Arabiyya Recipes from the life of an Arab in diaspora

Reem Assil

Book - 2022

"Arabiyya celebrates the alluring aromas and flavors of Arab food and the welcoming spirit with which they are shared. Written from her point of view as an Arab in diaspora, Reem takes readers on a journey through her Palestinian and Syrian roots, showing how her heritage has inspired her recipes for flatbreads, dips, snacks, platters to share, and more. With a section specializing in breads of the Arab bakery, plus recipes for favorites such as Salatet Fattoush, Falafel Mahshi, Mujaddarra, and Hummus Bil Awarma, Arabiyya showcases the origins and evolution of Arab cuisine and opens up a whole new world of flavor"--Inside cover.

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Subjects
Genres
Cookbooks
Published
California : Ten Speed Press [2022]
Language
English
Main Author
Reem Assil (author)
Other Authors
Emily Katz (author), Alanna Hale (photographer), Cece Carpio (illustrator), Alicia Garza, 1981- (writer of foreword)
Edition
First edition
Item Description
Includes index.
Physical Description
vii, 295 pages : illustrations (chiefly color) ; 26 cm
ISBN
9781984859075
  • Foreword / by Alicia Garza
  • Introduction: An Arab tells her story
  • How to host like an Arab. Setting up your kitchen ; Spice mixes and pantry snacks ; Base sauces, stocks, and condiments
  • The Arab street corner bakery. For the love of bread: the basics of bread making ; Khobz wa mu'ajinaat = Savory breads and pastries ; Halaweyat bil furn = Bakery sweets
  • The Arab table. Mezze = Small plates ; Suhoun = Main plates
  • An Arab finds her vegetable roots. Khodrawat = Veggies ; Mouneh = Pickles and preserves
  • An Arab finds her (food) way. Halaweyat al munsabat = Special occasion sweets ; Mashrubat = Drinks
  • Epilogue: Arab hospitality is not for sale
  • Where I go for ingredients.
Review by Booklist Review

California bakery owner and social justice advocate Assil draws from her grandparents' diasporic journey across the Middle East and eventually to the U.S. as the inspiration for the recipes in her first cookbook. She starts by introducing home chefs to the building blocks of Arab cooking--spice blends and pastes--before sending readers to the hearth with a comprehensive guide to both sweet and savory bakes. Practical, step-by-step photos show techniques for shaping and cooking breads, pouches, flatbreads, and more. Traditional flavors are rounded out with chapters devoted to small plates, mains, and veggie dishes that are a balance of time-honored technique and modern interpretation. Readers will enjoy Assil's family discovery and personal culinary journey that are threaded throughout the book. Assil delivers her family's recipes to readers' kitchens with warmth while not shying away from the trauma that created the uniqueness of their food legacy. Arabiyya can serve as both a popular introduction to Arab cooking and a fantastic inspiration for home chefs wanting to spice up their meals and bakes.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In this knockout debut, Assil, owner of San Francisco bakery Reem's California, wryly and skillfully kneads a call for social awareness with an invitation to the table via "recipes for resilience" that are inspired by her Arab heritage. A primer on bread-baking and its cultural significance offers two master recipes for dough (one using sourdough, and the other, commercial yeast) that is used to fashion disks baked on an overturned wok, flatbreads topped with lamb, and sesame-crusted pouches, called ka'ak, that resemble purses. Sweets include nests of laminated dough with quince preserves, Yemeni honeycomb bread, and three kinds of baklava. Expert instruction and commentary appear throughout: a recipe for hummus, for instance, comes with a sidebar on culinary appropriation ("The word hummus means 'chickpea' in Arabic--not 'dip.' Calling it black bean tahini hummus is like calling a hamburger ham") and is accompanied by a range of spreads, including one that incorporates smoked fish and caramelized onions. Assil also showcases variations on familiar standards: falafel encases a spicy onion mixture, while labor-intensive ma'amoul cookies are streamlined as bars. This is packed with delicious food and universal truths--chief among them that, "through our food, we create home wherever we are." (Apr.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Award-winning chef Assil writes that "Middle Eastern cuisine" can be an ambiguous term; the "Middle of whose East?" she asks. She aims for specificity in this Arab diaspora cookbook, whose recipes gain depth and context from Assil's account of her roots in Palestine and Syria and of her family's immigration to Lebanon, Massachusetts, and California. The recipes are straightforward and geared to home cooks; each has a headnote, outlining the dish's significance to Assil and her family, and offering prep or storage tips. Assil owns the San Francisco bakery Reem's California, so recipes for breads and desserts (like hazelnut-praline baklava rolls with milk and honey) make up a large portion of her book, rounded out by vegetables, pickles, mezze, main plates, and drinks. Photographs of Assil's family are interspersed with photos of the dishes; for some recipes, particularly baked goods, step-by-step photos provide more guidance. A detailed spice chart is also very useful, covering flavors, uses, and possible substitutions, followed by recipes for several spice mixes used throughout the book. VERDICT Part memoir, part cultural primer, but mostly cookbook, Assil's work is a delicious take on cuisines and cultures of the Arab diaspora.--Susan Hurst

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Introduction I was born in Waltham, a little town twenty minutes outside of Boston, in the hottest month of the year. Forty-eight hours had gone by since labor pains had interrupted my mother's birthday picnic beside the cooling breezes of the Charles River, where she had spread a blanket to behold the July Fourth light show. She often pointed out the irony of a birthday greeted each year by the haunting sound of pyrotechnics. A child of war, my mother had fled Gaza, Palestine, in 1967 only to land in the crossfire of an oncoming civil war in Lebanon that would fully erupt several years later. Fire-filled skies were nothing new to her. Growing up, whenever I put up a fight, she was quick to remind me of her long, hard labor, and that from my very birth, I insisted on doing things on my own terms. Crossing the street as a toddler, she'd tell me I needed to hold her hand. "I'll hold my own hand," I would reply, clasping my hands in front of me. From the time I could sing, I picked up refrains from Tina Turner's "What's Love Got to Do with It" and Madonna's "Papa Don't Preach," sending ripples of discomfort through my Syrian father and Palestinian mother. From their telling, I never chose the easy way. When I was upset, our entire apartment complex would hear about it. Neighbors reported that my cries could be heard from the McDonald's parking lot across the street. Sympathetic to the struggles of new parents, they laughingly called me the neighborhood terrorist. It never occurred to my parents to take offense. My parents started me on toasted pita for teething and garlicky hummus as my first solids. However, my own earliest food memory was not of these Arab staples but rather of eating chocolate cake with my first crush, my neighbor and best friend David. Dressed only in Pampers, we dove into that cake headfirst, bathing ourselves in frosting, sucking fistfuls of the sweet goo from our hands. One day, after learning that David's family had moved away, I escaped from our apartment to sob at the foot of his door, where I'd so often gone to find him. Soon after, we, too, would move. My parents chose Sudbury, a woodsy suburb known for its outstanding schools and its role in the American Revolutionary War. Our home was nestled in the historical footpaths of American legends such as Babe Ruth, Ralph Waldo Emerson, and Henry David Thoreau and served as a perfect staging ground for my magic shows and theatrical performances. In elementary school, I won a starring role as Mary Poppins in the first-grade play and tested my parents' patience, practicing the songs from the moment I woke in the morning until lights-out at night. It was my dream to broadcast into people's living rooms like Julie Andrews. Inside our home, my parents established a strong foundation of Arab culture. But outside, the customs of our well-to-do, largely white town inevitably won out. I learned to code-switch at an early age. While we spoke Arabic at home, we were encouraged to speak only English in school. Early on, my teachers pushed my parents to switch to English, worrying that my reading and writing would fall behind. My sister often joked I switched into my "white voice" on the phone or in the store, when I wanted to blend in: upbeat and high-pitched, demonstrating good vocabulary, and offering a disarming smile, especially when someone pointed out I had a "slight accent." I learned American idioms such as "the cat's out of the bag" and tried to use them correctly. Every once in a while, I would mix them up, as in "I can read him like the back of my book." I planted a foot in both worlds. One weekend, I'd slip into my Girl Scout vest to sell cookies door-to-door, followed by memorizing verses of the Quran with my father on the way to Sunday school. The next weekend, I'd sneak into parental controls to watch Salt-N-Pepa's "Let's Talk about Sex" on MTV and later ride along with my uncles to live orchestral concerts to hear iconic Lebanese musician Marcel Khalife's brilliant political ballads saluting Palestine. My food memories are etched with morning bowls of Kix cereal and afternoon snacks of Chips Ahoy! cookies dipped in milk; the only time you'd find me over a stovetop was to boil instant ramen packets and to make Kraft macaroni and cheese from a box. These memories also include long potluck dining tables, extended with desks and folding tables dragged in from other rooms, stacked with olive oil-drenched mezze dips, mountains of rice, cardamom-scented ground meat casseroles, herbed salads, and, inevitably, a box of supermarket cookies added by a family that had run out of time. By high school, identity began to weigh large. My Arab features and olive skin tone were mistaken for every imaginable ethnic identity--from Indian to Puerto Rican. Though I didn't develop race consciousness until college, my awareness of racial injustice was born at Lincoln-Sudbury Regional High School. We were but a handful of Brown kids. While I felt uncomfortable being misidentified, I was even more fearful of saying where my family came from. I had few friends and spent lunch, book in hand, nestled into a corner of the cafeteria, lost in a world created by George Orwell and other grimly imagined futures that matched my mood. My distress was lifted by teachers of color, few though they were, and one lefty Jewish teacher from the Bronx, whose obsession with Jack Kerouac inspired field trips to New York to hit the highlights of the Beat Generation. Taking his lead, I helped organize a trip to the Deep South, visiting places that had changed the course of American history--from Philadelphia, Mississippi, where three civil rights workers had been murdered, to Birmingham, Alabama, where a church bombing by the Ku Klux Klan had killed four young Black girls. Meeting with civil rights activists and hearing their stories helped channel my angst. I learned to question the world and imagine how I, too, might help make another, better world possible. In each place, I became more enraged at America's legacy of white supremacy and more inspired by people who put their bodies on the line for nonviolent resistance. I began to make connections between the conditions in Mississippi and Gaza, the Montgomery bus boycott and the Palestinian intifada, and the forced migration of Black folks from the South and my own parents' migration from Palestine and Syria. I wanted to be like the changemakers who inspired me on that trip. I set off for college, hoping to solve the issue of "peace in the Middle East." I felt a new sense of possibility, and I even told my professors that I would become the first Palestinian Muslim woman president. But soon, I recognized a familiar discomfort. Diplomacy, I learned, mostly meant maintaining US influence over the fate of countries like the ones I came from. With anti-Arab fervor erupting following the September 11 attacks my first week of college and with war looming, I fell into a deep despair. I feared for the safety of Arabs both in America and in our homelands. I couldn't imagine how it might feel to experience justice in the midst of such darkness (and cold Boston winters). I dropped out of school and found my way to sunny California. Like many before me, I fell in love with the Bay Area for its diversity and rich history of social movements. I discovered that you could actually get paid to knock on a door, walk inside, drink some tea, and inspire someone to stand up to a local corporate landlord to lower the rent. To be a part of that transformation was life-changing. When I was not at work, I was helping transform a decades-old Arab political nonprofit into an organizing hub for working-class Arabs. Through it, I built my own Arab community. We made the streets of Oakland and San Francisco our second home, amplifying our power through bullhorns, calling for an end to the US-backed war and occupation of Iraq and building deep alliances with like-minded Black and Brown activist groups. My mother has often jokingly reminded me that when she used to visit, her itinerary often involved locating me at the intersection of a protest march route. While I honed my skills as an organizer, I also built the kind of community I had always yearned for on a soccer team that proudly called itself anti-imperialist. On the field, I met my husband, an impassioned literacy educator, along with other teachers, artists, cultural workers, and activists, each contributing to social change in their own way. We built up our running skills to evade the police in the city's anti-war street protests and countered burnout with laughter, dance parties, and mountains of home-cooked food. For self-care, I built an aptitude for mental calculus and straight-faced trash talk through playing poker. I represented my league at the World Series of Poker in Las Vegas and dreamed of going pro. And, at the very same time, I fell into Buddhism at Oakland's first people of color-led Buddhist center. Yet none of these things, even when put together, fully satisfied me. Throughout my ups and downs, between episodes of burnout and heartache, I gradually recognized that working with food had become a source of emotional, even spiritual, comfort. The sense that food might provide a vehicle to connect me with my life's purpose grew, and I recognized I needed to find ways to explore it. So, I left my job as an organizer to see whether life as a baker might nourish my spirit and connect me to my ancestors. Excerpted from Arabiyya: Recipes from the Life of an Arab in Diaspora [a Cookbook] by Reem Assil All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.