We don't know ourselves A personal history of modern Ireland

Fintan O'Toole, 1958-

Book - 2022

"A celebrated Irish writer's magisterial, brilliantly insightful chronicle of the wrenching transformations that dragged his homeland into the modern world. Fintan O'Toole was born in the year the revolution began. It was 1958, and the Irish government--in despair, because all the young people were leaving--opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don't Know Ourselves, O'Toole, one of the Anglophone world's most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary "backwater" to an almost... totally open society--perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O'Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland's main export was beef and it was still not unknown for herds of cattle to clatter down Dublin's streets. Yet the Westerns were a sign of what was to come. O'Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O'Toole's telling, America became a lodestar, from John F. Kennedy's 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O'Toole in coruscating prose captures the peculiar Irish habit of "deliberate unknowing," which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don't Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us"--

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Subjects
Published
New York, NY : Liveright Publishing Corporation, a division of W. W. Norton & Company 2022.
Language
English
Main Author
Fintan O'Toole, 1958- (author)
Edition
First American edition
Physical Description
616 pages, 16 unnumbered pages of plates : illustrations ; 25 cm
Bibliography
Includes bibliographical references (pages 572-598) and index.
ISBN
9781631496530
  • Prelude The Loneliest Boy in the World
  • Chapter 1. 1958: On Noah's Ark
  • Chapter 2. 1959: Modern Family
  • Chapter 3. 1960: Comanche Country
  • Chapter 4. 1961: Balubaland
  • Chapter 5. 1962: Cathode Ní Houlihan
  • Chapter 6. 1963: The Dreamy Movement of the Stairs
  • Chapter 7. 1962-1999: Silence and Smoothness
  • Chapter 8. 1965: Our Boys
  • Chapter 9. 1966: The GPO Trouser Suit
  • Chapter 10. 1967: The Burial of Leopold Bloom
  • Chapter 11. 1968: Requiem
  • Chapter 12. 1969: Frozen Violence
  • Chapter 13. 1970: The Killer Chord
  • Chapter 14. 1971: Little Plum
  • Chapter 15. 1972: Death of a Nationalist
  • Chapter 16. 1973: Into Europe
  • Chapter 17. 1976: The Walking Dead
  • Chapter 18. 1975-1980: Class Acts
  • Chapter 19. 1971-1983: Bungalow Bliss
  • Chapter 20. 1979: Bona Fides
  • Chapter 21. 1980-1981: No Blue Hills
  • Chapter 22. 1980-1981: A Beggar on Horseback
  • Chapter 23. 1979-1982: The Body Politic
  • Chapter 24. 1981-1983: Foetal Attractions
  • Chapter 25. 1982: Wonders Taken For Signs
  • Chapter 26. 1984-1985: Dead Babies and Living Statues
  • Chapter 27. 1987-1991: As Oil Is to Texas
  • Chapter 28. 1986-1992: Internal Exiles
  • Chapter 29. 1989: Freaks
  • Chapter 30. 1985-1992: Conduct Unbecoming
  • Chapter 31. 1990-1992: Mature Recollection
  • Chapter 32. 1992: Not So Bad Myself
  • Chapter 33. 1992-1994: Meanwhile Back at the Ranch
  • Chapter 34. 1993: True Confessions
  • Chapter 35. 1993-1994: Angel Paper
  • Chapter 36. 1998: The Uses of Uncertainty
  • Chapter 37. 1990-2015: America at Home
  • Chapter 38. 1990-2000: Unsuitables from a Distance
  • Chapter 39. 1999: The Cruelty Man
  • Chapter 40. 1997-2008: The Makeover
  • Chapter 41. 2000-2008: Tropical Ireland
  • Chapter 42. 2009-2013: Jesus Fucking Hell and God
  • Chapter 43. 2018- : Negative Capability
  • Acknowledgements
  • Notes
  • Credits
  • Index
Review by Choice Review

O'Toole's book promises to draw a wide audience from curious readers of memoirs to those with more academic interests. Written by arguably the foremost commentator on contemporary Irish affairs of the 21st century, We Don't Know Ourselves blends the personal and political to create a compelling personal account of Ireland's coming of age during the last 60 years. Each chapter moves from the narrator's private recollections to wider consideration of related national experiences told over the longer arc of personal and national development. All the while, the narrator deftly avoids narcissism or easy self-exculpation; O'Toole finds his younger self, like much of his nation, initially accepting the false certainties offered by Irish religious, political, and cultural authorities as protection against the destabilizing threats allegedly posed by foreign libertines. Pursing the resultant hypocrisies with unyielding critical style that ranges from sardonic to outraged, O'Toole has produced an engrossing and insightful account for anyone seeking to understand the deeper currents of life in contemporary Ireland. Summing Up: Recommended. General readers through faculty. --Matthew John O'Brien, Franciscan University of Steubenville

Copyright American Library Association, used with permission.
Review by Library Journal Review

Irish Times columnist O'Toole (The Politics of Pain: Postwar England and the Rise of Nationalism) has written a forceful account of how Ireland entered the modern age, beginning with his own personal history, which he effectively ties in with an almost year-by-year recounting of what happened in his country during the late 20th century. O'Toole, who was born in 1958 to a lower working-class family, would never have been able to get far beyond his circumscribed life in an earlier era, he writes. O'Toole recalls the challenges facing Ireland in the 1950s, including a lagging economy and a wave of emigration to other countries in Europe and beyond; he also takes care to show the influence of the Irish Catholic Church, including limits on abortion and contraception. From 1960 on, the Troubles escalated into violence, with IRA Provos and Ulster loyalists committing atrocities. He writes that corruption reached a new level with the administration of Taoiseach Charles Haughey between 1979 and 1992, which tainted government. The picture O'Toole paints is of a country fumbling its way to the present almost in spite of itself. This volume includes several personal photographs. VERDICT In O'Toole's case, sharp reporting makes good history.--David Keymer

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Irish journalist and critic O'Toole offers a chronicle, personal and historical, of the profound changes that have come to his homeland in his lifetime. "The transformation of Ireland over the last sixty years has sometimes felt as if a new world had landed from outer space on top of an old one," writes the author, a frequent contributor to the New York Review of Books and Irish Times. Since his birth in 1958, the fundamental character of Ireland as a poor, rural backwater left out of the postwar European economic miracle has changed. Ireland became a hotbed of economic activity in which, as elsewhere, those who were not prepared for the technological world were left behind, though lately the island has slipped back into post-boom quietude. Things were good while they lasted, writes O'Toole: "The boom…was a giant machine for sucking in borrowed money that the Irish used mostly for buying bits of the country from each other at ever more inflated prices and, when they ran out of bits of Ireland, doing the same with bits of other, sunnier islands." Nonfinancial changes also came swiftly, as a kind of uneasy peace has taken the place of civil war in the northern counties under British rule, and Ireland has acquired a cultural sophistication that goes beyond the "hysteria and self-caricature" of Riverdance. Interestingly, O'Toole writes, for a nation that was once conservative and Catholic, religion is less central than before, and liberal reforms have been made in such realms as abortion rights and same-sex marriage. "When I was born, there was no future and now there is no future again," he writes near the end of his astute analysis. He argues that this is positive, since it allows for a nondogmatic, adaptable approach to whatever comes as opposed to "the pretence of knowing everything and the denial of what you really do know," a knowing return to his title. A superb illustration of how the personal is the political and can be the universal. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.