The sons of El Rey A novel

Alex Espinoza, 1971-

Book - 2024

"Ernesto and Elena Vega arrive in Mexico City where Ernesto works on a construction site until he is discovered by a local lucha libre trainer. At a time when luchadores-Mexican wrestlers donning flamboyant masks and capes-were treated as daredevils or rockstars, Ernesto finds fame as El Rey Coyote, rapidly gaining name recognition across Mexico. Years later, in East Los Angeles Freddy Vega is struggling to save his father's gym while Freddy's own son Julian is searching for professional and romantic fulfillment as a Mexican American gay man refusing to be defined by stereotypes. The once larger-than-life Ernesto Vega is now dying, leading Freddy and Julian to find their own passions and discover what really happened back in ...Mexico. Told from alternating perspectives, Ernesto takes you from the ranches of Michoacán to the makeshift colonias and crowded sports arenas of Mexico City. Freddy describes life in the suburban streets of 1980s Los Angeles and the community their family built as Julian descends deep into the culture of hook-up apps, lucha burlesque shows, and the dark underbelly of West Hollywood, The Sons of El Rey is an intimate portrait of a family wading against time and legacy, yet always choosing the fight"--

Saved in:
1 person waiting

1st Floor Show me where

FICTION/Espinoza Alex
0 / 1 copies available
Location Call Number   Status
1st Floor FICTION/Espinoza Alex Due Mar 1, 2025
Subjects
Genres
Sagas
Gay fiction
Novels
LGBTQ+ fiction
Published
New York : Simon & Schuster 2024.
Language
English
Main Author
Alex Espinoza, 1971- (author)
Edition
First Simon & Schuster hardcover edition
Physical Description
374 pages ; 24 cm
ISBN
9781668032787
Contents unavailable.
Review by Booklist Review

Espinoza (The Five Acts of Diego Leon, 2013) brings three generations of a Mexican American family to life, along with their life in la lucha, Mexico's popular wrestling sport featuring masked athletes. El Rey Coyote is the luchador alter ego of patriarch Ernesto Vega, who is on his death bed. El Rey Coyote was a técnico, the good guy in the Manichean logic of this sport-spectacle of carefully crafted, elaborate rivalries. This immigrant family's struggles to survive and thrive in their native country (in the luchador business) and in their adopted one (by opening a gym) is complicated by the secret drama of Ernesto's closeted homosexuality. Each family member, including Elena, Ernesto's deceased wife, tells their part of the family story in short, punchy chapters. There's Julian, the baby of the family, named for Ernesto's best friend and partner (and perhaps something more); his father Freddy/Alfredo aka El Rey Coyote Jr.; angry and resentful Elena; and El Rey Coyote himself. From rural Mexico to Ajusco, the outskirts of Mexico City to Los Angeles, their stories unfold in surprising ways.

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Espinoza (Cruising: An Intimate History of a Radical Pastime) returns to fiction with the arresting story of an elderly wrestler's last days. Ernesto Vega is visited while in hospice care by his son, Freddy; his gay grandson, Julian; the ghost of his wife, Elena; and a manifestation of his lucha libre persona, El Rey Coyote. Elena and El Rey Coyote press Ernesto to reexamine his life and his competing devotions to wrestling, his marriage, and his close childhood friend Julián Tamez. Meanwhile, Freddy, who once performed as El Rey Coyote Jr., agonizes over having to permanently shutter his father's East Los Angeles gym, which never bounced back after the pandemic lockdowns, and Julian, an underpaid community college professor, chafes at being fetishized by other men for the color of his skin. The seamlessly interwoven story lines bring each character to vivid life, and Espinoza shines in the lucha libre scenes ("The crowd gasping, unmoving as they witnessed the flurry of leaps and jumps, the swirling colors and lights, these men doing such incredible things, things no mortal was ever expected to do"). This is a knockout. Agent: Eleanor Jackson, Dunow, Carlson & Lerner. (June)

(c) Copyright PWxyz, LLC. All rights reserved

1. Ernesto VegaERNESTO VEGA A friend once told me the dead tell the best lies. I will try to be honest even though I never learned how. No, I wasn't born a luchador. I was shaped into one by circumstance, by a life lived without tenderness or sympathy, by my father's beatings when I was a boy, his constant attempts to toughen me up, to make me a man. Un hombre valiente , he'd say. El Rey Coyote was my lucha libre persona. The long and flowing cape with its wide shoulder pads and furry collar, the spandex tights, the boots, and the mask, bright white fabric inlaid with thick gold borders outlining the eyes, nose, and mouth... it was an act and I got lost in it. I can't be blamed, though. I only wanted to be seen and recognized. And I got my wish; all over Mexico, throngs of people packed those vast stadiums. They stood on their seats, raised their voices. They cheered for him, for me, and I was truly loved. But I didn't choose to become El Rey Coyote. When I moved to Mexico City with my wife, he found me. We were destined for each other. Either good guy técnicos or bad boy rudos, we do it for la gloria, for the honor, for the sacrifice. The punches to the stomach, the chest, the groin. The smacks on the back from an opponent or the mat as I leapt from the top cord, pivoting in the air, then falling so hard the sensation sent shocks like bursts of lightning from the base of my spine, up and down the column, from my fingers to my toes. The choke holds. Broken noses. Head injuries. Busted lips. Black eyes. Cracked fingers. Snapped wrists. Pulled tendons. Hands yanking my hair and twisting my arms. Legs wrapping around my neck, crushing my larynx, nearly suffocating me. Boot soles stomping my face. Scratch. Punch. Pound. Break. Blood running. Always the blood running. Yes, the feuds are scripted, penned to hype up the drama, to get the audiences invested in our characters, to keep them coming back. And even though the fights are choreographed to avoid injuries, they still happen. Some think it's all fake, but they're wrong. You just need to look to our bodies for proof. Like me, it was circumstance that led my son, Alfredo, to follow in my footsteps and become a luchador. Unlike me, it was his choice to do so. This was the 1980s, so all everyone talked about besides nuclear war with the Rusos was Satanic messages hidden in songs, cocaine, and teen suicide. After his mother died back when he was in high school, he started drinking, smoking mota, getting into car wrecks, and nearly killing himself. Something needed to be done, so I got him into the ring and trained him in the tradition of lucha libre. That changed him, and he surpassed even my expectations. He followed in my footsteps, donned boots, tights, and a cape with bright colored stones. He covered his identity in a mask of shiny fabric adorned with jewels and beads, flashier than mine. As it is in our tradition, he took my name. Alfredo became El Rey Coyote Jr., the toughest luchador in all of Los Angeles. My grandson, Julián, was born to wage a different kind of battle, born to don a different type of mask. I want to tell them I know how divine it can be, all that fame and adoration, all the ways they crave bodies like ours. But this can also ruin us, lead to our demise. My children, Alfredo and Mercedes. Julián. Elena, my wife, my only real love. Even him, that other me, El Rey Coyote. I want them to know I understand now. I see what parts of us are forever lost in all this beautiful chaos. But I'm more dead than alive at this moment, so it's too late for me anyway. Excerpted from The Sons of el Rey by Alex Espinoza All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.