First love Essays on friendship

Lilly Dancyger

Book - 2024

"When Lilly Dancyger was twenty-three years old, her best friend and cousin, Sabina, was violently raped and murdered. In the face of devastating loss, Dancyger stayed sane and whole by the magic and the medicine of her female friends. Each essay in First Love examines a different female friendship in her life, beginning with her first love-Sabina-whose loss becomes the springboard for Dancyger's examinations of her fierce and passionate relationships with women. Just as each friendship unlocks a new realm of self-discovery for Dancyger, each essay in this memoir begins with the deeply personal and ripples outward to examine broader cultural assumptions about feminine identity and desire, and the many ways women create and hold sa...fe spaces for each other and ourselves in a world of covert (and often overt) patriarchy. Dancyger's focus ranges from the eighteenth-century notion of romantic friendship to the New York punk scene of her teen years, to film and nature-based spiritual practices, creating a kaleidoscopic portrait of female identity, and how women nurture each other"--

Saved in:

2nd Floor New Shelf Show me where

BIOGRAPHY/Dancyger, Lilly
1 / 1 copies available
Location Call Number   Status
2nd Floor New Shelf BIOGRAPHY/Dancyger, Lilly (NEW SHELF) Checked In
Subjects
Genres
Essays
Autobiographies
Published
New York : The Dial Press [2024]
Language
English
Main Author
Lilly Dancyger (author)
Edition
First edition
Physical Description
x, 208 pages: illustrations ; 22 cm
Bibliography
Includes bibliographical references (pages 205-208).
ISBN
9780593447574
Contents unavailable.
Review by Booklist Review

This penetrating collection from the author of the memoir Negative Space (2021) and editor of Burn It Down: Women Writing about Anger (2019) takes place on a fire escape and in New York City parks; in the middle of the night and during truant schooldays. The author's first best friend was her cousin Sabina. Their family called them Snow White and Rose Red, and, as in a fairy tale, Dancyger lost Sabina young and tragically. Encompassing many friendships and, accordingly, much of the author's life, these 15 essays are lean yet expansive, with multitudinous truths and images placing readers right with the author as she rebels, flounders, triumphs, and carries on--always, in some way, in the company of friends. "Mutual Mothering" exalts the caretaking in friendship, while in "Portraiture," a friendly collaboration to capture the "current" of friendship on film leads to Dancyger's writing on "the impossibility of ever capturing the entirety of a person, in writing or photography." Impossible perhaps, but Dancyger shows the love, grief, and beauty of a skilled, sincere attempt, and it's beguiling.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In these bruising essays, memoirist Dancyger (Negative Space) contemplates female friendships "predicated on deep love and knowing," yet frequently marked by tragedy. Probing grief and self-discovery, she writes of a "first love" with her cousin Sabina that began at age six and ended with Sabina's murder at age 20, a formative tragedy that "rippled out... like a web" to future friendships. In high school, she formed an obsessive, cocaine-fueled bond with fellow rebel Haley that unraveled after the two stopped using the drug, ending a friendship whose intensity seemed to predict its demise. Elsewhere, Dancyger describes how her cousin's murder helped bond her to college friend Carly, whose fiancée later died suddenly. The latter tragedy painfully highlighted the impossibility of shielding loved ones from pain: grief "is an entirely different country from your own, and the only person who can ever find their way through it is her," Dancyger reminded herself. In these essays, love is inextricably bound with pain, a duality the author renders with a lyrical and affecting rawness. Cathartic and intense, this leaves a mark. Agent: Annie Hwang, Ayesha Pande Literary. (Apr.)

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

A New York--based essayist and memoirist reflects on the female friendships that have shaped her life. When Dancyger, the author of Negative Space, was 22, her cousin, Sabina, was murdered. The crime shattered the author, partly because she considered her friendship with Sabina her first experience of love. Although culturally, we often associate first loves with romance, Dancyger's memories of Sabina piqued her interest in a different kind of love: "What about the first childhood experience of love, the first person you truly love other than your parents? Does a first sisterly love set the bar for a lifetime of friendships?" The author reflects on a lifetime of female friendships, including the one with her high school best friend, Haley, whom she felt compelled to protect; her adult friendship with a woman named Liz that survived their rambunctious early 20s; her close relationship with a former roommate named Leah, who helped Dancyger through a terrible bout of grief; and her intensely loving relationship with Sabina, which flows so deeply that the author found herself unable to write a book about the girl's untimely death. At the end of this book, the author writes, "When I finally sat down to write about Sabina, the story that came out was not about murder at all. It was a love story." Dancyger's ode to female friendship is affectionate, frank, circumspective, and passionate. Despite the traumatic nature of many of the memories she recalls, the author manages to infuse each page with an undercurrent of quiet, grateful joy. While the collection sometimes lacks cohesion--most notably in a chapter that focuses on a collaborative photography project that feels disconnected from the rest of the narrative--overall, this is a well-written and -paced read. A tenderly insightful essay collection celebrating female platonic love. Copyright (c) Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

First Love I sent my first love letter when I was six years old. My handwriting was blocky and large, requiring great effort and concentration to express this big emotion my little body could barely contain. I made a card shaped like a butterfly--cut out with safety scissors, decorated with elaborate colored-pencil patterns--and wrote to my five-year-old cousin Sabina that being far away from her made me feel like a butterfly with one wing. The grown-ups called us Snow White and Rose Red, after the Grimms' fairy tale about two sisters who match their mother's two rosebushes--one that produces white roses and the other red. Though our mothers shared a sisterly resemblance, I had my Jewish father's wild curly hair and pale blue eyes, and Sabina had her Filipino father's warm brown skin and straight black hair, always brushed to a sheen and neatly braided. Dark and light, opposite twins. "Snow White and Rose Red" (no relation to the Snow White of Disney fame, from another Grimms' story) is remarkable among fairy tales because the two sisters are not rivals or foils, but simply love each other. "The two children were so fond of one another," the story goes, "that they always held each other by the hand when they went out together, and when Snow White said: 'We will not leave each other,' Rose Red answered: 'Never so long as we live.' " In my earliest memories, before my parents and I moved from New York to San Francisco when I was five, Sabina was always either by my side or nearby. Sometimes we lived together, and sometimes we just stayed over at each other's apartments a lot. One morning, when I was four and Sabina was three, we woke up before the grown-ups, and she said she was hungry. I could wait for my own breakfast, but I couldn't wait for hers, so I took her hand and led her to the kitchen. I pulled a chair over to the counter, where I climbed up and dug around in the cupboards until I found a salad bowl. When the adults woke up, they found us sitting on the floor, covered in milk, sharing an entire box of soggy cereal. That was always how I felt about Sabina--if she was hungry, I would climb obstacles taller than myself to bring her a whole week's worth of breakfast. Moving three thousand miles away from her was my first heartbreak. There's a lot of cultural mythology around the idea of a first love--that it stays with you for life, a high you never stop chasing. A magic spell cast on a fairy-tale princess, dictating the way the rest of her story will unfold. One theory about why first love makes such an impact is that first experiences with romantic love tend to happen during our teenage years, when everything is heightened by increased hormone levels, and when the part of the brain that retains memories is maturing. This is why the music we listen to as teenagers tends to remain emotionally significant throughout our lives, and, in theory, why first teenage love stands out--a yardstick by which to measure every other love that comes after it. But what about the first childhood experience of love, the first person you truly love other than your parents? Does a first sisterly love set the bar for a lifetime of friendships? It's true that I've never been satisfied with friendships that stay on the surface. That my friends are my family, my truest beloveds, each relationship a world of its own. The best compliment I've ever been given was "You're so many people's best friend." Maybe I've always sought friendships predicated on deep love and knowing--been unwilling to settle for less--because I learned at such a young age that they're possible. Sabina and I told people when we were little, "We love ourchother," and in the way adaptations of speech made by small children so often do, the phrase feels truer than the original: Between us, there was no separate "each," only "our." This was my first definition of love. Sabina's father walked out when she was a baby and mine died when I was twelve, so as teenagers, we were both only daughters of single mothers. My mother, Heidi, was the oldest of five, and Sabina's mother, Rachel, the second oldest--the two of them bearing the deepest scars of a chaotic and traumatic childhood that included foster care, abuse, neglect, and a hippie commune. They carried the impact of their childhood instability into their own mothering in opposite ways: My mother never quite found solid ground, attempting to outrun her demons with frequent short-notice cross-country moves, and to drown them in heroin. She protected me better than her own mother had protected her, but still, I inherited chaos like a family heirloom. Rachel, meanwhile, braced so hard against the chaos that she perceived any deviation from order as a threat--like an overactive immune system reacting to something harmless, an allergy to imperfection. When we were kids, Sabina was allergic to dairy, chocolate, cats, dogs, and at least a couple of other things. Her allergies only added to the impression that she was a delicate thing, a baby doll. The youngest cousin, the baby of the family, she even looked like a doll: big brown eyes under heavy black lashes, and perfect round cheeks. But then she'd smile--her wide, toothy grin proportionately a little too big for the rest of her face in a way that made her even more spectacularly beautiful because it reminded you that she was not a doll after all, but a real girl with a silly smile that was usually accompanied by a bubbly laugh and sometimes a little shoulder shimmy. My mom brought me to stay with Rachel and Sabina for a few weeks the summer I was fourteen and Sabina was thirteen, when the first flashes of my teenage self-destruction were too much for her to handle. By then we'd moved back to New York, just a bus ride away from Rachel and Sabina where they'd settled in Philadelphia. My mother worked during the day and had no way to stop me from getting drunk in the park first thing in the morning and doing "god knows what else," so she dropped me off with her sister. Resentful, I was sullen and silent the whole way to Philly. I refused to make eye contact with my mother as she ushered me out the door, onto the subway, and then onto the Chinatown bus, setting my jaw in an unmistakable pout and pulling my black hoodie over as much of my face as I could, despite the summer heat. My forehead against the window and my Converse pulled up onto the seat as the bus rolled along the New Jersey Turnpike, I blasted Nirvana's Bleach in my headphones and felt sorry for myself for missing out on whatever trouble my friends were getting into. I still refused to look at or speak to my mother when the bus finally stopped with a wheeze in Philadelphia, or during the cab ride to Rachel and Sabina's apartment. When my aunt opened the door to greet us, I stood with my arms crossed, scowl still on my face, making sure she, too, knew I wasn't happy to be there. I saw her and my mother exchange a glance, and prepared to dig even deeper into my sulk. But then Sabina came bounding toward me, waving her hands in the air and yelling "Yiddy!," her nickname for me from when we were toddlers and she couldn't make an l sound. She was wearing a lime-green tank top with butterflies on it, so bright and bouncy and excited. She hurled herself at me, enveloping me in a big hug, completely ignoring how sour I was being. I laughed, just a little, despite myself, and hugged her back, letting her rock our bodies back and forth. We spent those weeks being kids together--I remember them as the very last days of my childhood, which I'd been halfway out the door and away from but was willing to turn around and stay in just a little longer with Sabina. We made up dances like we used to (I picked the music--the Clash, mostly); walked around her neighborhood picking flowers; went to the library to check out big stacks of books which we read on opposite ends of the couch, our feet all in a pile together in the middle. We helped Rachel cook dinner and cleaned up together, watched movies, went to bed early and stayed up late whispering. On one of our walks, we found a large dead dragonfly, perfectly intact, its little legs curling up in the air. We both gasped and crouched down on the sidewalk to get a closer look at its crystalline wings. "How can we get it home?" I asked, knowing we'd both already decided in our quiet awe that we would take it with us. "It's so fragile." "Very carefully," Sabina replied with certainty, delicately picking it up by its stiff tail and laying it across her open palm. Cupping her free hand over its body to keep it from blowing away--but not touching the impossibly thin wings--she started walking again, slow and steady, with a dancer's control honed over years of ballet classes. I matched her pace, keeping my eyes on her hands and the treasure between them, and we made our way step by cautious step the few blocks back home. We spent the rest of the afternoon decorating a shoebox shrine for our new friend, agreeing that it was a sign--we weren't sure of what, but we knew it was significant. "They were as good and happy, as busy and cheerful as ever two children in the world were," the Brothers Grimm wrote of Snow White and Rose Red. Excerpted from First Love: Essays on Friendship by Lilly Dancyger All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.