I will take the answer Essays

Ander Monson, 1975-

Book - 2020

"A trip through a storm sewer in Tucson inspires Ander Monson to trace the city's relationship to Jared Lee Loughner, the gunman who shot Gabrielle Giffords and killed six bystanders, along with how violence is produced and how we grieve and honor the dead. With the formally inventive "I in River," he ruminates on water in a waterless city and the structures we use to attempt to contain and control it. He also visits the exuberantly nerdy kingdom of a Renaissance Faire, and elaborates on the enduring appeal of sad songs through the lens of March Sadness, the online competition that he cofounded, an engaging riff on the NCAA basketball tournament brackets in which sad songs replace teams. As personal and idiosyncratic as ...the best mixtape, 'I Will Take the Answer' showcases Monson's deep thinking and broad-ranging interests, his sly wit, his soft spot for heavy metal, and his ability to tunnel deeply into the odd and revealing, sometimes subterranean, worlds of American life."--taken from back cover.

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Subjects
Genres
Essays
Published
Minneapolis, Minnesota : Graywolf Press [2020]
Language
English
Main Author
Ander Monson, 1975- (author)
Physical Description
234 pages : illustrations ; 21 cm
Bibliography
Includes bibliographical references.
ISBN
9781644450116
  • Five-star review of a Safeway
  • I in river
  • Is that what's behind the dam?
  • Remainder
  • For unknown reasons
  • The sadness of March
  • American Renaissance
  • An unburned rose
  • Uncharitable thoughts on Dokken
  • Long live the jart, heavy and pointed and gleaming
  • Exchange rate
  • The exhibit will be so marked (Treemix 12" remix with fade-out)
  • Facing the monolith
  • Little angles
  • My monument
  • The crane, the urn.
Review by Kirkus Book Review

Tragedy and its consequences are the focus of this collection of essays.Monson (English/Univ. of Arizona; Letter to a Future Lover: Marginalia, Errata, Secrets, Inscriptions, and Other Ephemera Found in Libraries, 2015, etc.), a native of Upper Michigan's Copper Country, was so fascinated by a "storm sewer that is designed to flush everything in its path" in his adopted hometown of Tucson that, as he writes in the first of these essays, he walked through it to explore its contents. This walk made him think of a Minnesota bridge that had collapsed years earlier. He compares structures that fail to groups of people considered "stable, impenetrable, and how quickly that unit can give way into something else if stressed enough." One such stressor was the 2011 shooting of Gabrielle Giffords and 18 others, an event that Monson references throughout the collection. The theme of most of these pieces is tragedy in all its forms, from mass shootings and mining disasters to floods and tsunamis. Even when his topic is as seemingly frivolous as the Arizona Renaissance Festival, tragedy and loss are never far from his thoughts, as when he notes that fairs, like video games and other diversions, are a way "to forget about yourself for a little while." As in previous collections, Monson experiments with the essay form, with mixed results. Sometimes, he's too clevere.g., in an essay about the quest for dominion over water, the text is printed to simulate liquid pouring into the gutter of the book's bindingand frequent digressions diminish the power of his arguments. However, the best essays start in one place and move in unpredictable, satisfying directions, as when a piece on mixtapes given to him by friends leads him to ask a question that is especially moving given the collection's emphasis on loss: "What do we leave the world? What marks do we leave in snow among the trees? What magnetic trace do we erase or tape over?"Provocative if sometimes unfocused musings of a curious mind. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.