Moldy strawberries

Caio Fernando Abreu

Book - 2022

"In eighteen exhilarating stories, Caio Fernando Abreu navigates a Brazil transformed by the AIDS epidemic and stifling military dictatorship of the 80s. Tenderly suspended between fear and longing, Abreu's characters grasp for connection. A man speckled with Carnival glitter crosses a crowded dance floor and seeks the warmth and beauty of another body. A budding office friendship between two young men turns into a surprising love, "a strange and secret harmony." One man desires another but fears a clumsy word or gesture might tear their complot to pieces. After so many precarious offerings - a salvaged cigarette, a knock on the door from within the downpour of a dream, or a tight-lipped smile - Abreu's schemes expl...ode and implode. Junkies, failed revolutionaries, poets, and conflicted artists face threats at every turn. But, inwardly ferocious and secretly resilient, they heal. For Caio Fernando Abreu there is beauty on the horizon, mingled with luminous memory and decay"--

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Subjects
Genres
Short stories
Published
Brooklyn, NY : Archipelago Books 2022.
Language
English
Portuguese
Main Author
Caio Fernando Abreu (author)
Other Authors
Bruna Dantas Lobato (translator)
Edition
First Archipelago Books edition
Physical Description
181 pages ; 17 cm
ISBN
9781953861207
Contents unavailable.
Review by Publisher's Weekly Review

The surprising and provocative works of Brazilian cult favorite Abreu (1948--1996) appear in English for the first time in this vivid translation from Lobato. Chronicling the counterculture scenes of the 1970s and '80s as the AIDS crisis ravaged Brazil, the stories follow characters through nightclubs, office jobs, and lazy days of pillow talk. Some read as chronicles of the powers of physical intimacy, such as the short and exceptional "Fat Tuesday," in which queer people seek, accept, and "glow" together on the dancefloor and beyond, until they must separate on account of societal taboos. Physicality also dominates "Sergeant Garcia," in which a privileged and flat-footed soldier is exempted from service only to seek further liberation through sex with a stranger, leaving him "so full of a cursed joy." Others are based largely or entirely on conversations. "Dialogue," which reads like a riff on the "who's on first" joke, details a speaker's struggle to articulate their feelings to their interlocutor ("I said you're my friend"; "What are you trying to say?" "I'm just saying you're my friend"); "Music Box" explores the powerful images of dreams; and "The Survivors" examines the affections and longings that both bind and divide a queer woman and a queer man. Abreu's prose shimmers and always surprises--each story is a small, bright gem. The fearless writing in this beautiful collection deserves a vast English-language readership. (Apr.)

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Review by Kirkus Book Review

A stark collection of short stories from a Brazilian writer who creates specks of beauty with every stroke of the pen. In Abreu's collection of 18 stories, readers navigate through a Brazil lost in time, stuck in the impasse of tragedy, and gasping for air in a space void of it. In the opening story, "Dialogue," Abreu sets a scene that determines the rest of the book. Two genderless interlocutors declare their friendship for one another in an ever revolving cycle of affection. Such is the binary that Abreu develops in all his stories: Two individuals struggle to find the words to identify their feelings, communicate with affect and sensations, and ultimately find peace in not knowing. Known for his often dizzying syntax and provocative imagery, Abreu writes with an ease that sticks and with an intention that triggers. "Too much culture kills people's bodies, man, too many films, too many books, too many words, I could only consume you by masturbating, there was the entire Library of Alexandria keeping our bodies apart," writes the narrator of "The Survivors." Struggling through the surplus of material to make sense of their existence, Abreu's characters prefer to put on a record, light up a cigarette, and watch time pass. "The room was still under that burgundy shade, dull, stagnant, with the old yellow cushion shining in the dark, strangely greenish now, in the blue streetlight. He gestured toward the telephone. He even took one step forward, as if he were about to go back. But he didn't move." They speak on the phone to their loved ones, they drink copiously, they dance, they sweat, they have sex, they die. Some might live their entire lives without looking beyond the cloud of cigarette smoke hovering directly in front of them. Some might collect funerals. Abreu remarkably captures a feeling that escapes definition, a proximity to death so palpable that the words scream its song. Abreu's prose is still, rich, and full of time lost and time future. A profoundly moving collection on surviving stillness. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

The Day Uranus Entered Scorpio (Old Story with Benefits) For Zé and Lygia Sávio Teixeira and for Lucrécia (Lucas or César Esposito) They were all relaxed when the guy in the red shirt suddenly stormed in and announced that Uranus was entering Scorpio. The three of them stopped what they were doing and stared at him without saying anything. Maybe they didn't understand what he said, or they didn't care to. Or they weren't willing to interrupt their reading, leave their spot at the window, or stop eating their chicken thighs, to go pay attention to anything else, especially to something like Uranus entering Scorpio, Jupiter leaving Aquarius, or the Moon being void of course. It was Saturday night, almost summer, and there were so many concerts and plays and full bars and parties and movie premieres at midnight and people meeting and motorcycles zooming by around the city, and it was so hard to give all that up to stay at the apartment reading, watching other people's joy through the window, or trying to find some sliver of meat in the bones of the cold chicken left over from lunch. As they'd given up their Saturday, the three of them sitting there quietly listening to old Pink Floyd, so the neighbors wouldn't complain like last time and then the police would come and the landlord would threaten to shut down that drug den (they didn't like the expression, but that was how the neighbors, the landlord, and the police called it, tossing their secondhand books and Indian cushions everywhere, like they expected to find something illicit under them)--thus having given up their Saturday, and tacitly restored the peace with the low volume and almost no curiosity about each other, since they'd known each other for so long, they didn't want to be thrown out of this peace that was so wisely and modestly earned, since the night before had revealed empty pockets and wallets. So they vaguely looked at the guy in the red shirt standing in the middle of their living room. And said nothing. The guy who'd left his spot by the window made like he was paying close attention to the music, and said that he liked that bit with the organ and the violins very much, that it sounded like a medieval cavalry . The guy in the red shirt understood he was trying to change the subject, and asked if by any chance he'd ever seen a medieval cavalry. He said no, but with the organ and all those violins in the background, he pictured an armored warrior on a white horse, riding against the wind, all very Knights of the Round Table, the outline of a castle on top of a distant hill--and the warrior was medieval , he stressed, he was sure of that. He was going to keep describing this scene, he was thinking of adding some pine trees, a twilight, maybe a crescent moon, perhaps even a lake, when the woman who'd been reading a book lowered her glasses again, which she'd raised up to her forehead when the guy in the red shirt came in, and read a passage as follows, from Ernest Becker's The Denial of Death : Men are so necessarily mad that not to be mad would amount to another form of madness." Necessarily because the existential dualism makes an impossible situation, an excruciating dilemma. Mad because, as we shall see, everything that man does in his symbolic world is an attempt to deny and overcome his grotesque fate. He literally drives himself into a blind obliviousness with social games, psychological tricks, personal preoccupations so far removed from the reality of his situation that they are forms of madness--agreed madness, shared madness, disguised and dignified madness, but madness all the same. When she finished reading and looked around the room with delight, the guy who'd left the window returned to his spot, and the guy in the red shirt remained still and slightly out of breath in the middle of the room, while the other one stared at the bare bone of a chicken leg. He then said he didn't really like thigh as much anymore, that he preferred the neck, at his house growing up everyone always fought, because he had three siblings and they all liked the thighs, except for Valéria, who found chickens disgusting; later, as a teenager, he preferred the breast, he spent five or six years eating nothing but the breast, and now he loved the neck. The others looked a little shocked hearing this, and he explained that the neck actually had many secret pleasures, exactly like that, very slowly, se-cret pleas-ures, and in that moment the record came to an end and his words echoed a bit provocatively in the silent air while he continued to stare at the dry bone. The guy in the red shirt took advantage of the silence to scream very loudly that Uranus was entering Scorpio. The others seemed disturbed, less so by the information and more by the noise, and said shh, that he should lower his voice, didn't he remember what happened last time. He said the last time didn't matter, that now Uranus was entering Scorpio. To-day , he said slowly, eyes shining. It had been there for some five years, he added, and the others asked at the same time, it-which-had-been-where ? Uranus , the guy in the red shirt explained, in my eighth House, the House of Death, didn't you know I could be dying right now? and he looked relieved, if it weren't for all the restlessness. The others exchanged looks and the woman holding a book started to tell a very long and convoluted story about a boy who suffered from schizophrenia who'd started just like this, she said, he took an interest in things like alchemy, astrology, chiromancy, numerology, things he'd read god knows where (he read a lot, and when he told a story, he never knew for certain where he'd first read it, sometimes he couldn't even be sure if he'd lived it or read it). He ended up committed, she said, that's how many schizoid processes go. He looked directly at her as she said schizoid processes , the other two seemed very impressed, it was hard to say if it was because they respected the woman and thought her very refined, or if it was simply because they wanted to scare the guy in the red shirt. At any rate, they were left with a silence full of sharp angles until one of them moved from his place by the window to turn the record over. And when the bubbles of sound started to burst in the middle of the room, they all looked relieved and almost happy again. Then the guy in the red shirt took out of his bag a book that looked like he'd bound it himself, and asked if anyone spoke French. One of them threw the chicken bone in the ashtray, as if to violently say that he didn't, and he looked at the man by the window, who wasn't by the window anymore but on the rug, browsing their record collection. He suddenly stopped and looked at the woman, who hesitated for a moment before she said that she spoke a little, and everyone was a bit disappointed. The guy in the red shirt quietly said that it was all right, and started to read something as follows, from André Barbault's Astrologie : La position de cet astre en secteur situe le lieu ou l'être dégage au maximum son indiuidualité dans une voie de supersonnalisation, à la faveur d'un développement d'énergie ou d'une croissance exagerée qui est moins une abondance de force de vie qu'une tension particulière d'enérgie. Ici, l'être tend à affirmer une volonté lucide d'independence qui peut le conduire à une expression supérieure et originale de sa personalité. Dans la dissonance, son exigence conduit à l'insensibilité, à la dureté, à l'excessif, à l'extremisme, au jusqu'au'boutisme, à l'aventure, aux bouleversements. He finished reading and slowly looked at the three of them, one by one, but only the woman smiled, saying that she didn't know the word bouleversements . One of the men remembered that boulevard means street , and that therefore it must mean something related to a street, to walking in the streets a lot. They kept guessing, one of them looking for a dictionary, the guy in the red shirt looking from one to the other without saying anything. After all the books had been combed through and the dictionary was nowhere to be found and the other side of the record also came to an end, he read the passage again very slowly and emphasizing each syllable with a pronunciation the others admired, though they didn't say anything: L'être tend à affirmer une volonté lucide d'independence qui peut le conduire à une expression supérieure et originale de sa personalité. Then he asked if the others understood it, and they said they did, it sounded very similar to Portuguese, lucide , for example, and originale , were incredibly easy. But they didn't seem like they understood. His eyes shone again, he looked like he was about to cry when suddenly, unexpectedly, he jumped toward the window and yelled that he'd jump, that no one understood him, that nothing was worthwhile anymore, that he was so sick of everything he wouldn't even bet his own shit on the future. The guy in the red shirt went as far as to put one leg over the windowsill, opening his arms, but the other two men grabbed him in time and took him to the bedroom, asking very gently what had just happened, repeating that he was too nervous, that everything was fine, just fine. The woman with the glasses held his hand and stroked his hair while he cried, one of the men said he'd go to the kitchen to make some mugwort or chamomile tea, the woman said that lemon balm was good for stuff like this, and the other said he'd put on that Indian music he liked so much, though everyone else hated it, except he had to turn the volume all the way up so they could hear it from the bedroom. The tea came soon after, hot and good, and they appeared with a joint as well, which they smoked together, one at a time, and things slowly became more harmonious and calm, until someone knocked on the door with such force it sounded more like kicking than knocking. It was the landlord, yelling at them to lower the volume and saying those same unpleasant things. The woman with the glasses said she was very sorry, but unfortunately that night they couldn't keep the volume down, it wasn't a night like the others, it was very special, she was very sorry. She took off her glasses and asked if the landlord knew that Uranus was entering Scorpio. Back in the bedroom, the guy in the red shirt heard this and smiled a big smile before falling asleep with the others holdingppp hands. Then he dreamt he gently glided over a golden and luminous surface as if on a pair of skates. He didn't know if it was a ring of Saturn or a moon of Jupiter. Perhaps Titan. Excerpted from Moldy Strawberries: Stories by Caio Abreu All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.