How to turn into a bird

María José Ferrada, 1977-

Book - 2022

"After years of hard work in a factory outside of Santiago, Chile, Ramón accepts a peculiar job: to look after a Coca-Cola billboard located by the highway. And it doesn't take long for Ramón to make an even more peculiar decision: to make the billboard his new home. Twelve-year-old Miguel is enchanted by his uncle's unusual living arrangement, but the neighborhood is buzzing with gossip, declaring Ramón a madman bringing shame to the community. As he visits his uncle above it all, Miguel comes to see a different perspective, and finds himself wondering what he believes-has his uncle lost his mind, as everyone says? Is madness-and the need for freedom-contagious? Or is Ramón the only one who can see things as they really ...are, finding a deeper meaning in a life they can't understand from the ground? When a local boy disappears, tensions erupt and forgotten memories come to the surface. And Miguel, no longer perched in the billboard with his uncle, witnesses the reality on the ground: a society that, in the name of peace, is not afraid to use violence. With sharp humor and a deep understanding of a child's mind, How to Turn Into a Bird is a powerful tale of coming-of-age, loss of innocence, and shifting perspectives that asks us: how far outside of our lives must we go to really see things clearly?"--

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Subjects
Genres
Psychological fiction
Bildungsromans
Novels
Published
Portland, Oregon : Tin House [2022]
Language
English
Spanish
Main Author
María José Ferrada, 1977- (author)
Other Authors
Beth Bryer, 1986- (translator)
Physical Description
216 pages ; 19 cm
ISBN
9781953534460
Contents unavailable.
Review by Publisher's Weekly Review

Chilean writer Ferrada (How to Order the Universe) delivers an enchanting story of a 30-something man who makes his home behind a billboard. After Ramon secures a job overseeing construction of a Coca-Cola sign, he builds a "ramshackle nest" on the platform. Residents of the labyrinthine housing complex below think he's gone mad, but his 12-year-old nephew Miguel, who narrates, remains enamored of Ramon's eccentricities and makes frequent visits. Trouble ensues when the Annual Children's Day celebration is invaded by a motley group of rock-throwing children from the nearby mud shanties. They're run off by the residents, but tensions rise when the kids return with a grandfatherly old man whom the residents call the "Bag Man," who was supposed to move into the complex but opted to live on the streets instead. Before the end, Ramon and his billboard are drawn into the escalating violence. Miguel's perceptive and sympathetic view of iconoclasts like Ramon and the Bag Man makes him an indelible child narrator. As in Ferrada's past work, this one has much to say on themes of acceptance, conformity, and societal expectations. (Dec.)

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Review by Library Journal Review

In Ferrada's second adult novel to be translated into English (after How To Order the Universe), Ramón accepts an offer to monitor the lights of a Coca-Cola billboard and sets up a living space inside it, with all the comforts of home--even running water and electricity. In contrast to the noisy apartment complex where he lived with his wife Paulina, this abode caters to Ramón's desire for solitude and need for distance from humanity. The dismayed community, however, considers it an eyesore. When a child goes missing, they blame Ramón, dismantle the house, and burn it down, after which Ramón vanishes. The narration by Ramón's 12-year-old nephew Miguel, who makes several visits to the billboard dwelling, provides remarkable insight into the psychology of the youth, as one might expect from the widely known Ferrada's reputation as an author of many children's books in her native Chile. The story explores not only the bonding between Miguel and Ramón, as the latter becomes the former's friend and teacher, but also the relationships between Miguel and his mother and aunt. VERDICT The escapist scenario may remind readers of Italo Calvino's The Baron in the Trees, and the theme of the value and place of nonconformity in today's society will ring true.--Lawrence Olszewski

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