-­over techs. Madeline asked if I wanted some gum and it seemed we all did, so we passed the gum packet around and discussed the fresh minty flavor. She asked if I wanted the rest of the pack, international flights were long. How long exactly? I said sixteen hours, to which Reese replied shit. I was surprised that neither asked where in China I was going. The country was huge and much of it rural. Google Maps didn't work there. But there were only two cities most people knew about, and I was going not to the capital but the other one by the sea. Excerpted from Joan Is Okay: A Novel by Weike Wang All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.