Queen of the tiles

Hanna Alkaf

Book - 2022

Fifteen-year-old Najwa Bakri is forced to investigate the mysterious death of her best friend and Scrabble Queen, Trina, a year after the fact when her Instagram comes back to life with cryptic posts and messages.

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Subjects
Genres
Contests Fiction
Detective and mystery fiction
Published
New York : Salaam Reads [2022]
Language
English
Main Author
Hanna Alkaf (author)
Edition
First edition
Physical Description
294 pages ; 22 cm
Audience
Ages 12 up.
Grades 7-9.
ISBN
9781534494558
9781534494565
Contents unavailable.
Review by Booklist Review

A year after watching her vibrant best friend, Trina, keel over dead at a Scrabble tournament, Najwa has returned to the scene to claim the title Trina left behind--Queen of the Tiles. Beset by anxiety since the tragedy, Najwa knows this weekend-long tournament will be triggering, but she has no idea how much Trina will still be a part of the proceedings. Set in Malaysia, the story transports readers to a hotel filled with hormonal teenage word nerds. As Najwa reconnects with old friends and rivals, she is shocked when a new Instagram post from Trina's account appears, showing letters that anagram to REGICIDE. Could Trina's death have actually been murder? As the cryptic posts continue, Najwa joins a few others determined to find out what really happened the day Trina died. Alkaf gives equal space to unravelling the mystery and Najwa's innerworkings, from coping with anxiety to acknowledging Trina's flaws. Suspicious characters, red herrings, a cutthroat atmosphere, and plenty of obscure Scrabble words intersect to form an engaging mystery with a compelling protagonist. Bingo.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Bringing to mind The Queen's Gambit, Alkaf's (The Weight of Our Sky) intense Malaysia-set murder mystery finds brown-skinned hijabi Najwa Bakri, 16, returning to the Scrabble tournament where her best friend, "Queen of the Tiles" Trina Low, died during a match one year prior. Still recovering from the trauma of Trina's unexplainable sudden death, and navigating anxiety, panic attacks, and dissociative amnesia, Najwa is determined to become the new Scrabble royal in Trina's honor. Najwa's not the only one, though. Trina's hot-tempered former boyfriend Mark, Mark's reserved ex-girlfriend Puteri, distant and calculating Josh, and Trina's bubbly childhood friend Yasmin, all 16, are also after the title. But when cryptic anagrams start posting to Trina's Instagram, and secrets about last year's tournament and the high-stakes world of competitive Scrabble come to a head, the group must decipher the anagrams and confront the mysterious circumstances behind Trina's death. Clever chapter openings feature words alongside their Scrabble point values, and their definitions foreshadow the action in this carefully plotted drama that explores coping with loss as well as grief's sometimes frustratingly nonlinear progression. Ages 12--up. Agent: Victoria Marini, Irene Goodman Literary. (Apr.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 7--10--After Trina "Queen of the Tiles" Low dies suddenly in the middle of a heated Scrabble championship, her friend Najwa backs away from the Scrabble circuit as she grieves. Fast forward to the same competition a year later in Kuala Lumpur, where she is determined to claim the empty throne in Trina's honor. As the championship weekend kicks off, dark enigmatic messages emerge from the dead girl's Instagram account, implying foul play. Najwa and some of her Scrabble cohorts investigate to bring justice for Trina. Secrets begin unraveling, providing clues and red herrings as to who is responsible for the demise of the former champion. Alkaf's protagonist is Malaysian and a hijabi Muslim woman, like herself. The cast encompasses lesser-represented South Asian characters in YA lit, including Chinese and Indian in a Malaysian setting. Mental health is also explored via therapy, panic attacks, and grief. The author provides content warnings for on-page death; descriptions of anxiety, PTSD, and panic attacks; and discussions of grief and loss. The fast-paced plot will have even the most reluctant of readers turning pages to uncover the culprit. Word nerds will embrace the puzzle references and attempt to solve them. A special treat is each chapter heading, which contains a Scrabble word, numeric value, and a definition that foreshadows the ensuing chapter. VERDICT Genius wordplay, fantastic representation, and a tense whodunit make this one to recommend.--Lisa Krok

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Review by Kirkus Book Review

Returning to the Scrabble tournament where her best friend died a year earlier conjures up lingering trauma for a teen competitor. Sixteen-year-old Najwa Bakri has suffered from panic attacks, memory gaps, intrusive negative thoughts, and an obsession with her late friend Trina Low's Instagram account. At last year's Word Warrior Weekend, Trina collapsed and died in a high-stakes game, leaving her opponent, Josh Tan, the tournament winner. Trina, a wealthy, effervescent social media influencer, was dubbed the Queen of the Tiles for her Scrabble skills. Najwa, a short, chubby hijabi from Kuala Lumpur, has a passion for learning the meanings of words rather than just memorizing letter combinations like many contestants. Surrounded by their Scrabble circle--Josh; Mark, Trina's boyfriend; nonbinary Shuba; Singaporean Ben, who had a crush on Trina; Emily, who was caught cheating during a game; Puteri, Mark's ex-girlfriend; and Yasmin, Trina's childhood friend--Najwa remembers her therapist's advice and struggles to maintain emotional equilibrium. It's bad enough when Instagram stories appear from Trina's account containing scrambled letters spelling ominous words like REGICIDE and JANIFORM. But when Najwa starts receiving cryptic, chilling DMs supposedly from Trina, it's even worse. Mark convinces her to join him in investigating whether Trina was actually murdered. The tense, evenly paced mystery unfolds against the fascinating backdrop of competitive Scrabble with a cast of well-rounded characters who reflect Malaysia's ethnic diversity. Interesting game trivia and vocabulary add to the originality. An absorbing mystery that explores friendship, grief, mental health, and wordplay. (Mystery. 12-18) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter One CHAPTER ONE Friday, November 25, 2022 One Year Later INERTIA seven points noun feeling of unwillingness to do anything Most people play casual games of Scrabble in their living rooms, squabbling good-naturedly for points over sets their parents bought them in the hopes that it would be "educational." No, actually, this is a lie. Most people probably barely even think of Scrabble at all, and the sets they do get wind up gathering dust in the very backs of shelves and cupboards, forsaken in favor of games like Snakes & Ladders or Monopoly or Clue or Twister. You know. Fun games. The tournament circuit is a different world. Here, people play Scrabble as a game of probabilities and cunning strategies, a math problem to be solved. Here, we carry around reams of paper crammed so full of words it looks like they're teeming with ants; we recite anagrams with such rapid speed that each syllable hits you with the force of a bullet; we can tell you the most probable combination of letters you'll get on a rack (it's AEEINRT, for the record) with which you can score a bingo--that is, to use up all seven letters at once and earn an additional fifty-point bonus. Here, we never stop thinking about Scrabble. For most of my peers, words are little more than point-amassing units, each tile merely a stepping stone for building high-scoring pathways to victory. For me, the words aren't just points: They're the whole point. I collect them, hoard them like a dragon hoards its treasure, reveling in their strange, alien meanings, the feel of them in my mouth. The words are how I process the world. People like Josh say I waste precious brain space clinging to their definitions. "There are one hundred eighty thousand possible combinations of letters you need to know," he told me once. "Caring about what they mean is beside the point." But how can you not? Take AEEINRT, for instance. Picture each letter in your head--the reassuringly symmetrical A, the graceful curve of the R--and rearrange them in your head, over and over again. Most people will settle for RETINAE or TRAINEE, but why go for such clumsy, obvious choices when you have the delicate wonder of ARENITE, a sedimentary clastic rock? That gives you the equally lovely CLASTIC--those bookending hard Cs so satisfying as they roll off the tongue--which means composed of fragments, and to FRAGMENT means to break into pieces, and that's what I'm doing right now, aren't I? Sitting here in the driveway of a generic three-star hotel, falling apart. "What are you so afraid of, Najwa?" my mother asks. She's trying for a gentle tone, but the note of impatience that she can't keep from sneaking in kills that vibe. My mother has a fondness for things that endure: Birkenstock sandals, melamine dishes, old and usually racist actors who never seem to die. Tough things. Unbreakable things. She likes them low on maintenance, high on durability. This is not me: One year later and I'm still a mess. Tiny things send me into panic spirals. I lose things. I forget things. I walk from one place to another and then have to walk back because I can't remember why I ended up there in the first place. It's as if Trina's death cracked me open, and now pieces of me keep escaping, scattering themselves everywhere. It's funny--well, maybe not to anyone but me--to ENDURE also means to suffer something patiently, and my mother is definitely suffering. My therapist has told her to respect my grieving process, but Mama's patience, like the cheap cotton T-shirts I buy from fast fashion retailers that she hates ("So low quality!"), wears thin fast. I fiddle with the phone in my hands. Me: She's so tired of me Alina: So am I. Doesn't mean we don't love you, mangkuk. Alina and I have been sending each other WhatsApp messages for the past few hours. She may only be fourteen to my sixteen, but my little sister knows to be on hand when I'm about to do something big, something that could potentially send me careening off-course. Mama clicks her tongue now as she sits at the wheel of the idling car, waiting for me to reply, to pull myself together, to get my things and get out--or preferably all three at once, I'm guessing. It's been more than four hours since we left our home in Kuala Lumpur to get to this shining, anonymous box of a hotel in Johor Bahru where the tournament is taking place this weekend; this is more time than we've spent with just each other since I was about ten, and neither of us knew quite how to handle it. She tolerated my music for approximately twenty-three minutes (a playlist heavy on K-pop, indie rock, and Taylor Swift) before making me switch to her favorite radio station (playing "easy listening hits," which seems to translate to "absolutely no songs from the past ten years") for as long as it took to get out of range. Then when the music gave way to nothing but static, she made me plug in her iPhone so we could listen to some sheikh reciting Quranic verses. Verily, in hardship there is relief. "It's a lot to take in, okay?" I fiddle with the friendship bracelet tied around my wrist, then pull the sleeves of my black top down low so only the tips of my fingers peek out of the edges. I'm always cold these days. "It's been a year. I'm just nervous." "Nervous? Buat apa nak nervous?" Mama glances up at the rearview mirror and adjusts her deep blue headscarf. In her youth, she was a beauty queen; we have sepia-tinted pictures of her poised and smiling on stage, her hair lacquered to terrifying heights, her tight kebaya skimming her curves. Now she adheres to a strict regime of creams and potions designed to scare off any wrinkle foolhardy enough to try making its presence known. "There's no reason to be. You know this game inside out. You've been playing Scrabble most of your life, thanks to your father and me." (My mother likes to take credit for my word-wrangling prowess, such as it may be, because she and my dad bought me my very first set. "It will help improve your English," she told me on my eighth birthday, when the present I tore open so eagerly held my first Scrabble set instead of the long-desired Rock Star Barbie I'd begged for with the spangled clothes and the hot pink plastic guitar, and I had to bite my tongue to keep from saying something I'd regret.) Mama continues, not waiting for my reply. As usual. "You're good at it. And you'll be with all your friends." "What friends? I only had one." Mama stiffens. Like most of the Malaysian parents I know, she doesn't like it when I bring up "sensitive" topics. She especially doesn't like it when I bring up Trina, which means I instantly feel like I need to yell it in her face: Yes, that one, Trina, you know, my best friend in the whole world, the one I saw die right there in front of my eyes, at this very hotel in fact. You remember. Mama never did like Trina. Oh, she never said so outright--she was much too big on etiquette, on keeping up appearances, on maintaining face for that sort of thing--but there was a telltale sniff any time her name came up, as if just the sound of it gave her allergies, and I'd catch her discreetly eyeballing Trina's outfits with distaste whenever she was in sight. Trina came with too many "toos" for my mother to stomach: skirts too short, tops too tight, tongue too sharp, gaze too knowing. "Yes, well. That was a long time ago. Maybe this is what you need to get some closure." CLOSURE, I think. A feeling that a traumatic experience has been resolved, but also just the act of closing something--a door, an institution, this conversation that is making my mother ridiculously uncomfortable. Only how can anything be resolved when we never figured out what caused Trina's death in the first place? No explanations, no conclusions, only a door forever ajar, letting a million what-ifs drift in as they please. "Dr. Anusya says it's time for you to move on, get back to the things you love," Mama reminds me now. "And you love Scrabble." It's true. I do. There was a time, after it all happened, when even the sight of a tile was enough to set off a tidal wave of anxiety sweeping through my body. But we've worked our way up to this point so gently, so carefully, from casual games in Dr. Anusya's plush office to local Scrabble club meetups to small competitions and now this, the Word Warrior Weekend that takes place every November during the school holidays: part elite tournament, part sleepover, all awkward teenage hormones and chaste, chaperoned social events in between. Scrabble is the one thing in which my brain hasn't failed me, and each remembered word is a life raft on days when I feel like I'm drowning. Nobody's dictating my pace here; nobody's forcing me to move on. I want to do this. I need to do this. So why is uncertainty gnawing away at the frayed edges of my nerves? "Maybe I'm just not ready yet," I say, and I hate how small my voice sounds. As if Alina somehow knows how I'm feeling, my phone buzzes again. You've got this, Kakak. My mother checks her watch surreptitiously; I don't think I'm supposed to notice, but I do. "Come on, sayang. Berapa lama lagi nak hidup macam ni? It's time to get out of this cave you've built around yourself and get back to being... you." This time, the gentleness rings true, and my immediate instinct is to want to cry. Nothing undoes me quite like people being nice to me. She's right, and I hate that she's right, but I can't keep living like this. "Yeah, okay," I say. I sling my backpack over one shoulder, check the front pocket for my signed permission slip, grab the duffel that holds enough clothes for the weekend. "I'll see you on Sunday." "Have fun," she says. "Call me to check in." She gives me one last look, a slight frown on her face. "And fix your tudung. Senget tu." I sigh. Of course her final words to me would be to fix my crooked headscarf. What else did I expect? "I will." The moment is over. I don't offer a hug or kiss, and she stares straight ahead because she doesn't expect either one; we're just not that type of family. "See you," I say as I struggle to haul myself and my baggage, seen and unseen, out of the car. Grief is a heavy thing; it weighs you down, turns all your limbs to lead. There have been so many times in the past year when I've wanted to stop, wherever I was--in the cereal aisle at the supermarket, in the middle of doing jumping jacks during PE, in the middle of a shower--when I've had to fight the urge to just lie down, just rest, feel the coolness of the floor beneath my skin. Bet my mother would have hated that. "Bye," she says. I slam the door shut as if closing it tight enough will trap all my fears and worries and memories in there, as if shedding them means I, too, can become a thing that endures. Excerpted from Queen of the Tiles by Hanna Alkaf All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.