Punk paradox A memoir

Greg Graffin

Book - 2022

"A historical memoir and cultural criticism of punk rock's evolution, by the legendary singer-songwriter of Bad Religion. Greg Graffin is the lead vocalist and songwriter of Bad Religion, recently described as "America's most significant punk band." Since its inception in Los Angeles in 1980, Bad Religion has produced 18 studio albums, become a long-running global touring powerhouse, and has established a durable legacy as one of the most influential punk rock bands of all time. Punk Paradox is Graffin's life narrative before and during L.A. punk's early years, detailing his observations on the genre's explosive growth and his band's steady rise in importance. The book begins by exploring Graffin...'s Midwestern roots and his life-changing move to Southern California in the mid-'70s. Swept up into the burgeoning punk scene in the exhilarating and often-violent streets of Los Angeles, Graffin and his friends formed Bad Religion, built a fanbase, and became a touring institution. All these activities took place in parallel with Graffin's never ceasing quest for intellectual enlightenment. Despite the demands of global tours, recording sessions, and dedication to songwriting, the author also balanced a budding academic career. In so doing, he managed to reconcile an improbable double-life as an iconic punk rock front man and University Lecturer in evolution. Graffin's unique experiences mirror the paradoxical elements that define the punk genre--the pop influence, the quest for society's betterment, music's unifying power--all of which are prime ingredients in its surprising endurance. Fittingly, this book argues against the traditional narrative of the popular perception of punk. As Bad Religion changed from year to year, the spirit of punk--and its sonic significance--lived on while Graffin was ever willing to challenge convention, debunk mythology, and liberate listeners from the chains of indoctrination. As insightful as it is exciting, this thought-provoking memoir provides both a fly on the wall history of the punk scene and astute commentary on its endurance and evolution."--

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Subjects
Genres
Biographies
Autobiographies
Published
New York : Hachette Books 2022.
Language
English
Main Author
Greg Graffin (author)
Edition
First edition
Physical Description
vi, 361 pages, 16 unnumbered pages of plates : illustrations (black and white) ; 24 cm
ISBN
9780306924583
  • Section 1.
  • 1. Introduction
  • 2. Professors' Kids
  • 3. Divorce
  • 4. Musician Ignition
  • 5. The Deep Origins of Bad Religion
  • 6. Prog Religion and Politics
  • 7. Transcontinental Journey
  • 8. La Proved Too Much for the Man
  • 8a. A Woman's Place
  • Section 2.
  • 9. The Morning After ...
  • 10. Juvenile Debauchery '80-'82
  • 11. Looking for Bad Religion
  • 12. Genesis
  • 13. Not Boyfriend Material
  • 14. Poetry of Punk and Making the Scene
  • 15. Into the Unknown
  • 16. Academics and Punk
  • 17. The Manufacture of Dissent
  • 18. Intellectual Transitioning
  • 19. The Path to Suffer
  • 20. Moving
  • Section 3.
  • 21. Upping the Game
  • 22. Europe
  • 23. From DIY to Collaborative Enterprise
  • 24. The Big Sellout
  • 24a. Withdrawal
  • 24b. The Two Cultures
  • 24c. Selling Out
  • 25. Music Business Formal Legitimacy
  • 26. Adjustments and Strains
  • 27. The Crumbling
  • 27a. Stranger than Fiction
  • 27b. Domestic Life, Artistic Strife
  • 27c. The Phone Call
  • 27d. Brian the Solution
  • 27e. Divorce Aversion
  • 27f. That New York Thing-The Gray Race
  • 27g. Ithaca-No Substance
  • 28. Rebuilding
  • 28a. The New America
  • 28b. Blink
  • 28c. Enlightenment
  • 29. Paradox and Legacy
  • Epilogue
  • Acknowledgments
Review by Booklist Review

Graffin, lead singer of the influential punk band Bad Religion, begins his life story in a household with two professional academics as parents in the Milwaukee suburbs that he affectionately dubs Graffin U. As his enthusiasm for music takes hold, the homestead is split by divorce and a move to Los Angeles. In the drab San Fernando Valley, Graffin finds creative openness and talented cohorts within in the burgeoning punk scene of the early 1980s. With equally musically inclined friends and a poorly ventilated garage, Bad Religion is formed. Straddling a drive for academic research in evolutionary biology and being the front man for his new and steadily more influential band is the crux of this thoughtful, deeply personal memoir. His descriptions of the natural world in relation to his emotional growth is as compelling as it is astute, and Graffin is passionate in his reminiscences of a time when punk rock was not distorted with the often deserved stereotype of violence and anger. Readers will discover a trove of insights into the music industry and living creatively.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Graffin (Population Wars), singer of the punk group Bad Religion, explores the underside of punk rock's chaotic surface in this scattershot memoir. He recounts a wholesome Wisconsin boyhood followed by an anxious California adolescence spent in the L.A. punk scene of the early 1980s; the band's success as a venerable touring group; and the development of his side gig teaching evolutionary biology, first at UCLA and then Cornell. Graffin's narrative is not the typical punk confessional. He laments the "nihilistic, ugly and artless" culture of brawling and drug abuse, celebrates Bad Religion's maturation into a well-oiled business, and wonders where he fits in with his contemporaries. But Graffin's long-winded ruminations on punk humanism can be stilted: "The humanity in our lyrics found resonance with the embodiment of the enlightenment quest that seems to be in the DNA of all Europeans, but particularly those who call themselves punks," for instance. And his prose comes alive only when describing the very excesses he deplores. ("Nearly every slam pit had devolved into a disjointed jumble of drunk or speeded-out former jocks randomly bumping into or tackling one another.") This account of punk's evolution mutes the sound and fury of the scene. Agent: Matthew Elblonk, DeFiore & Co. (Nov.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Graffin recalls his nearly singular double life as a singer/songwriter and an academic. The son of two university-level educators, he begins with his childhood and emphasizes the disturbing, confusing, and wrenching effects of his parents' divorce on him. The author moves to the early 1980s in Southern California, where he and his teenage friends formed the hardcore punk band, Bad Religion, which grafted Graffin's socially conscious lyrics onto the buzz-saw attack of L.A. punk. Eschewing the violent, drug-filled punk lifestyle, Graffin both persisted with Bad Religion amid changing personnel and an increasingly poppy, harmony-heavy sound and forged ahead with his academic pursuits. By the '90s, Graffin temporarily quit graduate school and went through a painful divorce, when he encountered the nonstop, crushing commitments of commercial success with Bad Religion, which signed to a major label and climbed the charts alongside such power-pop punkers as Green Day and Blink-182. He concludes with his continued role as a singer/lyricist in the long-lasting Bad Religion and his university-level teaching after earning a PhD in zoology. VERDICT The hard-driven Gaffin compellingly and eloquently describes the rewards and pitfalls of a career as successful musician and academic that will fascinate general readers.--Dr. Dave Szatmary

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

The songwriter, lead singer, and sole constant member of the iconic punk band Bad Religion delivers a well-crafted memoir and manifesto. "Formidable we were not," writes Graffin. "But something was shared among all punk rockers outside of Hollywood: we were hated." That hatred bonded those late-1970s--era kids in a torn-jeans, leather-jacketed united front against the yuppies, surf Nazis, and police officers who hunted for them. It also provided Graffin with both material and inspiration that informed Bad Religion, which he formed in 1980. The author was no ordinary punker, however: He took time off from the band to go to college and graduate school, though he did delay his doctorate in paleontology by going out on tour. Now a professor of evolution at Cornell as well as a working musician and author of Population Wars and Anarchy Evolution, Graffin takes a decidedly Darwinian view about business. "Never reveal to your competition what your true talent is," he writes, "until that moment when you really need it to prove your superiority and leave the others dumbfounded and defeated, realizing that they had been victims of their own hubris, that you had been toying with them all along." That ethos served him well when he took his young band out on the road, learning along the way that punk rockers created punk rock more than the other way around and that the genre was a wonderful expression of angst and discontentment channeled into something better than drugs or alcohol. Unusually, Graffin expresses solidarity with the hippies who preceded (and were reviled by) the punks, and he even has sympathetic words for the hair metal bands of Sunset Strip, who never got beaten up by the LAPD as much as the punks did. An entertaining, memorable look at "the most intractable paradox of all: punk as a positive force in society." Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.