Spectral evidence Poems

Gregory Pardlo

Book - 2024

"Elegant, profound, and intoxicating--this is the author's first major collection of poetry after winning the Pulitzer Prize for Digest. Moving fluidly between considerations of the hip-hop group NWA, Tituba, the only Black woman to be accused of witchcraft during the Salem witch trials, MOVE, the movement and militant separatist group famous for its violent stand-offs with the Philadelphia Police Department ("flames rose like orchids . . . blocks lay open like egg cartons") and more-Pardlo ponders the development of his own identity and sense of self as it was shaped against the glaring forces of whiteness. At times challenging and at other times warm, inviting, and deeply personal ("Only by loving every child of t...his earth / can we be worthy of loving our own"), Spectral Evidence forces us to consider how we think about devotion, beauty and art, about the criminalization and death of Black lives, about justice and how these have been inscribed into our present, our history, and the Western canon."--

Saved in:

2nd Floor New Shelf Show me where

811.6/Pardlo
1 / 1 copies available
Location Call Number   Status
2nd Floor New Shelf 811.6/Pardlo (NEW SHELF) Checked In
Subjects
Genres
poetry
Poetry
Published
New York : Alfred A. Knopf 2024.
Language
English
Main Author
Gregory Pardlo (author)
Edition
First edition
Item Description
"This is a Borzoi book." -- title page verso.
Physical Description
xvi, 101 pages : illustrations ; 23 cm
Bibliography
Includes bibliographical references.
ISBN
9781524731786
9781524711054
Contents unavailable.
Review by Booklist Review

In the introduction to his highly anticipated new book, the Pulitzer Prize--winning Pardlo ruminates that "it is impossible for me to change my mind without examining the entire ecosystem of ideas that uphold my worldview." The stunning poems that follow explore many aspects of memory, identity, Black history, popular culture, and social justice. The poet is adept at wordplay, employing cultural references and varied structures, often ingeniously engaging multiple topics and succinctly connecting them. Each poem demands to be read on a granular level, thinking deeply about the layers presented. In "Tall Poppies," the through line from ancient Rome to the Opium Wars to the modern Oxycontin crisis to the Rwandan genocide to modern-day Israel is tightly and concisely illustrated. Pardlo's use of form is clever, blending seamlessly throughout the book. The introductory group of poems in the section entitled "The Essay on Faith" is presented as a classical argument. "Know Yourselves" is a conversation with disparate parts of the same person. Form, lyricism, and imagery are expertly presented, and the result is a compelling, cohesive collection addressing timely topics. A beautiful addition to Pardlo's already impressive oeuvre.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

The contemplative latest from Pulitzer winner Pardlo (for Digest) explores fear as the basis for legal judgment. As Pardlo explains in the introduction, the fear-driven imaginings used by white men to condemn those accused in the Salem witch trials have been similarly employed against nonwhite people from America's colonial era to the present. Beginning the collection with a long poem in sections titled "The Essay on Faith," which is structured like a legal argument the speaker is having with himself, Pardlo lays bare the flimsy foundations of America's justice system: "Dream, the via negativa that makes freedom ring. It/ is evidence of things not seen." Other entries play on this concept of unseen evidence, such as "Sonnet," which reproduces a table from a study of racial biases in the medical field. The title poem evokes the language of police perpetrators of violence against people of color to show how fear of the racialized "other" can be twisted to fit any legally excusable context: "Declares that on Harvest last, the Devil in the shape of a black man/ had the most aggressive face/ that his eyes were bugging out." With characteristic intelligence, Pardlo confronts uncomfortable and enduring truths. (Jan.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Pulitzer Prize winner Pardlo (Digest) explores the early American judicial practice that allowed for "spectral evidence," testimony in which witnesses described being harmed by malevolent spirits. Pardlo posits that the same fear-based imaginings that convicted the accused in the Salem witch trials are used today to rationalize hate and violence directed toward women, Black and Indigenous peoples, and others who challenge patriarchy and privilege. For Pardlo, police officers' recorded statements characterizing Black individuals as looking like demons, with expressionless, bulgy eyes, are not much different from those put forth in Salem courtrooms. The poem "Spectral Evidence" opens with chillingly similar wording: "Declares that on Harvest last, the Devil in the shape of a black man / had the most aggressive face / that his eyes were bugging out." As a narrator, Pardlo offers a varied and engaging delivery, peppered with gentle exclamations and well-rendered snippets of conversations. It is an artifice-free presentation that is tailored to the content and creates the perfect backdrop for Pardlo's unapologetic, unsparing analysis. VERDICT An intricate and richly varied collection that reveals new insight with every poem that's read. Pardlo stuns with this relentless examination of race, prejudice, and fear.--Sarah Hashimoto

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.