Stopping by woods on a snowy evening

Robert Frost, 1874-1963

Book - 2022

"Whether memorized by schoolchildren or used to eulogize a president, 'Stopping by Woods on a Snowy Evening,' written in 1922 and published in 1923, has found a place as one of the best-loved and best-known American poems of the last hundred years. Now, six decades after the passing of its author, Robert Frost, celebrated artist P.J. Lynch brings this classic to new life with exquisitely detailed illustrations, evoking its iconic moments and wintry setting on the outskirts of a small village."--

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Subjects
Genres
Juvenile works
Picture books
Poetry
Nature poetry
Published
Somerville, Massachusetts : Candlewick Press 2022.
Language
English
Main Author
Robert Frost, 1874-1963 (-)
Other Authors
Patrick James Lynch (illustrator)
Edition
First US edition
Physical Description
1 volume (unpaged) : color illustrations ; 27 x 29 cm
Audience
2-9 years.
ISBN
9781536229141
Contents unavailable.
Review by Publisher's Weekly Review

Lynch illustrates Robert Frost's classic poem with moody, snow-filled watercolor and gouache landscapes. As the book opens, a lone, white-presenting human figure astride a gray horse stops mid-path to look upon the edge of woods filled with coniferous and deciduous trees ("Whose woods these are I think I know./ His house is in the village though"). The lines generally continue two per spread, but pause with a close-up of the subject, pictured with blond tendrils escaping beneath a broad-brimmed hat while crystalline flakes cascade. A tender moment with the horse, whose breath is visible in the apparent cold, brings coziness to otherwise frigid, largely solitary scenes. Later, as the verse slows, imagery shows the skirt- and boot-clad rider relishing the snowy surrounds. Rendered in a palette of blues and greens, Lynch's illustrations artfully match the quiet, building depth of Frost's work. Ages 4--8. (Nov.)

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Review by School Library Journal Review

Gr 1--4--Frost's iconic poem is brought to life through luminous illustrations. Students sometimes struggle with poetic language, but Lynch has done a marvelous job slowing the pace of the poem down by spreading its text out in small pieces and augmenting the rich language with illustrations, which will make it easier to absorb the sensory details so quietly evoked by the words. For those who do not have firsthand experience of a snowy evening on horseback, large spreads transport readers to scenes of snow and moonlight. By using dramatic lighting, close-ups of both rider and her anxious horse, along with highly effective page turns, the drama of a wintry evening and the quiet beauty of the woods is masterfully depicted. VERDICT Featuring a brave child taking the journey through the woods, this is a gorgeous rendering that will bring the poem to life for a new generation and even encourage young poets to stop and notice their world with a lyrical, illustrative lens.--John Scott

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Review by Horn Book Review

In this handsomely illustrated and designed book, a jolly white-bearded man in red plaid carries in his sleigh gifts of food for forest animals. This added element--as well as a certain homely sentimentality--seem incongruous with the poet's essential reticence. This edition features a smaller format, three new spreads, and more detail and color than the original book. From HORN BOOK Spring 2002, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A picture-book adaptation of Frost's pensive poem. Its four rhyming quatrains are divided into six couplets interleaved with several wordless double spreads; the last four lines each appear on a separate page. Notably, Lynch visually subverts several of the poem's customary narrative interpretations, depicting a young, light-skinned rider astride a dappled gray horse. While the poem's line "He gives his harness bells a shake" implies a horse-drawn wagon, Lynch supplies a bell-trimmed bridle instead. Such innovations shift the poem's authorial voice away from that of the venerable poet, adding a fresh layer of mystery to the purpose of this traveler's journey. The narrator's clothing, suggestive of the late 19th or early 20th century, includes a long dress, a belted jacket, a sturdy, wide-brimmed hat, and thick work gloves; a bedroll is stowed behind the saddle. Where the poem mildly personifies the horse, who "must think it queer / To stop without a farmhouse near," Lynch depicts the dismounted rider fondly cradling the animal's head as twin puffs of breath exit his nostrils. Belying this "darkest evening of the year," Lynch illuminates the blue-grays of snow-laden conifers and frozen lake with a pallid gold winter sunset and a fleeting moon. Variable perspective--from bird's-eye to close-up--bestows a quasi-cinematic sense as the coming dawn draws the rider's furtive look. Endpapers bracket the journey, from twilit village to sunup, horse and rider long gone. (This book was reviewed digitally.) Lovely pictures newly elucidate this renowned, euphonious work. (Picture book/poetry. 5-10) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Whose woods these are I think I know. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. The only other sounds the sweep Of easy wind and downy flake. The woods are lovely, dark, and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Excerpted from Stopping by Woods on a Snowy Evening by Robert Frost All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.