Sing a Black girl's song The unpublished work of Ntozake Shange

Ntozake Shange

Book - 2023

"In the late 60s, Ntozake Shange was a young student at Barnard College discovering her budding talent as a writer, publishing in her school's literary journal, and finding her unique voice. By the time she left us in 2018, Shange had scorched blazing trails across countless pages and stages, redefining genre and form as we know it. Sing a Black Girl's Song is a new posthumous collection of unpublished works from throughout the life of this seminal Black feminist writer. In these pages we meet young Shange, learn the moments that inspired for colored girls who have considered suicide/when the rainbow is enuf..., travel with an eclectic family of musicians, sit on "The Couch" opposite Shange's therapist, and dis...cover plays written after for colored girl's' international success. Sing a Black Girl's Song houses the literary rebel's politically charged verses from the Black Arts Movement era alongside her signature tender rhythm and cadence that capture the minutia and nuance of Black life, and is a long-lasting gift from one of the fiercest and most highly celebrated artists of our time"--

Saved in:

2nd Floor Show me where

811.54/Shange
1 / 1 copies available
Location Call Number   Status
2nd Floor 811.54/Shange Checked In
Subjects
Genres
Drama
Essays
Fiction
Poetry
Published
New York, NY : Legacy Lit, Hachette Book Group 2023.
Language
English
Main Author
Ntozake Shange (author)
Other Authors
Tarana Burke (writer of foreword)
Edition
First edition
Physical Description
xxiii, 463 pages : illustrations, portraits ; 24 cm
ISBN
9780306828515
  • Foreword
  • Introduction
  • Editor's Note
  • Early Life
  • Ellie, Who Is My Mother
  • Ellie, Who Is My Mother II
  • *The Silk Road*
  • St. Louis
  • Coming of Age as a Writer
  • They Are Safe for Now
  • Early Poems
  • Untitled #1
  • Untitled #2
  • Untitled #3
  • Untitled #4
  • Untitled #5
  • Brown hands
  • To all interested brothers
  • The receiving line
  • Easy rider see what you done done
  • On getting my new self together
  • For sapphire
  • R&b chorale
  • Blk folks, it's this thing calk love
  • My man & some boy
  • A banjo
  • Dark phrases
  • I want so much
  • Untitled #6
  • A scarlet woman
  • Scarlet woman
  • On marion brown
  • Untitled #7
  • Bonakele
  • Untitled #8
  • Untitled #9
  • Untitled #10
  • What we were abt on a dismal Saturday night in the city or catchin up with ourselves all in all
  • On malcolm x
  • To become a more discerning self
  • Sterile eviction
  • Untitled #11
  • For pedro
  • Charlotte 'n philip
  • Untitled #12
  • For me on the lady's birthday
  • Oshun's daughter
  • Sing her rhythms
  • Early Vignettes
  • Mabel
  • Arlene Francis Show
  • Geoffrey Holder
  • Three Weeks Ago, Tuesday
  • Dark Rooms
  • The Dark Room
  • The Angriest Patient
  • The Couch
  • Plays
  • Mother Courage and Yvette
  • Daddy Says: A Play
  • Guess What?
  • The Lizard Series
  • Lavender Lizards & Lilac Landmines: Layla's Dream, a Theater Piece
  • Later Poems and Short Fiction
  • Grey matters…
  • As long as i am me
  • *the mystery of a black hole is its density / flying in the limbs of eleo pomare*
  • Man fell out on subway train / slumped down
  • Two evangelical church on top each other
  • Girl with microphone on bottom steps
  • Boys with hands behind necks
  • Lady with freckles & cigarettes
  • Pregnant lady reading by window
  • Piano mantle piece
  • Flowered wallpaper, straw hat & jesus
  • Girl on the porch
  • 2 babies, 2 young men & girl on porch
  • Nana & two toddlers
  • Playin' no matter what
  • Naked pregnant woman on rooftop
  • Girl in front of cuba sign / hands clasped
  • Wake up black man
  • Black man cryin'
  • The dancin series
  • Some musicians tell me "there's no work"
  • Aqui me quedo
  • Nana in chair / white hair
  • *dizzy*
  • *when the wind blows in the ghetto*
  • *grandmother's bones*
  • Others who have not grown accustomed to this place
  • Whitewash
  • Fall, Chicago, 1959
  • MBJ
  • Critical Essays
  • Borders
  • Lost in language & sound a cnoreoessay
  • Acknowledgments
Review by Kirkus Book Review

Previously unseen writing from an essential Black author. Shange is perhaps best known for her Obie Award--winning play, for colored girls who have considered suicide/when the rainbow is enuf. But in addition to being a playwright, she was also a poet, a novelist, and a diarist, and when she died in 2018, she left behind a wealth of unpublished work. Harvard professor Imani Perry searched through these archives and chose the essays, poems, short stories, and plays presented in this collection. Tarana Burke, founder of the #MeToo movement and bestselling author, offers a foreword in which she explains how "Shange's words gave me language for my own experiences with trauma and love." Born Paulette Williams in Trenton, New Jersey, in 1948, the writer would ultimately change her name and become a prominent figure in the Black Arts Movement. In some of these pieces, Shange offers glimpses of her family--well-educated, financially well off, and keenly aware of racial difference. She describes a voracious love of reading that encompassed everything from Nancy Drew to Giovanni's Room as well as the process of discovering the voice that begins to emerge in her early poems. Those acquainted with the author will see familiar themes emerge as she engages with colonialism, code switching, white supremacy, liberation politics, sexism, sexual violence, and collective trauma. She writes of desire and despair and revolution and Black joy using language and imagery that she was taught to hide from white people. In a series of short vignettes Perry gathers into a chapter called "Dark Rooms," Shange speaks candidly of her struggles with mental health and her years in psychoanalysis, and she insists that therapy made her a better writer. Several plays, only one of which has been performed, are presented here. Shange continued writing and experimenting right up until her death, and the last section of this book contains poems and prose she produced between 1996 and 2018. The literary value of these works extends far beyond the insight they offer into Shange's life and artistic career. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.