Dress code Unlocking fashion from the new look to millennial pink

Véronique Hyland

Book - 2022

"Everything--from societal changes to the progress (or lack thereof) of women's rights to the hidden motivations behind what we choose to wear to align ourselves with a particular social group--can be tracked through clothing. Veronique Hyland examines thought-provoking questions such as: Why has the "French girl" persisted as our most undying archetype? What does "dressing for yourself" really mean for a woman? How should a female politician dress? Will gender-differentiated fashion go forever out of style? How has social media affected and warped our sense of self-presentation, and how are we styling ourselves expressly for it? Not everyone participates in painting, literature, or film. But there is no "...opting out" of fashion. And yet, fashion is still seen as superficial and trivial, and only the finest of couture is considered as art. Hyland argues that fashion is a key that unlocks questions of power, sexuality, and class, taps into history, and sends signals to the world around us. Clothes means something--even if you're "just" wearing jeans and a T-shirt."--

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Subjects
Genres
Essays
Published
New York : Harper Perennial [2022]
Language
English
Main Author
Véronique Hyland (author)
Edition
First edition
Physical Description
xii, 268 pages ; 21 cm
Bibliography
Includes bibliographical references (pages 267-268).
ISBN
9780063050839
  • Introduction
  • Part I. Underpinnings: Why We Wear What We Wear
  • Chapter 1. Think Pink
  • Chapter 2. The Kids Are Alright
  • Chapter 3. The "French Girl" Industrial Complex
  • Chapter 4. Patagonia on Bedford Avenue
  • Chapter 5. Caviar on a Potato Chip
  • Part II. The Top Layer: Fashion and the Wider World
  • Chapter 6. Déjà Hue
  • Chapter 7. Who Is She?
  • Chapter 8. Why Can't I Be You?
  • Chapter 9. Trial by Fashion
  • Part III. High Heels: Dressing Up for the Patriarchy
  • Chapter 10. Gaze of Our lives
  • Chapter 11. The Revolution Will Be Spandex-Clad
  • Chapter 12. Politics and Fashion: We Can't Win
  • Part IV. Moon Boots and Jumpsuits: The Future of Fashion
  • Chapter 13. Dress for the Job You Want: The Tyranny of the Uniform
  • Chapter 14. Basic Instinct: Why We're All Starting to Dress the Same
  • Chapter 15. The Couture Body
  • Epilogue
  • Acknowledgments
  • Further Reading
Review by Library Journal Review

"Clothes make the person" is perhaps not a statement one usually associates with feminist politics but a concept that fascinates and perplexes feminist historians and gender theorists while also often frustratingly seeming to trap women in a superficial set of standards related to the body. This book by Elle magazine fashion editor Hyland is a welcome addition to this conversation (preceded by the likes of Emily Robinovitch-Fox's Dressed for Freedom). Here Hyland powerfully argues that to dismiss fashion as something stereotypically feminine and ephemeral, would mean denying its dailiness and its iterative creation of individuals as they engage with the world. Hyland contends that such a dismissal reifies a binary opposition that privileges masculine values over feminine ones. She effectively unpacks why clothing is a political choice and carefully considers the particular scrutiny of the personal appearances of women of color. Calling up her previous research for blogs such as The Cut, along with analysis of primary sources, the author delves into cultural fascination with youth and beauty--a phenomenon that is accompanied by dissection and often criticism of the fashion choices and influences of teenage girls. VERDICT Anyone who opts in to wearing clothes (and even those who opt out) should pay attention to this book.--Emily Bowles

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