To the realization of perfect helplessness

Robin Coste Lewis

Book - 2022

"From the National-Book-Award-winning poet who changed the way we see the Black female figure, a continuation of that journey in a genre-bending coming together of poem and photography, toward a new definition of human migration. Twenty-five years ago, after her grandmother's death, Robin Coste Lewis discovered a stunning collection of photographs under her bed. The poetry that she marries to these vivid daily images of 20th-century Black joy and survival ("I am trying / to make the gods / happy,"; "I am trying / to make the dead / clap and shout") stands forth as an alternative to the usual way we frame the story of "race" and "the great migration"-as she puts it, "all those other clev...er ways we've created not to talk about Black culture." Communing with the engaging photographic vernacular of her particular family, to be revealed on black pages with white type, Lewis quite literally reverses all expectations. In her words, she makes a private documentary public; she tries to "get out of my own historical and national aesthetic habits (e.g., never cue a gospel choir; never cue a noble slave; always worship darkness)" and to liberate the photographs of Black life "from colonial nostalgia-to reframe them with a kind of exalted existentialism. Not surprisingly, it was poetry that brought the keys.""--

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2nd Floor 811.6/Lewis Due Dec 13, 2025
Subjects
Genres
Poetry
Published
New York : Alfred A. Knopf 2022.
Language
English
Main Author
Robin Coste Lewis (author)
Edition
First Edition
Item Description
"This is a Borzoi book"--Colophon.
Physical Description
384 pages : illustrations ; 24 cm
ISBN
9781524732585
Contents unavailable.
Review by Publisher's Weekly Review

After her maternal grandmother's death 25 years ago, Lewis (Voyage of the Sable Venus) discovered a collection of vintage photographs capturing quotidian early 20th-century Black life in an old suitcase under her grandmother's bed. Lewis weaves a documentary poetic work out of them, what she calls "an exalted Black privacy" that brings to life her ancestors, "to make the dead/ clap and shout." Evident from the opening pages, one of the central interests of this exceptional collection is migration: "Signs and marks/ and nothing/ with which to apprentice them.// Evolution--/ the migration/ of imagination--// the image just/ illusion: a profound, prehistoric/ technology of leaving." The pairing of photographs and text expand existing notions of how any single artistic medium or form can capture the nuances of race, family, and history. Shining with Lewis's trademark lyricism and fueled by resonant and inspired juxtapositions, this exquisite book makes an impact worth sharing widely and rereading. (Dec.)

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Review by Library Journal Review

Author of the National Book Award--winning, multi-best-booked Voyage of the Sable Venus, Lewis blends word and image as she rethinks our understanding of race, U.S. history, and the Great Migration by way of photographs she recently discovered belonging to her later maternal grandmother.

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