What we kept to ourselves A novel

Nancy Jooyoun Kim

Book - 2023

"From the New York Times bestselling author of The Last Story of Mina Lee comes a propulsive new novel of a family that unravels when a stranger is found dead in their backyard, only to find he might hold the key to finding their mother who disappeared a year ago"--

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Subjects
Genres
Thrillers (Fiction)
Domestic fiction
Detective and mystery fiction
Novels
Published
New York : Atria Books 2023.
Language
English
Main Author
Nancy Jooyoun Kim (author)
Physical Description
400 pages ; 23 cm
ISBN
9781668004821
9781668004838
9781668043530
Contents unavailable.
Review by Booklist Review

Kim follows up her best-selling debut novel, The Last Story of Mina Lee (2020) with a slow-burner suspense tale. In 1977, newlyweds John and Sunny Kim leave Korea for California in pursuit of the ever-promising American Dream and plan to start a family. But Sunny misses her family and friends, struggles with culture shock, and is unhappy in her marriage. In 1982, Sunny is waiting at a bus stop when her water breaks, and a kind stranger helps her--a pivotal moment of awakening self-discovery. Jumping ahead to 1999, John and Sunny's daughter, Anastasia, has graduated from UC Berkeley, son Ronald is a senior in high school, and John is trying to keep his wits and family together after Sunny disappeared a year ago. After a man's body is found in the Kims' backyard holding a letter to Sunny in his hand, Ronald and Anastasia try to find out who this stranger is, what he meant to their mother, and perhaps, an explanation for their mother's disappearance. Kim's second novel is hard to put down, unique, haunting, and beautifully written, as the author slowly weaves layer upon layer in an intricate, mysterious web.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Kim follows up The Last Story of Mina Lee with an ambitious if unwieldy look at the lives of the Korean-American Kim family: patriarch John; his wife, Sunny; and their children, college-age Ana and high school senior Ronald. The action kicks off in 1999 Los Angeles, a year after Sunny has left the family with little explanation. One afternoon, John discovers a body in the family's backyard, and in the dead man's hand is a letter addressed to Sunny. Police are quick to declare the death an accident and move on, but Ana and Ronald are eager to identify the deceased and find out what linked him to their mother. Flashbacks to the 1970s flesh out John and Sunny's relationship, their early lives in Korea, and Sunny's difficulty adjusting to America when she and John arrive in Los Angeles. Kim sets a laundry list of worthy themes in her crosshairs--including racial discrimination, police corruption, and the struggles of Asian women in and out of the family--and explores them sensitively, but sometimes stumbles in wedding those themes to the novel's plot. The resulting speed bumps aren't a deal-breaker, but they make it difficult to remain engaged in the central mystery. Still, strong prose and evident passion make this worthwhile. Agent: Amy Bishop, Dystel, Goderich & Bourret. (Oct.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

The year-old disappearance of a Korean immigrant woman in Los Angeles is still a mystery to her family when a dead Black man with a letter addressed to her appears in their yard. Sunhee "Sunny" Kim did not seem like the kind of mother who would vanish without a word from the lives of her daughter, Ana, a college graduate, and her son, Ronald--but there is much about the family's situation that is, as the title of Kim's second novel suggests, hidden from view. Sunny's relationship with her husband, John, a man deeply damaged by the atrocities and dislocations of the Korean War, is far from nurturing, and the family has not recovered from the burning of their gas station during the Rodney King riots. The complicated timeline, moving between the end of 1999 and earlier periods going back to 1977, very gradually provides answers to myriad questions: Why did Sunny leave? What was her relationship to the dead homeless man, Ronald "RJ" Jones, after whom she named her son, letting her husband believe it was for Ronald Reagan? Why was RJ estranged from his daughter, Rhonda, whose quest for answers about the father she never knew becomes entwined with Ana and Ronald's? What was the exposé RJ was working on about the LAPD, where he was a janitor in the 1980s, and did he hide his evidence with Sunny, and is this why people are being mysteriously followed and murdered in the days after his death? If it sounds very complicated, it really is, and Kim doles out answers very, very slowly, spending a great deal of time reviewing and rereviewing the thoughts of each character, often having them consider stiffly phrased political questions. "While she had been speaking with Priscilla, the realization--that Ana, too, was a beneficiary of this specific system under which so many like RJ had been harmed--crept throughout her body. She had worked hard, yes, and up until high school, displayed excellence in all the subjects that centered the perspectives and accomplishments of gatekeepers (mostly, straight white men)." When answers to our questions finally come, in intense, violent scenes at the end of the book, it is a welcome relief. A potentially propulsive tale suffers from a slow reveal and too many public service announcements. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1999 With his girlfriend's T-shirt draped over his face, Ronald bathed in her favorite scent, Juniper Breeze. The perfection of that evergreen was unlike the seasonal high-school fragrance variations on American desserts--peppermint sticks and gingerbread and sugar cookies. His parents never baked; ovens were for storing pots and pans. Many of the immigrant kids, or the children of immigrants like himself, who came from predominantly Latino and Asian families, didn't have homes filled with pies or cupcakes. Yet everyone at school wanted to smell the same way, longed for the comfort of some common nostalgia, whether it belonged to them and their histories or not. But comfort to him smelled of his mother in the kitchen, her hands in plastic gloves, massaging red pepper flakes, salt, a dash of white sugar, garlic, and saeujeot into the chopped leaves of a napa cabbage. He would stand beside her at the counter, and every time she taste-tested the kimchi, she'd place a child's bite-sized portion in his mouth, careful not to deposit the scarlet paste on his face, her plastic gloves crinkled on his lips. She'd ask, "What do you think?" But nobody in America celebrated the smell of kimchi. The only non-Korean he knew who actually loved kimchi was his girlfriend Peggy, who was Filipina and stopped at the Korean market every time she was in town, where she'd load up on her favorite banchan--kkakdugi, seasoned spinach, and jangjorim. A week ago last Friday, Ronald had strummed his fingers against the warmth of Peggy's stomach, along the bottom edge of her pale pink bra with the tiniest bow between her breasts, as his mouth touched the cup of her perfect navel. At first she flinched at the coldness of his fingers, then smirked, her eyes closed in pleasure. He kissed her lips, which were smooth and small and ripe, the color of berries. They had met back in middle school in Hancock Park, where her family had lived about two to three miles away from him yet worlds apart, with its distinctive multimillion-dollar residences, formal hedges, country club, and healthy white people. But her family had fled four years ago to La Cañada for the obvious--the lack of crime and homelessness, the better schools, the serene isolation of the foothills by the Angeles National Forest, and the full amenities of neighboring Pasadena and Glendale. Her father was a doctor, and her mother, some kind of manager or administrator at the VA. And he loved her. Peggy Lee Santos. They loved each other still. Even though he could not follow her to the fancy places she would go, the private universities that she researched with her seemingly infinite hours on AOL, he would drive to the end of the world for her in his father's beat-up, ugly Eldorado. Pots and pans clattered like sad cymbals less than ten feet from his door in the kitchen where his father prepared dinner. Frustrated, Ronald pulled Peggy's T-shirt off his face and switched on his desk lamp, washing in glare the import-car posters--images of shiny modified Hondas flanked by models--around his bed. He didn't even know why he had these posters anymore. For a little while, before he could actually drive, he had been interested in cars--the speed, the acceleration, the women--but now these images, curling at the corners, functioned only as distractions to cover the emptiness of the dirty white walls. In a photo that his older sister Ana had framed for him on his desk, Ronald and his mother posed after his middle school graduation. Her face glowed as she clutched him with manicured fingers around his shoulders. She never had the time to do her nails, but she'd painted them that morning in front of her vanity. He remembered how much pride she exuded that day, but he could also sense--because he and his mother always had this way between them--her sadness over his growing up so fast. How embarrassed he had felt that day beside her, as if he was too grown to be babied by his mother. But what he would give to hold her hand now. How much they could say to each other without words, how much they knew about each other in a squeeze of the shoulder, a quiet observation of one another through an open door, a mirror, a glance. His father, on the other hand, had always been unknowable, opaque, a dull stone worn smooth by time. He didn't believe his father's claim that she was dead. There was no body. There was no proof. Ronald had the itch to log on to see if he could find Peggy or any of his friends. Although they had already made plans to meet up in Pasadena tonight, he needed an escape now. But his father always got angry when he clogged up the phone line before nine p.m. Who knew who could call the house? They should all be available--just in case. But his father never acknowledged for whom or what they had been waiting. Instead, their lives were a constant away message. His father had set the breakfast nook for dinner--paper napkins, metal chopsticks, spoons. They hadn't used the dining room table since his mother disappeared. Ronald slid onto the bench in front of the oxtail soup, the meat and bone and mu which had simmered for hours last night in a garlicky salt-and-pepper broth. Steam delicately painted the air with the rich and oily smell of gelatin and beef. Even if his father underseasoned and never bothered to brown anything, time and low heat performed most of the work. "Did you sell all the Christmas stuff at the shop?" Ronald asked. "What, the garlands?" John set his bowl of rice in front of Ronald, then winced as he bent to sit. "The poinsettias. The ones you were making such a big deal about." "Yeah, yeah. Almost gone. More come in the morning," his father said. The soup was too hot, so instead Ronald sampled the baechu kimchi that his father bought. Without his mother, no one bothered to make kimchi at home. His mother would prepare jars and jars that they'd eat from almost every night, which his sister Ana found to be repetitive and dull. Sure, Ronald craved cheeseburgers and fast food too, but Ana claimed to dislike all the spice, and she hated the chopsticks, always using a fork instead. She had to make everything some kind of protest. No wonder why she liked Berkeley. "Can I take the car out tonight?" Ronald asked. "How long?" "Couple hours." He spooned the tender meat off the knobby bones, which he discarded onto his napkin. "Your homework?" his father asked. "It's Friday." Ronald hated his father's voice--the graininess from all his years of smoking, the heaviness of the tone, the accent, which wasn't quite Korean but distinctly foreign. His sister had once explained that since their father had immigrated in the early sixties, he'd picked up his accent from speaking English with Chinese Americans, Black customers, and Jewish shopkeepers who were then prevalent in the areas of South LA where he'd worked. But whatever the reason, his father's accent always embarrassed Ronald. He was embarrassed for his father. His mother could hardly speak English, but he preferred her voice to his whenever she tried. She could play off anything through her tact and charm, her sense of humor. Her laugh, a ho, ho, ho , which she covered with her hand. "And?" his father asked. "Can I borrow the car?" Ronald said as clearly as possible. His father sucked the meat from between his teeth. "Bring the car back before midnight." His purplish lips frowned. "No drink. No smoke. No pregnant, uh, okay?" Excerpted from What We Kept to Ourselves: A Novel by Nancy Jooyoun Kim All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.