Finally seen

Kelly Yang

Book - 2023

When ten-year-old Lina Gao leaves China to live with her parents and sister, after five years apart, she must reckon with her hurt, anger, and curiosity and find a way to get her bearings in this new country--and the almost-new family that comes along with it.

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jFICTION/Yang Kelly
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Children's Room jFICTION/Yang Kelly Due Nov 12, 2024
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Subjects
Genres
Bildungsromans
Domestic fiction
Novels
Published
New York : Simon & Schuster Books for Young Readers [2023]
Language
English
Main Author
Kelly Yang (author)
Edition
First edition
Physical Description
298 pages ; 22 cm
Audience
Ages 8-12.
Grades 4-6.
ISBN
9781534488335
9781534488342
Contents unavailable.
Review by Booklist Review

Lina was five years old when her parents and two-year-old sister moved from China to America, leaving Lina with her beloved grandmother. For five years, Lina has wondered why she was left behind. Now she is flying to Los Angeles to grow up with her sister and her parents. Confused by the disconnect between her dreams of America and the reality of her family's poverty, she helps her mother make and sell items in hopes of avoiding eviction from their small apartment. Lina feels guilty about leaving her aging grandmother, and she avoids speaking English at school for fear of ridicule. But after she begins to accept help from others, Lina discovers allies, learns to express her emotions through words and pictures, and even finds the courage to speak up before the school board when a wealthy parent seeks to ban a book by a Chinese American writer. In this involving, realistic chapter book, a likable character overcomes a series of obstacles while forging strong connections with her parents, her sister, and two friends. Yang, the author of Front Desk (2018), writes with a beguiling combination of clarity, simplicity, and immediacy in a new story exploring the practical and emotional challenges of immigration as experienced by children.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Five years after her parents left her in Beijing with her maternal grandparents, Lina Gao eagerly awaits being reunited in America, where she'll be starting the fifth grade. Though she's sad to leave her beloved Lao Lao behind, she's enthusiastic about what she perceives as the American dream: endless Frappuccinos and saying "I love you" all the time without embarrassment. But American life isn't how her parents have described it in letters. The two-story house she's been told about is actually an apartment, its back rent looming ever since the pandemic closed the salon that employed her mother. To make ends meet, Lina's mom sells bath bombs online, while her father works long hours for an irritable, xenophobic farmer who engages in shady business practices. As Lina attempts to adapt, facing bullying at school, she finds solace in the form of an encouraging teacher, new friends, and the school library. And gradually, when a class book selection that resonates deeply with Lina is challenged, her growing confidence develops into a tool she can use to speak out. In a thematically wide-ranging, character-driven novel, Yang (Front Desk) highlights the importance of representation alongside one child's experience of navigating a complex reality. Ages 8--12. Agent: Tina Dubois, ICM Partners. (Feb.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Horn Book Review

This contemporary immigrant tale follows a Beijing girl as she reunites with her parents and younger sister in California after five years of separation. Lina Gao, ten, thinks that her father is a successful microbiologist who owns a big house. -Reality kicks in when the fifth grader discovers that her father is a farm worker, the family lives in a cramped apartment, and her mother sells bath bombs online in hopes of covering the back rent. Yang does a skillful job in portraying Lina's multitude of emotions. There's the sadness of leaving her grandmother behind in a Chinese nursing home and the isolation and loneliness stemming from language barriers. Issues of racism and class come up when her parents struggle to be paid fairly and to get updates on their green card applications, Lina is teased at school, and a graphic novel with an Asian American protagonist is targeted for censorship. The most poignant scenes occur as Lina slowly removes the "invisible thread" that prevents her from freely expressing herself, especially when ESL teacher Mrs. Ortiz tells her that even though immigrants are "burdened with a lot of guilt," it is important to remember that "your dreams matter. You matter. Never forget that." Michelle LeeJanuary/February 2023 p.96 (c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A Chinese girl moves to America to be reunited with her family. When she was 5, Lina's parents and baby sister left her in Beijing with her grandmother. Now she arrives in Southern California as a 10-year-old stranger to her own family. And what of the American dream? Her scientist father toils (sans green card) for a villainous, bigoted organic farmer, while her mother, unemployed since the pandemic put the nail salon where she worked out of business, makes bath bombs to sell online. They live in a one-bedroom apartment whose back rent is due in six weeks. Why isn't Lina in any of the pictures displayed in their home? School is worse. Bullied by mean girls for her English, she vows never to speak again. But with the help of her ELL teacher, the school librarian, and a new friend, Lina begins to find her confidence and her voice through reading. Yang covers a lot of ground, from immigrant experiences and socio-economic inequities to climate change and middle school angst. The plotline that really stands out, however, is when Lina discovers that books can comfort the struggling, link people together, and create changes both internal and external. This theme propels the action through the book's satisfying climax when she must decide whether to use her voice to stop a book that she loves from being banned in her classroom. Timely and pointed. (Fiction. 8-12) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1 Chapter 1 I listen to the quiet hum of the plane and the not-so-quiet flutter of my heart in my chest. This is it. Another six hours and I will finally see my parents and my sister again! I try to picture Mom's and Dad's faces when I land. Except I keep picturing Marge and Homer Simpson. Only Asian. With shorter hair. And a less smart Lisa. (Hopefully.) I guess that's what happens when you haven't seen your family in five years (and you've watched a lot of subtitled Simpsons ). I was starting to give up on the whole going-to-America thing, until my mom called six weeks ago. "Lao Lao told me you're doing your middle school applications," Mom said. "And you're writing an essay on your parents being in America?" I nodded, coiling the phone cord around my fingers. "Is that not a good topic?" I asked. "No...," she said, "it's just... what are you going to say?" I shrugged. I like writing, but not as much as I like drawing pictures. But art's a sure way to get kicked out of any school in Beijing, let alone Beijing Normal Middle School #3, where I was applying. It was my aunt Jing's middle school. She now has a fancy tech job in Shenzhen. She says there's no future for artists in China. Beijing Normal would get the art out of me... and turn me into a steady workhorse. Just like her. "Well?" Mom asked. I felt a rush of heat spread across my forehead. Here was my chance to tell her how I really felt about being left behind all these years. I was only five years old when she left. I thought she was going on a work trip. I didn't even understand. Most of all, how could she take Millie, my baby sister, and not me? My sister got to grow up with my parents. Me? I grew up with postcards from my parents. But as usual, my voice was locked in the chamber of my throat. There are things I don't want to tell anyone, well, except Lao Lao. My grandmother, Lao Lao, is my moon and my Wilson. Like the volleyball in Cast Away (another movie I binged), she is my companion in my waiting city. That's what Beijing feels like, just me and Lao Lao waiting. It used to be me, Lao Lao, and Lao Ye. But last year, when Lao Ye passed away... our trio of tea leaves went down to two. Now I am Lao Lao's human alarm clock (I wake her up every day at 6 a.m.), dumpling steamer, pu'er brewer, flower waterer, and medicine fetcher. I know how much she needs me. I'm all she's got left. Which is why some feelings are too hard to even tell her. Instead, I catch them and tuck them behind my cheek. Lao Lao says that's the way to succeed in China. Every morning, Lao Lao reminds me: go to school, make your parents proud, and watch your words, lest they label you a bad apple. She grew up in the era of the Cultural Revolution, and her father was thrown in jail for being a "bad apple." Even though that was a long time ago, the memory of it never really left. She's always telling me to sew up half my mouth. I imagine an invisible thread running along my mouth, my lips stitched like a sock. But the thing about some feelings is... they just won't go away. Instead, they form a tight ball at the base of my throat. Where they sit and they wait, planning their escape from the thread. And one day, just when you least expect it, they shoot out like a rocket. That's exactly what happened that rainy Beijing spring day when Mom called. "Do you really want to go to Beijing Normal #3?" Mom asked. I looked over at my lao lao, craning her head eagerly to catch snippets of our conversation. She put her knitting needles down, massaging her hand. Her arthritis had gotten so much worse since Lao Ye passed, she could hardly keep knitting. The doctors in China had warned her that this day would come. They told her to do more acupuncture, to get out and exercise. But Lao Lao was born in the Year of the Ox. She does not like anyone telling her what to do. I turned away from Lao Lao, held the phone close to my face, and cupped a hand around my mouth. "No," I whispered. "I want to go to school in America. Please, Mama. I want to come." And with that, I chose my future over my past. A hand on my arm pushes me awake. "Lina Gao?" the flight attendant asks. I rub my eyes awake. She smiles and says to me in Chinese, "We're moving you up to first class. So you can get out first when we land!" I blink in confusion. I reach for my sketch pad. I was in the middle of working on a sketch of Lao Lao gardening, but as I look up, my eyes nearly pop when I see the flight tracker on the screen. We're almost there ! "Your escort will be waiting as soon as we get to LAX to take you to your parents." I leap up from my seat. Let's gooooo!!! I follow the flight attendant up the long aisle to first class, staring at all the people stretched out in beds with their noise-canceling headphones and cotton candy slippers. These are airplane apartments . I take a seat in one of the cabins and reach for the fancy first-class cotton slippers. I'm so saving these for Lao Lao. I wonder if she likes her new nursing home. I feel a tug of guilt thinking about it, but Aunt Jing said it was necessary. She and Uncle Hu both live in Shenzhen, which is about twelve hundred miles away from Beijing, and they both have 9-9-6 tech jobs. A 9-9-6 job means you work from 9 a.m. to 9 p.m. six days a week. They're the envy of the country, because they make the most money. But it also means there's no way my aunt can be a tea brewer for my lao lao. So they took me and Lao Lao to visit the nursing home. I remember the floors were very shiny, almost like you could go Rollerblading on them. I pictured a bunch of elderly folks Rollerblading, and then had to bite on my cheeks to stop myself from giggling. Because it wasn't funny. The rooms were bright, with big windows that allowed the team of nurses to look in at all times. Aunt Jing said she got Lao Lao the biggest room of all--a private room. It was the nicest room in the entire nursing home. But to Lao Lao, it was like living inside a fishbowl. She didn't like the idea at all. "No way!" she said, stomping her walking cane down on the ground. "Not happening! I am a free spirit--I need to be able to roam around the park and go to see my friends!" "They can come see you!" Aunt Jing insisted. "That's why we're putting you into a retirement home in Beijing--so your friends can come visit. Anytime!" Lao Lao has two good park friends: Chen Nai Nai, a grandma who loves to dance, and Wang Nai Nai, whose daughter is also in America. I've never seen either of them come to our house, though. "Why can't I just stay by myself?" Lao Lao asked, peeking at my aunt. "Because, Ma, your arthritis and osteoporosis, it's all getting worse. And now that Dad's gone... Frankly, you should have gone into a retirement community a long time ago," Aunt Jing said. "But you had Lina--" "And I loved every minute of it, sweet child," Lao Lao said, patting my hand. I felt a tear escape. This was all my fault. "No, don't you cry," Lao Lao told me. She nodded to my aunt, and with a shaking hand, she signed the papers. I put my hand to the airplane window and whisper with all my heart: "I'm so sorry, Lao Lao. I promise I will find a way to bring you over. I will find a way to get you out of the waiting city, too." "Fifteen minutes to landing! " the captain announces on the speaker. I immediately grab the stash of free goodies next to the cotton candy slippers. I stuff as many as I can into my backpack. Socks, sleeping masks, you name it. I add the stash to my collection of Chinese snacks I've brought over for my (almost) new family. I've packed wheat flour cake, hawthorn flakes, pumpkin chips, and White Rabbit candies for them, hoping the candies will fill them with sweet guilt for leaving me behind. I gaze out the window at the wispy clouds. The Los Angeles houses sprawl across the land, stretching all the way to the shimmering blue sea! I've never seen the ocean before. Before Lao Ye passed, we talked about going to Beidaihe, the closest beach to Beijing. But it was always too hard, with Lao Ye's work and health. He was a magazine editor. Even after he "retired" he kept going into the office. He said working was the best way to stay young, but Lao Lao secretly suspected it was so he could keep eating lunch at his favorite fried dumpling place next to his office. My lao ye had heart disease and diabetes. He used to joke that at his age, heart disease and diabetes were like stamps in a passport--signs of a life well lived. I wish Lao Ye had had actual stamps in his passport, though, and more time to get them. But at seventy-two, he had a stroke in the taxi on his way home from work. We didn't believe it even when we were sitting in the hospital waiting area. Lao Lao and I were still talking about going to the beach and pushing Lao Ye to actually retire after this. When the doctor delivered the news, all I remember is my grandma falling to the ground, pounding the cold stone floor, crying, "You get back here, you old goat! Don't you dare leave me!" But her beloved goat was already gone. Lao Lao's voice comes burrowing into my head as the plane starts to descend. This is different. Remember, we may be six thousand miles apart, but I'm right there in your heart. Anytime you want to talk to me, just put your hand over your chest and I'll feel it, sweet child. As the turbulence jiggles my butt, I open my mouth, like I'm about to eat a gigantic baozi, the tears running down my cheeks. This is it, Lao Lao! I made it!!! We touch down at 9:58 a.m. As the plane taxis, a flight attendant comes up to me. "Are you ready?" "I'm ready!" I announce. Excerpted from Finally Seen by Kelly Yang All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.