Oscar Hammerstein II and the invention of the musical

Laurie Winer

Book - 2023

"A new look at artist Oscar Hammerstein II as a pivotal and underestimated force in the creation of modern American culture. You know his work--Show Boat, Oklahoma!, Carousel, The King and I. But you don't really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were. Diving deep into Hammerstein's life, examining his papers and his lyrics, critic Laurie Winer shows how he orchestrated a collective reimagining of America, urging it forward with a subtly progressive vision of the relationship between country and city, rich and poo...r, America and the rest of the world. His rejection of bitterness, his openness to strangers, and his optimistic humor shaped not only the musical but the American dream itself. His vision can continue to be a touchstone to this day."--Dust jacket.

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Subjects
Genres
History
Biographies
Published
New Haven ; London : Yale University Press [2023]
Language
English
Main Author
Laurie Winer (author)
Physical Description
x, 356 pages : illustrations ; 24 cm
Bibliography
Includes bibliographical references (pages 323-345) and index.
ISBN
9780300223798
  • Introduction: an unfashionable take on an unfashionable man
  • A good boy
  • Free for all
  • The invention of the musical
  • Dark decade
  • Thus the world broke open
  • The namesake
  • Don't be afraid of the dark
  • They toil not
  • You've got to be taught
  • Women's work
  • Cinderella and other myths
  • No good deed
  • A kind of profundity.
Review by Library Journal Review

Longtime theater critic/Los Angeles Review of Books founding editor Winer's exceptional research into the life and works of Oscar Hammerstein II (1895--1960) follows his evolution from optimistic lyricist to committed activist, whose works reflected his personal relationships and visions of the world. Best known for successful productions starting with the controversial Show Boat to his extraordinary collaborations with Richard Rodgers (Carousel; South Pacific; The Sound of Music), Hammerstein created the musical play in which his lyrics took precedence. Winer utilizes thousands of personal letters and interviews with those closest to Hammerstein to reveal his muses. His idealization of his mother inspired the creation of women characters who could do no wrong; they dominated his productions. His ex-wife's alleged pessimism formed his belief that a positive attitude controls one's destiny. His overwhelming love for his second wife made him (in Winer's words) "a poet of the anticipation of joy." While Hammerstein frequently failed to share profits or credit with collaborators, Winer argues that his works paved the way for civil-rights legislation, and his mentorship of a young Stephen Sondheim ensured more musical masterpieces. VERDICT Winer's exploration of Hammerstein's journey is timely, respectful, and deserving of inclusion in strong performing arts collections.--Lisa Henry

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