Strange Sally Diamond

Liz Nugent

Book - 2023

"Reclusive Sally Diamond causes outrage by trying to incinerate her dead father. Now she's the center of attention, not only from the hungry media and police detectives, but also a sinister voice from a past she does not remember. As she begins to discover the horrors of her early childhood, Sally steps into the world for the first time, making new friends, big decisions, and learning that people don't always mean what they say. But who is the man observing Sally from the other side of the world, and why does he call her Mary? And why does her new neighbor seem to be obsessed with her?"--

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FICTION/Nugent Liz
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Location Call Number   Status
1st Floor FICTION/Nugent Liz Due Nov 24, 2024
Subjects
Genres
Psychological fiction
Thrillers (Fiction)
Novels
Published
New York : Scout Press 2023.
Language
English
Main Author
Liz Nugent (author)
Edition
Scout Press hardcover edition
Item Description
"A novel"--Jacket.
Physical Description
312 pages ; 24 cm
ISBN
9781501189715
Contents unavailable.
Review by Booklist Review

When Sally's father tells her to put him out with the trash when he dies, she takes him literally. Now she's the center of attention and can't understand why. Sally has always been strange and reclusive, but now she is forced to live on her own, become part of society, and learn to make friends. While going through her father's belongings, she discovers more questions than answers about her own past. After she receives messages from a stranger claiming to know everything about her, Sally's life is thrown into a downward spiral. The plot is slow-moving but involving, and Sally is endearing and likable. The concept that "it takes a village to raise a child" is a driving force behind Sally's growth and provides a welcome bright spot in the darkness. Nugent writes relatable, imperfect characters, and her portrayal of Sally's neurodivergence allows a look into the struggles of daily life that most take for granted. This well-written, engaging novel isn't for the light of heart, but it will find a home with readers who thrive on intricate plotlines and character development.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Nugent (Lying in Wait) outdoes herself in this chilling exploration of her title character's pitch-black past. Ruthlessly bullied as a child in Ireland, Sally has lived a quiet life with her parents, rarely venturing outside. When her widower father dies just before her 44th birthday, Sally incinerates his body with the garbage, thinking she's honoring his wishes to "put him out with the trash." Instead, the act draws outrage from neighbors, authorities, and the media, suddenly thrusting the reclusive Sally into an unwelcome spotlight. She's always known that she was adopted, but slowly--with the aid of letters her "father" left behind, plus a series of messages from a mysterious stranger who may hail from Sally's blurry past--she comes to know the precise horrors of her backstory. Can she overcome them and learn to navigate a world she barely understands? Nugent fashions an unforgettable protagonist in Sally, and never loses sight of her characters' fundamental humanity, even as she piles on twists and steers the narrative into exceptional darkness. Inventive, addictive, and bold, this deserves a wide audience. Agent: Marianne Gunn O'Connor, Marianne Gunn O'Connor Literary. (July)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Nugent (Little Cruelties) weaves a master tale of depravity, trauma, and mental health. Sally Diamond's father, Thomas, has often joked that when he dies, Sally should just put him in the rubbish bin. When Thomas does die, Sally follows his wishes: puts him in the trash incinerator and attempts to burn his body. The police and media attention around her actions upend Sally's quiet solitary life. Subsequent letters Thomas left her to open after his death unveil a traumatic secret about Sally and her life before her parents adopted her at seven. This past trauma and Sally's untreated PTSD explain a lot about her "social deficiencies"--how Thomas referred to Sally's behavior--and why Sally, at 42, is so isolated. Angela, a friend of her adopted mother, helps Sally cope with all these changes and helps guide her to a path of healing, which Sally finds hard to stay on. Intercut with Sally's story is that of Peter, a young boy living in unusual circumstances. VERDICT How Peter and Sally interconnect is one of the disturbing twists in this deeply unsettling psychological novel. While it's not a thriller, those who like thrillers and true-crime readers would enjoy this book.--Lynnanne Pearson

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Sally Diamond is beginning to connect with the world after having lived an isolated life with her late father. Will she be able to escape the shadows of her traumatic past and their echoes in the present? Sally's father, a psychiatrist, diagnosed her as "socially deficient," so although she's 42, she's always lived with him outside the small Irish village of Carricksheedy. He'd always said that she should "put [him] out with the trash" when he dies, so when it happens, she tries to burn his body in their incinerator. In the flurry of public attention that follows, ranging from concern about Sally's ability to function on her own to outraged theories that she must have murdered her father and was trying to dispose of the evidence, a secret about Sally's past is revealed. While she'd always known she was adopted, she didn't realize that she was the child of Denise Norton, who was kidnapped at age 11 and brutalized for 14 years. By the time Denise and Sally were rescued from their captor, Denise was so traumatized that she took her own life. So in addition to coming to grips with her adoptive parents' roles--her father was the doctor treating her and Denise all those years ago, and her mother was the nurse--she also begins to process the truth about her biological parents. With the support of her therapist and her friends, Sally begins to step outside her constricted life, all the while keeping her eyes open for any sense of threat after she receives a mysterious gift in the mail. Nugent also begins to weave in flashback chapters from the perspective of a young boy being raised by a father who has a woman locked up in a single room. Between these chapters and Sally's exploration of her past, this tragic, disturbing story of generational trauma eventually unspools. Despite the grim subject matter, Sally is an appealing character--strange, yes, but also engagingly literal. Nugent hits exactly the right tone of empathy and optimism, but she can't fully banish the darkness. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1 1 "Put me out with the trash," he said regularly. "When I die, put me out with the trash. I'll be dead, so I won't know any different. You'll be crying your eyes out," and he would laugh and I'd laugh too because we both knew that I wouldn't be crying my eyes out. I never cry. When the time came, on Wednesday, 29th November 2017, I followed his instructions. He was small and frail and eighty-two years old by then, so it was easy to get him into one large garden garbage bag. It was a month since he'd been up and about. "No doctors," he said. "I know what they're like." And he did, because he was a doctor, of psychiatry. He was still able to write prescriptions though and would send me to Roscommon to get those filled out. I didn't kill him; it wasn't like that. I brought him in tea that morning and he was cold in his bed. Eyes closed, thank God. I hate it on those TV dramas when corpses stare up at the detective inspector. Maybe you only have your eyes open if you've been murdered? "Dad?" I said, though I knew he was gone. I sat on the end of the bed, took the lid off his plastic spouted cup, and drank the tea, missing the sugar I put in mine. I checked his pulse first, but I could tell by the waxiness of his skin. Only, waxy isn't the right word. It was more like... his skin didn't belong to him anymore, or he didn't belong to it. Dragging the garbage bag across the yard to the barn was hard. The ground was frosted, so I had to heave the bag up onto my shoulder every few minutes so that it wouldn't rip. Once a month, when he was well, Dad would empty the garbage into the incinerator. He refused to pay the garbage bill and we lived in such a secluded spot that the council didn't chase us about it. I knew that corpses decomposed and began to rot and smell, so I carefully placed the bag into the incinerator barrel. I splashed some petrol over the top and set it going. I didn't stay to hear it burn. He was no longer he; it was a body, an "it," in a domestic incinerator beside a barn in a field beside a house at the end of a lane, off a minor road. Sometimes, when describing where we lived over the phone, Dad would say, "I'm off the middle of nowhere. If you go to the middle of nowhere and then take a left, a right, another left until you come to a roundabout, take the second exit." He didn't like visitors. Apart from our doctor, Angela, we had callers maybe once every two years since Mum died. The last few fixed the car or installed a computer, and then a few years later, another man came and gave Dad the internet and a newer computer, and the last one came to improve our broadband. I stayed in my room on those occasions. He never offered to teach me how to use the computer, but explained all the things it could do. I watched enough television to know what computers could do. They could bomb countries. They could spy on people. They could do brain surgery. They could reunite old friends and enemies and solve crimes. But I didn't want to do any of those things. Television was what I liked, documentaries, nature and history programs, and I loved dramas, fantasy ones set in the future or Victorian ones set in great houses and with beautiful dresses, and even the modern ones. I liked watching people with their exciting lives, their passionate love affairs, their unhappy families, and their dark secrets. It's ironic, I suppose, because I didn't like people in real life. Most people. I preferred to stay at home. Dad understood that. School had been horrendous. I went to all the classes, tried to avoid other girls, and went straight home afterward. They said I was autistic, even though my psychiatrist dad had told me I definitely wasn't. I joined no clubs or societies, despite Mum's pleading. When I did my final exams, I got two As and two Bs and two Cs in honors subjects and a pass in maths and Irish. That was twenty-five years ago, after which we moved again, to a bungalow at the end of a tiny lane, a mile outside the village of Carricksheedy. Weekly shopping trips were always an ordeal. I sometimes pretended to be deaf to avoid conversation, but I could hear the schoolchildren's comments. "Here she comes, Strange Sally Diamond, the weirdo." Dad said there was no malice in it. Children are mean. Most of them. I was glad I was no longer a child. I was a forty-two-year-old woman. I would collect Dad's pension and my long-term-illness benefit from the post office. Years ago, the post office wanted us to set up direct debits to our bank accounts for our benefits and pension, but Dad said we should at least try to maintain some relationships with the villagers, so we ignored the advice. The bank was all the way over in Roscommon, eleven miles away. There was no ATM in Carricksheedy, though with most businesses, you could pay with your bank card and get cash back. I also collected Dad's mail because Dad said he didn't want a postman poking his nose into our business. Mrs. Sullivan, the postmistress, would shout, "How is your dad, Sally?" Maybe she thought I could lip-read. I nodded and smiled, and she would put her head to one side in sympathy as if a tragedy had occurred, and then I would go to the large Texaco garage. I would buy what we needed for the week and get home again, nerves abating as I turned into the lane. The round trip never took longer than an hour. When he was well, Dad would help unpack the shopping. We ate three meals every day. We cooked for each other. So, I prepared two meals and he prepared one, but the division of labor was even between us. We swapped duties as age took its toll on him. I did the vacuuming and he unloaded the dishwasher. I did the ironing and took out the trash and he cleaned the shower. And then he stopped coming out of his room, and he wrote his prescriptions with a shakier hand, and he only picked at food. Toward the end, it was ice cream. I fed it to him sometimes when his hands shook too much, and I changed his bed linen on the days when he could no longer control himself and didn't make it to the chamber pot under his bed, which I emptied every morning and rinsed out with bleach. He had a bell beside his bed, but I couldn't hear it from the back kitchen, and in the last days, he was too feeble to lift it. "You're a good girl," he said weakly. "You're the best dad," I'd say, though I knew that wasn't exactly true. But it made him smile when I said it. Mum had taught me to say that. The best dad was the dad on Little House on the Prairie . And he was handsome. My mum used to ask me to play this game in my head. To imagine what other people were thinking. It was a curious thing. Isn't it easier to ask them what they think? And is it any of my business? I know what I think. And I can use my imagination to pretend things that I could do, like the people on television, solving crimes and having passionate love affairs. But sometimes I try to think what the villagers see when they look at me. According to a magazine I read one time in Angela's waiting room, I am half a stone overweight for my height, five foot eight inches. Angela laughed when I showed her the magazine, but she did encourage me to eat more fruit and vegetables and fewer carbs. My hair is long and auburn, but I keep it in a loose bun, slightly below the crown of my head. I wash it once a week in the bath. The rest of the week, I wear a shower cap and have a quick shower. I wear one of my four skirts. I have two for winter and two for summer. I have seven blouses, three sweaters, and a cardigan, and I still have a lot of Mum's old clothes, dresses and jackets, all good quality, even though they are old. Mum liked to go shopping with her sister, Aunt Christine, in Dublin two or three times a year "for the sales." Dad didn't approve but she said she would spend her money how she liked. I don't wear bras. They are uncomfortable and I don't understand why so many women insist on them. When the clothes wore out, Dad bought me secondhand ones on the internet, except for the underwear. That was always new. "You hate shopping and there's no point in wasting money," he would say. My skin is clear and clean. I have some lines on my forehead and around my eyes. I don't wear makeup. Dad bought me some once and suggested that I should try it out. My old friend television and the advertisements meant that I knew what to do with it, but I didn't look like me, with blackened eyes and pink lipstick. Dad agreed. He offered to get different types, but he sensed my lack of enthusiasm and we didn't mention it again. I think the villagers see a forty-two-year-old "deaf" woman walking in and out of the village and occasionally driving an ancient Fiat. They must assume I can't work because of the deafness and that's why I get benefits. I get benefits because Dad said I am socially deficient. Excerpted from Strange Sally Diamond by Liz Nugent All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.