Mister Magic A novel

Kiersten White

Book - 2023

"Thirty years after a tragic accident shut down production of the classic children's program Mister Magic, the five surviving cast members have done their best to move on. But just as generations of cultishly devoted fans still cling to the lessons they learned from the show, the cast, known as the Circle of Friends, have spent their lives searching for the happiness they felt while they were on it. The friendship. The feeling of belonging. And the protection of Mister Magic. But with no surviving video of the show, no evidence of who directed or produced it, and no records of who-or what-the beloved host actually was, memories are all the former Circle of Friends has. Then a twist of fate brings the castmates back together at the... remote desert filming compound that feels like it's been waiting for them all this time. Even though they haven't seen each other for years, they understand one another better than anyone has since. After all, they're the only ones who hold the secret of that circle, the mystery of the magic man in his infinitely black cape, and, maybe, the answers to what really happened on that deadly last day. But as the Circle of Friends reclaim parts of their past, they begin to wonder: Are they here by choice, or have they been lured into a trap?"--

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Subjects
Genres
Suspense fiction
Thrillers (Fiction)
Paranormal fiction
Novels
Published
New York : Del Rey 2023.
Language
English
Main Author
Kiersten White (author)
Edition
First edition
Physical Description
293 pages ; 24 cm
ISBN
9780593359266
9781529199123
Contents unavailable.
Review by Booklist Review

In the popular, mid-1990s kids' show Mister Magic, the Mary Poppins/Willy Wonka/Peter Pan--like titular character used a catchy tune to teach a group of children, called the Circle of Friends, helpful lessons. They learned right from wrong while using their imaginations to play. When a cast member disappeared, the show ended abruptly after a decades-long run. Information about the show was scrubbed from the internet and no footage can be found. All that remains are rumors, legends, and conspiracy theories. Did the show really exist? Can recollections of it be trusted? When a podcaster arranges a reunion of the remaining Circle of Friends, they return to the house where their parents lived during filming. But why have they really been brought back together, and what happens when their circle is broken? As the former cast members exchange memories, they are forced to keep secrets and their loyalties are questioned. In this frightening, nostalgic, and original plot, White explores themes of racism, homophobia, and sexism. Savvy readers will devour the subtext and ponder philosophical questions about reality.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Grappling with religious trauma and childhood abuse, this suspenseful tale from White (Hide) calls to mind old-school internet creepypastas. Val leads a quiet life on a ranch with her ailing father. She has no contact with the outside world or memory of her childhood. After her father dies, strange men approach her claiming that, as kids, they were all costars on cult-classic children's show Mister Magic. Now a podcaster wants to interview them about the show, which ended after a mysterious tragedy, and all the previous cast members are invited. Even as Val slowly comes to terms with the strangeness of her lost childhood, her unexplained memory loss, the secrets kept by her possibly untrustworthy costars, and the marvels made by the theoretically CGI star of the show, Mister Magic himself, all hint at some greater, possibly supernatural conspiracy. Transcripts from fan forums interspersed throughout only enhance the ambiguity surrounding what exactly ended the show--and whether the show ever existed. These questions keep the pages flying on the way to a climax that satisfies even while not delivering typical horror action and gore. Both eerie and surprisingly heartwarming, White's examination of the perils of nostalgia is sure to win fans. Agent: Michelle Wolfson, Wolfson Literary. (Aug.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

The allure and untrustworthiness of memory and childhood experiences are deftly explored in this compelling and eerie slow burn, perfect for fans of Clay McLeod Chapman's The Remaking. Believing herself to have been kidnapped by her father at age eight, Val has lived with him in isolation in Idaho for 30 years. She has no memory of her life before and, upon her father's death, is confronted by a potential link to the unknown pieces of her past when two men show up and claim to have been her costars on the famed children's television program Mister Magic. With nothing to lose and desperate for information, Val accepts an invitation to appear on a reunion podcast for the show, which ended abruptly in the early '90s. Prose with natural tenderness and well-placed interstitial chapters that provide glimpses into both the nostalgia and a conspiracy theory will have readers simultaneously desperate for answers and fearful of what more will be revealed. VERDICT With seamless commentary on parent/child dynamics and unacknowledged trauma, this deeply personal and mesmerizing work from White (Hide) is sure to please, especially readers with '90s nostalgia.--Emily Vinci

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

One The thing is, the doors were open that morning. Val knows--­she knows, she knows--­that waking up to find both doors of their sagging cabin opened wide to the world is probably only because Dad wasn't sleeping well, and that she should tie a bell to his foot before bed tonight. Just in case. But. An open door is an invitation, she whispers to herself. And she keeps the doors to their cabin firmly closed all the time. She'll have one of the ranch hands rig up some sort of lock system, up high, where Dad won't be able to reach it. That'll fix it. She can stop worrying. She doesn't, though. She worries through the morning riding lessons, worries through lunch with the camp full of awkwardly pubescing little delights, worries through the early-­afternoon group activities, more riding, cleanup. All her favorite things--­especially the cleanup, knowing parents are paying a small fortune so their daughters can spend the week doing the chores Val hates most--­are eaten up by the worry. By late afternoon she's mostly shaken it off, though. Sometimes an open door is just an open door. It doesn't have to mean anything. One of the girls, Lola, freckled and sunburned and wonderful, raises her hand. "Miss Val?" "You know where the bathroom is," Val answers. "You don't have to ask when you need to go." It's almost time for pickup, which means she needs to get Poppy from the goat pen. The other five dusty and happy and tired campers are here with Val, finishing up in the stables. "No!" Lola giggles shyly. "It's not that. Do you have any kids?" An image flashes in Val's mind. A girl, even younger than these, her brown hair forever fighting to escape messy pigtails, with eyes so blue they break her heart. Val smiles. "Not yet, but I know there's one in my future." "How?" another camper, Hannah, asks, wrinkling her nose beneath smudged glasses. Val resists the impulse to clean them for her. Independence is part of what her camps promise, even if it means dirty glasses. Val's been running the summer programs for Gloria's Ranch since she was twenty, and they're the absolute highlight of her whole year. Val shrugs. "I've always known." "But aren't you getting too old?" Val lifts an eyebrow. Lola scowls and elbows Hannah, but Val shakes her head. "No, it's okay to ask questions. Questions are how we get to know the world. And the answer is, I'm not too old. Not yet." Her heart ticks like a clock, but she still has time. Val's belief in her blue-­eyed girl is as solid as her belief in gravity. The when and the how are questions she doesn't let herself ask. It's easy not to ask questions. Take the question, put it behind a door. Close the door. Leave nothing open. She is aware of the hypocrisy of always encouraging her students to ask questions when she denies herself the same freedom, but there's a whole door in her head just for the cognitive dissonance of Do what I say, not what I do. "Do you have a boyfriend?" Lola blurts out, and suddenly this interrogation makes sense. Lola's father finds excuses to linger at every drop-­off and pickup. "Only when I want to," Val answers. "Sometimes I have a girlfriend." Though boyfriend and girlfriend are generous terms for the relationships she allows herself to have. Still, her answer has the desired effect of rapidly changing the subject as all the girls' eyes go wide. Val can see the follow-­up questions bubbling, but they don't have time. She has to get to Poppy before--­ "Damn it," Val whispers under her breath. Poppy's mother has already pulled up in a Mercedes SUV that has about as much functionality as the designer boots she sent Poppy in for the first day. And Poppy's still in the goat pen instead of the stables. Val claps her hands. "Okay! Last one out of their barn clothes has to muck out Stormy's stall tomorrow!" The girls shriek and dart away to remove the coveralls and boots Val gives them to protect the too-­cute clothes their parents always have them wear. Val cuts across the dusty path to intercept Poppy's mom before Poppy hears what's about to happen. "Hi," Val says. She can't recall the woman's name. She never can with other adults. It's hard to care. The sunglasses come up, pushed onto carefully styled hair. "What's Poppy doing in the goat pen?" "She's working with our baby goats, Luke and Leia, training them to--­" "I'm paying you for riding lessons!" Parents always trot that out as leverage, but technically she isn't paying Val at all. Val doesn't get paid. She smiles politely. "You're paying for a week of day camp at Gloria's Ranch, which includes experiences with a variety of animals. And can include riding lessons, if the girls want that, which Poppy does not." "It's not up to her! I want her to learn how to ride!" Val resists the urge to smack the sunglasses off the woman's head. "Poppy is spending a week outside building confidence with friends and animals. Do you want me to force her into a saddle and watch her have a panic attack? Because that's not safe for Poppy or the horse." "But I'm paying--­" "No." Val cuts her off. "Look at your daughter. Right now." Poppy's perched on top of a bale of hay, expression intense with concentration as she balances next to a tiny baby goat. She gives a command, then jumps off and turns around expectantly. The goat follows. Poppy whoops in delighted triumph. "But--­" the mom says, her anger deflated in the face of Poppy's elation. "She's afraid of horses. It's a perfectly rational fear. Horses are terrifying creatures. Barrel chests and pin legs and have you seen their teeth?" The woman raises a perfect eyebrow. "It sounds like you're scared of them." "Oh, absolutely I am. I ignore it because I have to. But there's no reason for Poppy to overcome this particular fear. No one needs to ride horses. She's a remarkable little girl, and when she grows into a remarkable adult, she'll remember how her mother listened to her and helped her find other things she was good at." The woman sighs out the last of her anger. "She does look happy." "And filthy." Val wrinkles her nose. She's not even pleased that she convinced this woman she was right. It was always going to go this way. When Val sets her mind to something, it happens. The woman laughs, fully won over. "And filthy." "Poppy! Into the barn!" Val points and Poppy hops across the pen like a little goat herself. "I really wanted to buy her cute riding clothes," her mother says, wistful. Sometimes Val forgets that adults are just children with both more and less autonomy. She smiles slyly and nudges the woman with her shoulder. "You know, we have riding classes for adults, too, and you'd look fabulous in a new riding outfit." Val's rewarded with another laugh and a thoughtful glance ­toward the stables. The woman's already picking out which horse is prettiest, probably imagining owning one herself. Good for business if she stables it here. What would we do without you, Val? Gloria asks in her mind, and Val thinks back what she always does: You'll never have to find out. It tastes bitter today. Excerpted from Mister Magic: A Novel by Kiersten White All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.