Living pictures

Polina Barskova

Book - 2022

"The prolonged German siege of Leningrad during the Second World War was among the most destructive sieges in history, leading to mass starvation and well over a million deaths. The contemporary Russian poet and scholar Polina Barskova, born in Leningrad, has done extensive research on the siege in archives in St. Petersburg, research that has borne fruit in Living Pictures, an extraordinary dramatization of life under the most extreme of circumstances. In the remarkable title piece of the collection, set in the winter of 1941 and 1942, Mosej and Antonina, a young couple who work in the Hermitage, refuse to take shelter underground, remaining instead in the grand galleries of the palatial museum. Their experience begins almost as a lar...k, as they recite poetry, perform tableaux vivants based on Rembrandt paintings, and retell the story of the Snow Queen. Inevitably, however, cold and hunger take over, and as they do the two characters fall silent, or rather, their imagined voices are replaced by documented voices of the siege, as if the reader had tuned into a ghostly radio channel. Living Pictures is an uncanny and poignant masterpiece in which Barskova brilliantly explores the vertiginous divide between individual suffering and recorded history"--

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Subjects
Genres
Historical fiction
Short stories
Published
New York, NY : New York Review Books [2022]
Language
English
Russian
Main Author
Polina Barskova (author)
Other Authors
Catherine Ciepiela (translator), Eugene Ostashevsky (writer of introduction)
Physical Description
xv, 171 pages ; 21 cm
ISBN
9781681376592
  • Eaststrangement
  • The forgiver
  • A gallery
  • Modern talking
  • Ulianova in August
  • Brothers and the Brothers Druskin
  • Persephone's grove
  • Hair sticks
  • Sestroretsk, Komarovo
  • Dona Flor and her grandmother
  • Reaper of leaves
  • Living pictures.
Review by Publisher's Weekly Review

Poet Barskova (This Lamentable City) delivers a haunting and magnificent debut fiction collection rooted in Leningrad. Drawing on her own experiences as a Leningrad-born immigrant and secret diaries and journals kept by Leningraders, she juxtaposes their memories with suppositions about them, memorializing the WWII siege of the city and its aftermath in emotionally acute prose. "The Forgiver" focuses on Dmitry Maximov, a literature professor whose poems could only be published abroad, while "Hair Sticks" features Marina Malich, wife of the writer Daniil Kharms, who fled the U.S.S.R. for Germany and Venezuela after the Leningrad blockade. Interspersed with these partly historical, partly imagined accounts of the blockade's survivors are stories of Barskova's own Leningrad childhood, painful love affairs, and adulthood in the U.S. "A Gallery" narrates a naturalization ceremony in Lowell, Mass., and "Dona Flor and Her Grandmother" profiles a grandmother who tried to teach the narrator "the secrets of ruling the feckless male heart," not knowing that the boyfriend Barskova was mourning hadn't left her but was killed in a car accident. This beautiful attempt to reconstruct the lives of the lost, blended with an account of a new life built from the rubble, deserves a wide readership. (Sept.)

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