Jewish noir

Review by Booklist Review

Editor Wishnia offers readers a first-rate collection of short stories dealing with traditional noir subject matter and tone but offering Jewish variations on the theme. His introduction argues that noir's origins reach back to the Hebrew Bible, citing Moses and Job as essential noir heroes. The stories deal with a variety of familiar topics but bring the noir perspective to bear on each: assimilation and adjustment to a new land, ethnic identity, sexism and gender roles, the Holocaust and its aftermath, the state of Israel, religious alienation, and, of course, anti-Semitism. Contributors, some Jewish and some Gentile, include S. J. Rozan, David Liss, Gary Phillips, Harlan Ellison, and Marge Piercy. Among the highlights are David Liss' Jewish Easter and Ellison's Final Shtick, both of which deal with anti-Semitic bullying in small towns; Wishnia's original translation of Yente Serdastky's A Simche, which expresses the frustration of an intelligent female immigrant in early twentieth-century New York; and Jason Starr's All Other Nights, about child sexual abuse in the Orthodox community. A fine anthology, true to both the noir frame and the Jewish theme.--Bibel, Barbara Copyright 2015 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.

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Review by Publisher's Weekly Review

The 33 stories in this uneven anthology, most of them original to this volume, exemplify the editor's claim that "practically anything" can be Jewish noir. For example, Adam D. Fisher's brief "Her Daughter's Bat Mitzvah: A Mother Talks to the Rabbi" is simply an extended kvetch. Wishnia (The Fifth Servant) does include some gems that better fit the typical noir label, such as Charles Ardai's "Who Shall Live and Who Shall Die," which places a synagogue's congregation in a horrifying moral dilemma during Yom Kippur. In "The Flowers of Shanghai," S.J. Rozan powerfully describes a woman's struggle to reconcile survival with morality in a Chinese city under Japanese occupation during WWII. Travis Richardson's "Quack and Dwight" succeeds in getting the reader to empathize with a character acting immorally. The high point is B.K. Stevens's "Living Underwater," which starts as a biting satire of the state of higher education, but gets much, much darker. Other contributors include Harlan Ellison, Eddie Muller, Marge Piercy, Jonathan Santlofer, Jason Starr, and David Zeltserman. (Oct.) © Copyright PWxyz, LLC. All rights reserved.

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Review by Library Journal Review

Short story collections of noir fiction have become extremely popular, particularly those published by Akashic. With contributions from Marge Piercy, S.J. Rozan, -Stephen Jay Schwartz, and others, this compilation examines the noir side of Jewish ethnicity, primarily in the United States. Children are bullied for their religion on school playgrounds. Sexual predators among the Jewish clergy are unmasked and punished. In Heywood Gould's "Everything Is Bashert," when a rabbi uses Gematria-an ancient system of numerology-at the race track, he wins an enormous trifecta, but his loss is even greater. The Jewish mob is not ignored but neither are the scars of the Holocaust. Each selection is a small treasure of angst, revenge, and often evil. Eddie Muller's "Doc's Oscar" examines the McCarthy-era blacklist in Hollywood. Jonathan Santlofer's "The Golem of Jericho" allows the ancient tale to become reality for a small boy whose grandfather uses his knowledge of history to protect him. In Alan Gordon's "The Drop," a man takes on drug dealers to avenge the death of his brother, while Rozan's "Flowers of Shanghai" explores the miseries of the World War II Shanghai ghetto. Verdict Every reader will have his or her favorites, but this anthology is heartrending and spine-chilling in its entirety.-Andrea Kempf, formerly with -Johnson Cty. Community Coll. Lib., Overland Park, KS © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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