Where there's smoke

E. B. Vickers

Book - 2023

Eighteen-year-old Calli finds herself alone after the loss of her father--until a bruised and broken girl shows up on her property, forcing her to face the present, rethink her future, and unearth the skeletons of her own past.

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YOUNG ADULT FICTION/Vickers, E. B.
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Subjects
Genres
Thrillers (Fiction)
Novels
Published
New York : Alfred A. Knopf [2023]
Language
English
Main Author
E. B. Vickers (author)
Edition
First edition
Physical Description
322 pages ; 22 cm
Audience
Ages 12+.
Grades 7-9.
ISBN
9780593480694
Contents unavailable.
Review by Booklist Review

On the afternoon of her beloved father's funeral, 17-year-old Calli stumbles across a strange and badly injured girl, Ash, hiding under a cottonwood tree. Because Calli thinks the girl might be a runaway from a strict religious community nearby, she's reluctant to call the authorities. Instead, Calli confides in three nurses, best friends of her late mother, who help her take care of Ash's injuries, and they promise to give Calli time before calling in the authorities. Ash has little to say apart from a reaction that makes it seem like she's been the victim of abuse. As she begins to piece together Ash's story about a monster, Calli realizes that monsters can have different faces. Calli's first-person narrative is rich and descriptive without being overwrought. Vickers, meanwhile, threads poetry throughout the novel that effectively provides backstory and clues without giving anything away, deftly handling the mystery and casting suspicion on just about everyone until the mystery is solved. The page-turning plot combines with appealing, authentic characters for a solid and satisfying read.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by School Library Journal Review

Gr 9 Up--Eighteen-year-old Calli is an orphan who just lost her father in a fire. Despite living in a close-knit small town, she feels lost and alone. After her father's funeral, while out walking on what is now her land, she stumbles upon a young girl who is burned and unable to speak. Calli, desperate for purpose and with the voice of her pious father echoing in her ear, decides to take the girl in and help her. But this girl is running from something, and as Calli comes to learn, there are a lot of buried secrets in her small town. Vickers adeptly creates tension in this thriller, breaking up chapters with interludes in poetic verse. Always referring to the past, the verses are vague and mysterious but hint at the hidden, underlying story. Many of these references to the past are never dealt with in the main plot, but instead are left to the imagination. While the narrative wraps up fairly well, readers may still be disappointed by the loose ends. The book's overall message is a serious one, that not everyone is who they appear to be and that everyone has the potential to be monsters. Readers will enjoy this fast-paced thriller and its many plot twists, even the ones they see coming. VERDICT A recommended purchase for school libraries.--Hannah Pohl

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A small-town teen's moral compass is set awry after she discovers a dark side to someone she loves. After the death of her beloved, well-respected father, recent high school graduate Calli rescues an injured girl she finds hiding on their family property. Shielding the clearly traumatized girl, whom she believes escaped from a nearby fundamentalist sect in the desert, Calli takes her to her family's mountain cabin, where she learns more about the girl, along with some disturbing truths about her own family. Comforted by childhood memories of her parents and formative years but also baffled by what's unfolding before her, Callie experiences a "watershed moment" when she faces an important decision involving loyalty and justice. The narrative alternates effectively with introspective poems that add insight and intensity. The book explores the notion that there are monsters among us whose bland, ordinary, even righteous exteriors hide evil within and the fact that it can be easier to wear blinders than to face the truth. Calli's first-person narration traces her trajectory from initial respect for her elders' advice to becoming cynical and mistrustful. The plot explores the cyclical nature of abuse and the fine line between abuser and victim while addressing one teen's growing awareness of these complexities. Characters largely read white; contextual clues point to Calli's belonging to the Church of Jesus Christ of Latter-day Saints. A twisty thriller that delves into tough emotional topics. (Thriller. 13-18) Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

in the beginning He wasn't always a monster. It's important to know that. He was once so small he curled into the space beneath his sleeping mother's chin. So helpless, that was the only place he felt safe enough to close his eyes. He once fed with a mouth that held no teeth at all, only a red ridge where they would soon appear. He wasn't always a monster. And that is always the case. 1 The day we bury my dad, I am almost a ghost myself. My mom waits at the cemetery already--she's been waiting there for five years. But her old friends are with me today in her stead: Maggie wakes and dresses me, Sofia brushes my hair and pulls it up. Trish makes toast and eggs just in case I'll eat a few bites and won't stop hovering until I do. After that, it is Ben at my elbow all day, best-friend-turned-babysitter even though, technically, we're both adults now. He leads me into the church, where the whole town of Harmony has gathered for the funeral and every speaker makes Dad sound like a saint. He guides me out of the church and walks beside me through the cemetery, where Dad will be laid to rest next to Mom. The grass over her grave has transformed from a patchwork of sod strips into an unbroken extension of the greater field of green. When did this happen, and why I didn't notice? How long will it take until the seams of his grave disappear too? A memory comes then, of sneaking into their bed on cold, dark mornings, not because I was afraid, but because I knew there was no place warmer or safer in the world. "A Calli sandwich," they would say as I wedged myself between their warm bodies. I want so much to climb back into my own past life, into that warm, safe bed, that I drop to my knees in the grass, stretching one arm forward-- --until Ben pulls me back and whispers my name and it strikes me how wrong this is. Not just because we're in a cemetery and there's a hole and a headstone instead of a down comforter, but because they are on the wrong sides. He should be on the right. She should be on the left. That is where they belong, and I belong between them. But they are mixed up with no safe space between them and they will be like this forever. Couldn't we have gotten at least that small[SA1] thing right? Ben loads me back into the passenger seat of his old white Ford and pulls the seatbelt across my body. What does it matter? I almost ask, but it's easier to click the buckle into place and look away. Before we turn out of the cemetery, I see Dylan Rigby climb into a backhoe next to the storage shed, and I realize he is coming to move the dirt. It is Dylan Rigby, my first boyfriend, who will bury my dad. Back at home, Maggie, Sofia, and Trish are here again, helping the women from church serve lunch. Long, rectangular tables covered with taped-on, dollar-store tablecloths wait under the cottonwoods. Even in early June, it's hot enough in our corner of high southwest desert that we're all seeking the pockets of shade wherever we can find them. Up by the porch, they've set up a serving area for the food. Lines of people pass by on both sides of the tables, taking thin slices of ham and scoops of cheesy potatoes--funeral potatoes, we call them around here--and wilted salad from a bag. I'm not sure I can eat any of it. I'll have the prime rib . Dad's voice cuts through the crowd, so clear and sudden that it startles me. I know he's gone; it's not like I look around to see if he's standing beside me somehow. But still, there's a comfort in knowing it's exactly what he would have said, just to lighten the moment--and in feeling like the words didn't come entirely from me. I've been flooded by memories ever since he died, but the voice--this is new. I find myself hoping to hear him again as I accept the plate that's been assembled for me, hoping this hallucination might bring me back into myself. Because, from the moment I got the news of the fire, I've felt myself fading from my own life. Maybe part of me has wanted to show Dad that this is how it's done; you don't just leave all at once. I know he didn't have a choice, but I still want to be angry at him for disappearing so suddenly, so completely. No smell of shaving cream in the morning, no slightly off-key singing while we fold laundry, no guilty smile when he peeks in my room at night to check that I'm home in bed and not off with Ben. (Or Dylan Rigby, once upon a time.) When he left, it wasn't a slow fade, a gentle ride into the sunset, but the click of a light switch. Binary. There, then not. Excerpted from Where There's Smoke by E. B. Vickers All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.