The gifts that bind us

Caroline O'Donoghue

Book - 2022

Maeve, Roe, Fiona, and Lily -- the four friends have been inseparable since the ritual that released Lily from the Housekeeper's spell and granted them each a supernatural gift. But now, with Roe at university and Fiona and Lily chasing dreams of life beyond their hometown, Maeve worries about a lonely future. What are the prospects for a teen psychic with bad grades and a terrible temper? Isolated and insecure, Maeve is vulnerable once more to Aaron, the young, charismatic cult leader who seems determined to bring her into his fold. But the Children of Brigid aren't the only ones drawn to Maeve's extraordinary powers.

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Subjects
Genres
Witch fiction
Fantasy fiction
Paranormal fiction
Published
Somerville, Massachusetts : Walker Books US, a division of Candlewick Press 2022.
Language
English
Main Author
Caroline O'Donoghue (author)
Other Authors
Stefanie Caponi (illustrator)
Edition
First U.S. edition
Item Description
Series statement from fantasticfiction.com.
Physical Description
389 pages : illustrations ; 24 cm
ISBN
9781536222227
Contents unavailable.
Review by Booklist Review

Maeve and her now-magical friends are back in this sequel to All Our Hidden Gifts (2021). And they are definitely gifted: Maeve has gained telepathy; her significant other, Roe, is telekinetic; her ex-friend Lily has wild electrical powers; and Fiona has healing powers. The return of bad wizard Aaron sets Maeve off as he insists that she is the same as him, an assertion she doesn't want to believe. The Children of Brigid are back, too, and that can't mean anything good; the last time they were seen in Kilbeg, they started a wave of anti-LBGTQ sentiment that was especially dangerous for genderfluid Roe. The members of the foursome practice their magic whenever they're alone, though it seems to be getting harder and harder. The presence of the Children seems to be causing a magical disturbance as well as a social one, since the friends are arguing more than ever now. As in the first series installment, each chapter is accompanied by an image of a tarot card that hints at the characters and situations within.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by School Library Journal Review

Gr 9 Up--In this sequel to All Our Hidden Gifts, Maeve, Fiona, Lilly, and Roe have settled into a lovely, lazy summer, but as it winds down, the friends decide it's time to really master their magical gifts. And just in time--something strange is stirring in their town. Time starts to run differently in the school, with classes going backward, and the friends' magic begins behaving erratically. With the reappearance of Aaron, the leader of the hate-fueled youth group that squared off with Maeve and her friends in the previous book, the friends latch onto the idea that he is to blame for the oddities surrounding them. Maeve focuses her energy on stopping Aaron, unintentionally binding his fate to her own. When the real mastermind behind the magical manipulations reveals herself, Maeve and her friends are caught unprepared for the violence of the struggle to regain control of their magic and their lives. With the same deft narrative style that made the previous book shine, O'Donoghue now offers an introspective take on what privileges and responsibilities come with magic, and a more nuanced exploration of the ways in which the characters are bound, involuntarily and by choice, to one another. The pacing is slower here, but the mystery just as delightful, and the ending beautifully twists the success of Maeve and her friends into a catalyst for the return of the revenge spirit they defeated at the end of the first book. VERDICT Fans of paranormal reads will be on the edge of their seats.--Jen McConnel

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Review by Kirkus Book Review

A group of Irish teens contend with their newly acquired magical powers while also navigating shifting relationships in this follow-up to All Our Hidden Gifts (2021). Maeve; her nonbinary first love, Roe, who uses both he/his and they/them pronouns; and their friends, Fiona and Lily, have spent the summer honing their paranormal talents on the grounds of St. Bernadette's, the private all-girls school where Maeve, Fiona, and Lily are soon returning for their final year. Maeve feels anxious both about Roe's departure for college and his impending European band tour as well as about Fiona and Lily's deepening friendship and plans to leave their small city of Kilbeg. She's further plagued by encounters and strange dreams involving Aaron, the creepy, hateful leader of conservative Christian youth group the Children of Brigid. This smart, poignant drama is spot-on in its portrayal of a realistically pivotal time in these deeply likable characters' lives as it winds its way slowly into the mystery around what supernatural forces are at play below the surface. The lengthy building of tension eventually gives way to unexpected twists, and the novel's resolution is satisfying while also clearly laying the groundwork for a sequel. Main characters are White; the previous entry established that Fiona is Filipina and White, and there is realistic diversity in race and sexuality among supporting characters. Another gripping, magic-filled installment in this rich contemporary fantasy. (Paranormal. 14-18) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 I suppose I'll always remember this as the summer that Roe learned to drive and that I learned to read minds. He got his license in June, was promptly insured on his mum's car, and since then, the car has been a part of him. A part of us. They're always interviewing TV actors who say things like "Really, New York City was the fifth character on the show," and I suppose you could apply the same logic to Mrs. O'Callaghan's Nissan Micra. Roe calls her Linda. My mum calls it "the galloping maggot." "Maeve," she calls up the stairs. "The galloping maggot is outside." I bounce down into the hallway heavily, not having quite broken in my Doc Martens, the new leather rubbing away at the skin. Mum is giving the dog his eye drops, trying to hold his head steady, her fingers prying open an eyelid. I take my little drawstring handbag from the coatrack in the hall. "Take your coat." "I don't need it," I reply. "It's balmy." "Hmm?" I realize then that my mother didn't say that out loud, and that I am responding to a coat request that was only thought, never uttered. She looks at me oddly. Roe may have taken to driving quickly, but telepathy is a gift that comes slowly, strangely, and, ideally, with a lot of eye contact. You should really know when someone's mouth is moving. I double back. Wary, tense. "I thought I heard you say . . ." Tutu wrestles his head free and tries to wander off. Mum snatches him back. "It's not that warm." "It's August!" "It's Ireland." I shrug and head for the door. Her voice again. "Do you need . . . money?" I stall. "No, Nuala paid me yesterday. I'm grand." I've been doing shifts at Divination, the occult shop in town, since school finished. Nuala can't afford to pay me much, but given that all I seem to buy is tarot cards and McDonald's, it generally lasts me. Another pause. "There's a tenner in my bag, if you want to take it." "I'm fine, Mum." "Just . . ." The dog is free now, each drop having been ineffectively applied to the outer rims of his eyes, Mum giving up on holding him still. "Take it," she says. "Just in case." Everyone still thinks the ritual was a suicide attempt. Oh, Fiona lied all right. She played the part of silly drama student trying to construct a stabbing scene with her friends so well that we were convinced everyone believed us, not realizing that they were merely humoring us, waiting for the moment when things had calmed down and they could find out what really happened. It's made my telepathy very useful. When I concentrate, I can see the light in people. I find my mother's light--a sort of lilac tinged with silver--and I follow it straight to her until I know exactly what she wants to hear. I know when to reassure her, when to be elusive, when to imply that there is more information to disclose and that I will tell her, but just not today. It has been five months since the ritual. Five months since Lily O'Callaghan disappeared for all of February. Since a spell and a struggle with a knife almost killed me and Roe. Since she climbed out of the river, dripping wet and angry. She's not interested in lying, like the rest of us are. Her answer is clear every time. "I was the river," she says, a touch of mourning in her voice. "And the river was me." The most common thought my mother has is worry, which is not surprising, but the shape of the worry is. She is constantly thinking that I have gone to a place beyond her, a place where I am sure to meet danger. She wants, very badly, for me to need her. So she tries to give me money, and when I take it, she feels happier. "OK," I say, taking it out of her bag. I kiss her on the cheek. "Thanks." And the lilac light glows. Fiona is in the front seat and, seeing me emerge from the house, gets out to join Lily in the back. It's very pleasing, this little car hierarchy. I'm the girlfriend, and therefore I sit in the front. I've always admired those girls in school in long-term relationships: the sort of elder-stateswoman energy they give off, the First Lady air of dignity. I never thought I would be one of them. And now that I'm firmly that kind of girl--a girlfriend girl--I can't help but feel older. More legitimate somehow. Roe likes to use gender-neutral phrases where he can, but he and I haven't found a word that fully replaces boyfriend yet. We've Googled it. Lover is icky and technically incorrect. Partner is too dull, too grown-up. After that you start falling into terms like my sweetheart , and the idea of saying that in front of people is nauseating to both of us. Sometimes I say joyfriend , as a joke, but mostly I just say Roe . "All right, Chambers," Fiona says as she flicks the front seat forward, ready to climb into the back. "Docs still giving you trouble?" I grimace down at my feet, my heels still bleeding despite the two pairs of socks I'm wearing. "How can you tell?" "You're walking like a duck on Prozac." "Can you sort me out?" "Cost you a milkshake." "Done." "Go on, take off your shoes in the car, then." We climb into the car, and I kiss Roe on the cheek, his long earrings brushing my nose. I bought him these, for his birthday, back in June. Long seed pearls on a golden chain, the kind he fell in love with when we watched Shakespeare in Love together. He's into a kind of Elizabethan look at the moment. He's trying to track down a ruff to wear onstage. "Hey, you," he says, putting his arm around me. "How are the shoes?" "You could tell, too?" "You walked out of the house like you've only just achieved sentience." Lily, in the back, says nothing. She has no suggestions of what I might look like when I walk, and it's not because she wants to preserve my feelings. When we were kids and Lily's hearing aid wasn't as good as the one she has now, she would find group conversations hard. She would lose track and eventually zone out, and people would think she was being deliberately rude. That's not what's happening here. If you were to see the four of us out together, you'd probably think we were four best friends, and that the best-friendship held an equilibrium that shot in all directions. But if you looked closer, really watched us, you'd see that Lily rarely speaks directly to me, and often looks out the car window when I'm speaking. My heart sinks a little when I catch her blank expression in the rearview mirror. Please , I think. Please make fun of me. "Fiona," she says instead. "Can you help me tomorrow with my math stuff?" "Math," I say. "In summer?" Silence. Then, Fiona: "Lily is doing Leaving Cert prep, aren't you, Lil?" "Yes," she answers bluntly. Even the mention of the Leaving Cert has me swaying with nerves. No one expected much from me toward the end of last year. Everyone assumed I was too traumatized by Lily's sudden disappearance and my odd role in it. A tarot reading, a strange card, a public fight, and then--poof--girl gone. Then she turns up on the same day that I'm hospitalized with wrist wounds? It was all too odd for anyone to compute. I was frequently checked up on, which I hated, and then I was ignored, which I loved. There's nothing that annoys me more than an Is she OK? look, closely rivaled by an Aren't you brave head tilt. It's not going to be the same this year. Teachers won't just leave me alone. It's our exam year, after all. Excerpted from The Gifts That Bind Us by Caroline O'Donoghue All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.